Welcome to the fourth installment of The Elite Extremophile’s Top Prog Releases of 2022. We’re starting off with the Top Prog EPs of 2022. The two-part Top 50 Albums list will be posted in the coming days.
I’ve never settled on a firm number for this list, but the last three years have all been Top Fives. This year, though, I listened to many more short releases than usual, and there are nine in particular that I want to highlight.
The difference between an EP and a short LP can often be murky. A number of these releases could have feasibly been included in the Top Albums list (and at least two initially were). However, upon thinking it through, I’m comfortable with this list. Aside from being fairly short, I don’t have firm criteria for differentiating LPs and EPs. It’s very much an “I’ll-know-it-when-I-see-it” situation.
So, without further ado, let’s jump into the list!
Band: Bekor Qilish | Album:Throes of Death from the Dreamed Nihilism | Genre: Black metal, Progressive metal | Bandcamp
Bekor Qilish is a one-man project hailing from Italy. The songs are full of high-energy shredding, technical soloing, and some really great keyboard textures. The production is fantastic, as well. This release (the title of which is impressively cliche for the famously-verbose world of one-man black metal projects) clocks in at under 30 minutes, and that works in its favor. There is absolutely no fat to trim, even in the sprawling and atmospheric closing track.
Band: Birth | Album:Born | Genre: Progressive rock, Psychedelic rock | Bandcamp
I really liked Birth’s self-titled EP last year, and their debut LP contains rerecorded versions of those three songs. The album as a whole is a bit mixed, however. Songs like “Cosmic Tears” and “For Yesterday” are fun, engaging slices of retro-prog. They’re obviously going for the sounds of 1969, but it’s well-enough played and written that I don’t mind. But then others, like “Descending Us” and “Another Time” lack that spark, making the retro sound feel more like a crutch. Overall, there’s a lot to like here, but it’s not without its drawbacks.
Band: Cicada the Burrower | Album:Corpseflower | Genre: Black metal, Progressive metal | Bandcamp
Corpseflower is a record built around contrasts. One moment, the music is based around murky vocals and jazzy clean guitars, and the next it’s all harsh shrieks and icily distorted guitars. The instrumental work is deft, and the compositional choices are diverse and interesting. My only real complaint is that the two lengthy instrumental cuts feel too long. It’s not a fatal flaw by any means, but both could have been tightened up.
Band: Cosmic Void | Album:All Is Lost in Time | Genre: Black metal, Post-metal | Bandcamp
This 30-minute EP doesn’t stray too far outside the normal aesthetic bounds of somewhat-proggy post-black-metal, but it’s done quite well. The quiet moments are haunting with folky undertones, and the loud moments manage to be both icy and expansive. There are some rather inventive riffs and plenty of uncommon chords. I’m also impressed by the structuring of the four songs here. Though the tones and textures are typical of post-black-metal, the songs’ structures are more akin to classic prog acts with multiple distinct movements.
Band: Børeal | Album:Las Mariposas Agitan Sus Alas | Genre: Progressive rock, Alt-metal | Bandcamp
The debut EP of this Colombian four-piece combines the gritty, dirty guitar tones of early-‘00s alt-metal with engaging melodies, and diverse song structures. “Homo Homini Lupus” is a highlight, with its rolling rhythm and descending chorus. The band’s eponymous song closes out this brief release, and it’s my favorite of the bunch. This song is weird and draws the most heavily from modern metal. Some moments on this EP are a bit too evocative of the weaker elements of alt-metal, and some of the catchier melodies feeling incongruous against the harsh backing. Overall, it’s an enjoyable release.
Band: Dancing Sun | Album:Heart Tales | Genre: Progressive metal, Psychedelic rock | Bandcamp
There’s a lot of variance in the styles and discernable influences on these individual tracks. While a somewhat heavy album overall, some songs go all-in on metal influences, while others draw from jazzier corners. Heart Tales’ longer songs are the obvious high points. The extra space allows Dancing Sun to have the most fun with structure. I’m not wild about the vocals on this album, but if you’re able to move beyond it (like I was), or if you wind up enjoying them, there’s some very good music here.
Welcome to Part One of TheEliteExtremophile’s Top 50 Prog Albums of 2020, this site’s second-annual best-of list. It’s also my tenth year of writing year-end music roundups. The first eight were posted on my personal Facebook. Check out Part 2 here.
2020 was a banner year for progressive rock and progressive metal. There were so many fantastic albums released, and paring this list down to just 50 was often a painful process. Even more difficult was deciding on the exact order of these albums.
Like I said last year, I’m sure there are some excellent albums not included. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.
After this band’s stellar debut last year, Skylighting has come as something of a disappointment. This is still a metal album, but only barely. They went in harder on ballads and gentle pieces, and the distinctive vocals—one of the strengths of Descender—wear thin on this record. All in all, much of the album’s atmosphere comes off as mushy and indistinct. There is some very good music here, particularly in the album’s second half, but this turn toward gentleness is disappointing.
This churning maelstrom of an album relentlessly pushes forward with its crashing walls of distortion, enticing melodies, and unpredictable structural turns. Dysylumn blend the best textural elements of atmospheric black metal with a more urgent undercurrent. This is a pretty long record, clocking in at nearly 80 minutes, but it feels like it needs that length. It doesn’t meander or lose focus, but Cosmogonie does require patience.
Band: Days Between Stations | Album:Giants | Genre: Progressive rock | Bandcamp
Though technically not a member of the band, ex-Yes multi-instrumentalist Billy Sherwood produced and contributed heavily to this album. This band is extremely Yes-y, almost to the point of distraction. It’s a skillful aping of Yes’s sound, but it does leave me wanting a bit more originality at moments. I’m also not wild about Sherwood’s production; this album sounds thin and washed-out. However, if you’re craving something in the vein of (good) ‘90s Yes, these guys are a decent way to scratch that itch.
Band: Enslaved | Album:Utgard | Genre: Progressive metal | Bandcamp
This is certainly an Enslaved album. It’s melodic black-ish metal with frequent intrusions of harmonized clean vocals and prominent keyboards. Enslaved’s albums tend to grow on me over time, but they’re also often structured significantly differently. This record feels like Enslaved are trying to be more accessible. The songs are shorter than usual, and the band’s black metal background is played down. When RIITIIR (my favorite release from this band) came out, it didn’t click with me at first, but I felt the itch to revisit it. I don’t think I’ll be having much urge to put this album on repeat.
Back in the early days of progressive rock, Italy was second only to the UK in the scope and vibrancy of their prog scene. The Italians infused Anglo-originating prog with native folk and classical influences, they sang in their native language, and their use of uncommon scales and modes made them stand out. Not many of these bands found success beyond Italy’s borders, though, perhaps due to just how intensely Italian the music was.
Homunculus Res, then, have somewhat subverted prog tropes. Andiamo in giro di notte e ci consumiamo nel fuoco (We Go around at Night and Consume Ourselves in the Fire) is Homunculus Res’s fourth full-length release. This Sicilian quintet plays a variety of progressive rock strongly inspired by the Canterbury scene. The sound of the Canterbury scene was intensely English, and that’s why it was so surprising to find an Italian act in that vein.
Band: Abstracción | Album:Abstracción | Genre: Progressive rock, Psychedelic rock | Bandcamp
The debut EP from this Spanish septet draws heavily from the sound of Jethro Tull’s early material, and the liberal inclusion of sitar adds a late-‘60s psychedelic folk feel to the mix. Swirling Hammond organ and echoing electric guitar lines keep the atmosphere lush, while vocalist Catalina Requena’s willowy delivery occasionally bleeds into the instrumental elements. Each song is distinct, but the tonal continuity between the pieces keeps this recording cohesive and coherent.
Band: Ars de Er | Album:La Métamorphose | Genre: Progressive rock | Bandcamp
I’ve run across more Belarusian prog bands while writing for this site than I ever anticipated. The latest of these is the one-man act Ars de Er, which incorporates hefty doses of classical and jazz. Strange harmonizations predominate on La Métamorphose, drawing comparisons to the original big names of avant-prog and RIO. Heavy, metallic guitar lines underpin moments of furious soloing and chaotic rhythms. The atmosphere on this record is oppressive. The strange, diminished chords and haunting keyboard textures make for an anxious, claustrophobic feel.