Album Review: Genghis Tron – Dream Weapon

Band: Genghis Tron | Album: Dream Weapon | Genre: Progressive metal, Cybergrind | Year: 2021

From: Poughkeepsie, USA | Label: Relapse

For fans of: Cynic, Gorguts, Justice, the more electronic side of krautrock

Bandcamp

Part of the reason these reviews have been less frequent as of late is that I’m simply having a harder-than-usual time finding new music which really speaks to me. Unless it’s a fairly big-name act, I don’t have much motivation to write 400-800 words on a record where the score will be in the 50s. Thankfully, Dream Weapon came along and snapped me out of that funk.

I’d never heard of Genghis Tron before this album, and I can see why that might have been. They were initially active in the mid-2000s before taking a 13-year hiatus. I’d also never heard of the cybergrind genre, but it’s a fitting name. It takes the aggression and energy of genres like mathcore and grindcore and pumps it through synthesizers galore. (Interesting sidenote: “mathcore” is considered a real word by MS Word, but “grindcore” is not.)

What this record almost reminds me of is Justice’s debut album. Where is an electronic album with a significant hard rock/heavy metal substrate, Dream Weapon feels like it’s coming from the other direction. It’s definitely a metal album, but electronic music thoroughly imbues its DNA.

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Album Review: Meer – Playing House

Band: Meer | Album:  Playing House | Genre: Progressive rock, Art pop | Year: 2021

From: Hamar, Norway | Label: Karisma Records

For fans of: Bent Knee, Phideaux, iamthemorning

Bandcamp

Over the last two decades, Scandinavia has become one of the most prolific producers of prog in the world. Big-name acts (by prog standards) like Wobbler, Opeth, and Beardfish have made huge waves in the scene. Meer, a Norwegian octet, continues in this trend, blending complex compositions and arrangements with accessible, catchy pop tendencies (another Scandinavian tradition, which I’m considerably less fond of).

The eleven songs on Meer’s sophomore album, Playing House, show intense structural ambition. The music is densely layered, and the band utilizes dynamics to great effect.

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Album Review: Toboggan – Première Descente

Band: Toboggan | Album: Première Descente | Genre: Zeuhl, Progressive rock, Jazz fusion | Year: 2021

From: Clermont Ferrand, France | Label: Independent

For fans of: PoiL, Dai Kaht, Al di Meola, Primus

Bandcamp

I covered Toboggan’s debut EP back in 2019, and I really liked what I heard. It was jazzy, funky, and high-energy instrumental zeuhl. Toboggan’s guitar/keyboard player, Etienne Mazoyer, is in another zeuhl band, ZWOYLD, which draws more heavily from traditional prog and psych tones. There’s a lot of shared DNA between these acts, so if you like what you hear here, I strongly recommend checking out ZWOYLD. (Especially their 2016 album, ZGOND.)

The cover art of Première Descente suits the music quite well. The twisting, spiral slide gives a sense of the wild, swerving nature of the songs. Structurally, the individual tracks follow a long-short pattern, with long cuts running 9-14 minutes, followed by sub-two-minute breathers.

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Album Review: Steven Wilson – The Future Bites

Artist: Steven Wilson | Album: The Future Bites | Genre: Art pop, Synthpop, Soft rock | Year: 2021

From: Hertfordshire, UK | Label: Caroline International

For fans of: Steven Wilson’s other recent solo work – beyond that, I’m not sure; this is outside my normal wheelhouse

Buy

Steven Wilson, likely the biggest individual name in the current world of prog, returns with his sixth solo album. After making a name for himself with his longtime prog metal/rock band, Porcupine Tree, he struck out on a solo career (which I’ve documented here) that has tacked increasingly poppy over his last few releases.

Wilson had commented that he currently does not feel inspired when playing guitar, and his continued gravitation toward synthesizers is evident on The Future Bites. I have to give him kudos for following his musical heart and not kowtowing to prog traditionalists demanding another Deadwing or Hand. Cannot. Erase. I really respect him for broadening his horizons and playing what he wants to play. I wish more artists had that sort of integrity and adventurous spirit.

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Album Review: Chromatic Aberration – The Trial of the King

Band: Chromatic Aberration | Album: The Trial of the King | Genre: Progressive rock | Year: 2021

From: Cleveland, USA | Label: Independent

For fans of: Genesis, Yes, Rush

Bandcamp

Happy 2021, folks! I took a couple weeks off, but now I’m back to my usual (mostly) weekly posts. I’ve got a queue of EPs and other releases for an upcoming Odds & Ends. I’m also nearing completion on my next Deep Dive, so expect that in early spring. I haven’t posted a full-length review in over two months, though! So, I’m shaking off the rust and highlighting a fantastic two-piece out of Cleveland.

There’s not much about this band online. They’ve got no presence on Facebook or Twitter or anything beyond their Bandcamp page that I can find. That’s a shame, because The Trial of the King is a great way to start off the year. This record feels like an alternate universe where Alex Lifeson and Geddy Lee were members of Yes. The overall sound palette is rich and full of retro synths, but the guitars are usually angular. The bass has a satisfying, snapping bite to it more akin to Geddy’s tone than Chris Squire’s usual overdrive.

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Top Prog EPs of 2020

Welcome to the first installment of my 2020 best-of lists, TheEliteExtremophile’s Top 5 Prog EPs of 2020. Expect the two-part Top 50 Prog Albums list next week.

Prog is a pretty long-winded genre, so the number of EPs I listened to was low, somewhere in the 12-15 range. However, there were some absolutely killer releases, and trimming this list down to 5 was tough.

As I stated last year, I’m sure there are some excellent releases not included. This site is my personal pet project, and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way, either through this site, email, or my Facebook page.

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Album Review: Wobbler – Dwellers of the Deep

Band: Wobbler | Album: Dwellers of the Deep | Genre: Progressive rock | Year: 2020

From: Oslo, Norway | Label: Karisma Records

For fans of: Yes

Bandcamp

Wobbler are indisputably one of the top dogs of the modern progressive rock scene, and I quite like them. However, I view them as one of the most overrated acts out there. They’re certainly not bad, not by a wide margin. Nevertheless, From Silence to Somewhere (their 2017 release) is ranked 28th all-time on Prog Archive’s list of the top prog albums, which is ridiculous. It’s a very good record which cracked my personal Top 10 that year, but it certainly ain’t the 28th-best prog album of all time. At time of writing, Dwellers of the Deep ranks 52nd on that same list, and that’s even more egregious. (That list, aggregated off user reviews, has all kinds of other odd inclusions and exclusions, and I’ve got my own gripes about that site’s users’ biases.)

I also find the progosphere’s eager deference to this band off-putting, and I’ve witnessed an awful lot of hand-waving at just how Yes-y they’ve become over their last few albums. Their Yes-iness isn’t an inherently bad thing. Rites at Dawn is my favorite of their records, and that is arguably their most blatantly Yes-like release. But after a while, such obvious aping of another act’s sound does begin to wear thin, and Yes varied their sound more than Wobbler have. To reiterate: I like Wobbler, but I don’t view them through the same irreproachable lens that many other prog fans seem to hold.

Now that I’ve gotten my expository rant out of the way, I can address the album at hand. Dwellers of the Deep is this Norwegian quintet’s fifth full-length release. Upon first listening to it, I was struck by the fact that I could identify no appreciable differences between this album and From Silence to Somewhere. The sound palette hasn’t been shaken up, the albums’ structures are similar, and the melodies feel too familiar—bordering on re-trod. However, the strength of Wobbler’s baseline sound is such that even with these considerations in mind, Dwellers of the Deep is still a pretty good record. Not amazing, but pretty good and worth listening to.

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Album Review: Acid Mess – Sangre de Otros Mundos

Band: Acid Mess | Album: Sangre de Otros Mundos | Genre: Psychedelic rock, Progressive rock | Year: 2020

From: Asturias, Spain | Label: Spinda Records

For fans of: Mezquita, The Mars Volta, Fuzz

Bandcamp

I’ve discussed Spinda Records and their consistently high-quality underground prog and psych before. Moura’s self-titled debut—released by Spinda in March—might just wind up being my album of the year, but my year-end list is still taking form. The latest release from this label is the third album from Acid Mess, Sangre de Otros Mundos (Blood of Other Worlds).

The album opens with “El Reflejo de Su Piel” (“The Reflection of Your Skin”). The first half of this song is slow and atmospheric: clean guitar echoes as a squiggly, fizzy synth line winds its way beneath. That suddenly erupts into a distinctly Spanish guitar riff imbued with metallic aggression. Handclaps add a distinct textural element, and swirling organ, though low in the mix, makes everything feel fleshed-out.

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