Album Review: Lil Yachty – Let’s Start Here.

Artist: Lil Yachty | Album: Let’s Start Here. | Genre: Psychedelic rock, Neo-psychedelia | Year: 2023

From: Mableton, (GA,) USA | Label: Concrete, Quality Control, Motown

For fans of: Tame Impala, Pink Floyd, Kids See Ghosts

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Lil Yachty is now the most-unexpected artist I’ve ever covered. I could have feasibly seen myself covering other hip-hop artists at some point. Danny Brown’s Atrocity Exhibition is a masterpiece that extensively samples progressive, psychedelic, and krautrock; and his experimental spirit made him someone I thought could have shown up on this site eventually. Lil Yachty’s usual trap stylings made this album a complete left-field surprise, though. (I can’t say I’m exceedingly familiar with his previous work, nor do I know much about hip-hop, more broadly speaking. But I’d heard a few of his songs, and in general I don’t like trap. So please excuse my illiteracy of his other work.)

Let’s Start Here. is fairly comparable to the Kanye West-Kid Cudi collaboration, Kids See Ghosts. But where that duo was still firmly rooted in hip-hop, Yachty’s new release is primarily rock-focused. There are also ample soul and Motown flavors, and hip-hop crops up on occasion. The whole record is dense and lush, and it’s got an engrossing, enveloping quality to it. Autotune is used as an instrument unto itself here. The robotic tones are slathered in reverb, and it complements the dreamy, Afrofuturist tone of this record perfectly.

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Album Review: King Gizzard & The Lizard Wizard – Omnium Gatherum

Band: King Gizzard & The Lizard Wizard | Album:Omnium Gatherum | Genre: Psychedelic rock | Year: 2022

From: Melbourne, Australia | Label: KGLW

Bandcamp

I hesitate to use a label more restrictive than “rock” to describe King Gizzard & The Lizard Wizard. These astonishingly prolific Aussies have one of the most diverse back catalogs in modern popular music, ranging from garage rock to prog to thrash metal to synthpop to microtonal music and beyond. Their latest release is a dizzying encapsulation of their always-shifting style. The appropriately-titled Omnium Gatherum (a faux-Latin phrase meaning “a collection of many different things”) is a sprawling, 80-minute record that has a bit of everything.

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Album Review: Creature – Eloge de l’Ombre

Band: Creature | Album:Eloge de l’Ombre | Genre: Progressive metal, Avant-garde metal | Year: 2021

From: Bretagne, France | Label: I, Voidhanger Records

For fans of: Arcturus, Cynic, Öxxö Xööx

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France has long embraced a distinct weirdness and experimentalism in their rock music. Magma are probably the most germane example for this site, though there was a whole microcosm of uniquely French prog acts in the ‘70s, such as Ange, Memoriance, and Mona Lisa. This spirit can be seen today in numerous extreme metal acts, like the bizarre symphonics of Öxxö Xööx or blackgaze pioneers Alcest.

Creature, the one-man project of Raphaël Fournier, has put out a striking, bold release that continues in this tradition of adventurous Francophone rock and metal. (It’s also another strong release from Italy-based experimental metal label I, Voidhanger; I strongly recommend checking out their catalogue.) The music is dense and replete with synthesized vocals and engaging rhythms. Fournier is also quite verbose, demonstrating downright Springsteenian levels of wordiness. So, if you speak French, there’s likely a lot for you to analyze here.

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