Odds & Ends – October 12, 2020

Band: Days Between Stations | Album: Giants | Genre: Progressive rock | Bandcamp

Though technically not a member of the band, ex-Yes multi-instrumentalist Billy Sherwood produced and contributed heavily to this album. This band is extremely Yes-y, almost to the point of distraction. It’s a skillful aping of Yes’s sound, but it does leave me wanting a bit more originality at moments. I’m also not wild about Sherwood’s production; this album sounds thin and washed-out. However, if you’re craving something in the vein of (good) ‘90s Yes, these guys are a decent way to scratch that itch.

Score: 70/100

Band: Enslaved | Album: Utgard | Genre: Progressive metal | Bandcamp

This is certainly an Enslaved album. It’s melodic black-ish metal with frequent intrusions of harmonized clean vocals and prominent keyboards. Enslaved’s albums tend to grow on me over time, but they’re also often structured significantly differently. This record feels like Enslaved are trying to be more accessible. The songs are shorter than usual, and the band’s black metal background is played down. When RIITIIR (my favorite release from this band) came out, it didn’t click with me at first, but I felt the itch to revisit it. I don’t think I’ll be having much urge to put this album on repeat.

Score: 72/100

Continue reading “Odds & Ends – October 12, 2020”

Odds & Ends – September 14, 2020

Band: The Garin | Album: The Garin | Genre: Progressive rock | Bandcamp

The Garin hail from Kazan, Russia, and the band mixes prog, psych, and indie rock into an enjoyable package. This EP has four songs which bounce and twist energetically. Jazzy rhythms frequently crop up, and cosmic synthesizers often get a starring role. The vocals are a bit weak, but beyond that, the compositions are strong. “Yurei” is simultaneously influenced by shoegaze and ‘80s thrash metal, which makes for a unique experience, and “Duomo” closes the recording out with a guitar solo that evokes the best moments of ‘90s Pink Floyd.

Score: 79/100

Band: Hail Spirit Noir | Album: Eden in Reverse | Genre: Progressive metal, Progressive rock | Bandcamp

Hail Spirit Noir have been one of my favorite metal acts since they debuted with Pneuma in 2012. Mayhem in Blue, their 2016 release, was the only album to give Terminal Redux a run for its money in my personal best-of list for that year. Their unique synthesis of black metal and late-60s psychedelic rock and folk has been nothing short of brilliant. On Eden in Reverse, HSN has brought their sound up to the mid-1980s, with rich, creepy synthesizers taking over where swirling organ once dominated. While most of the album is quite strong, it’s definitely their cleanest album to date. I really missed the raw, abrasive black metal fury which was more prominent on their earlier records. The glossy synthesizers often only underscore just how slick everything sounds.

Score: 74/100

Continue reading “Odds & Ends – September 14, 2020”

Odds & Ends – July 27, 2020

chaosBand: Chaos Over Cosmos | Album: The Ultimate Multiverse | Genre: Progressive metal | Bandcamp

This album is packed to the brim with tight, technical riffage and lush synth pads. Chaos Over Cosmos draw heavily from melodic death metal and classic prog metal, and they blend it into something exciting and complex. It’s perhaps not the most inventive or original bit of prog metal you’ll hear this year, but it’s engaging, fun, and shockingly accessible for a genre like death metal.

Score: 73/100

iaBand: Inter Arma | Album: Garber Days Revisited | Genre: Sludge metal, Progressive metal | Bandcamp

This is Inter Arma’s covers album. There are some interesting experiments on here. It opens with a Ministry cover; I’m not familiar with the original, but the feeling is both pummeling and atmospheric. Their cover of Neil Young’s “Southern Man” is an absolute gem. The blackened sludge fury lends itself to this track so naturally. This middle of this album sags a bit for me, as I’m not a fan of any of the originals, though hearing Inter Arma’s takes is interesting. They cover “Runnin’ Down a Dream”, and that’s just disorienting. Tom Petty was not sludgy in the least, and these guys play this song pretty clean. The non-shrieked vocals were almost distracting. It’s a serviceable cover, but it doesn’t do anything noteworthy. The album ends on a cover of “Purple Rain”. It closes strong, but the vocals in the first half feel strained, and that sort of instrumental gentleness doesn’t suit these guys too well.

Score: 65/100 Continue reading “Odds & Ends – July 27, 2020”

Odds & Ends – June 22, 2020

cbBand: Chief Bromden | Album: Slunovrat | Genre: Post-punk, Progressive rock | Bandcamp

This Czech quintet play a noisy, chaotic blend of post-punk and prog. They make me think of a rawer, noisier Atsuko Chiba, or a more progressive Viet Cong/Preoccupations. Glassy synthesizers shine against jagged guitars, and the compositions twist and surge in exciting ways. Math rock flourishes are common, and squealing guitars contrast against a buzzing background. There are other surprising moments: the keys in the instrumental “Skelněná Krajina” give a feeling not unlike video game music at times, and the sprawling “Ken Kesey” features some electronic inclusions.

Score: 82/100

afArtist: Aurora Ferrer | Album: Night Oracles and Falling Stars | Genre: Art rock, Electronic rock | Bandcamp

This album, while not strictly prog, is evocative of many prog and prog-related acts. The pulsing electronics are usually krautrock-y in nature, and the overall atmosphere is akin to acts like Kate Bush, Peter Gabriel, and Pure Reason Revolution. The compositions are dense, creative, and driving. Particularly praiseworthy are the varied yet cohesive textures in each composition; the album has a distinct feel to it, but no two songs are quite alike.

Score: 80/100 Continue reading “Odds & Ends – June 22, 2020”

Odds & Ends – May 18, 2020

chBand: Cheer-Accident | Album: Chicago XX | Genre: Avant-pop, Prog-pop | Bandcamp

One moment this album is brimming with squirmy, atonal synthesizers with eerie vocal arrangements, and the next it’s mellow, artful pop rock. Despite hailing from Chicago, there’s a very British sense of weirdness to Cheer-Accident’s work, most comparable to the inimitable Cardiacs. Strains of post-punk and folk merge seamlessly with progressive and pop rock to create something truly distinctive.

Score: 76/100

daiBand: Dai Kaht | Album: Dai Kaht II | Genre: Zeuhl | Bandcamp

I like Magma a lot. They’re one of my favorite bands, and I’m positive I’ll eventually do a Deep Dive entry on them. However, their shadow is nearly inescapable in the world of zeuhl (outside Japan, at least). Dai Kaht are a Finnish act who draw a huge amount of influence from Magma. Their sound is more guitar-centric than Magma ever were. On a technical level, the musicianship and compositions are complex. For all its oddness, it’s surprisingly catchy, and it is somewhat unusual for a zeuhl act to have guitar as its main instrument. But in the end, this release mostly sounds like an updated version of Attahk. If you like zeuhl, give it a listen, but don’t expect anything groundbreaking.

Score: 73/100 Continue reading “Odds & Ends – May 18, 2020”

Odds & Ends – March 9, 2020

a1331639050_10Band: Ak’chamel, The Giver Of Illness | Album: The Totemist | Genre: Krautrock, Psychedelic folk | Bandcamp

The Totemist is a swirl of ritualistic atmosphere and repetition. The murky aura augments the contrasts between the sharp notes of the acoustic instruments and the omnipresent, sinister drone. The compositions morph in naturalistic ways, and subtle touches of jazz are worked in amid the faux-shamanic folk, resulting in something quite creative.

Score: 75/100

a2807075973_10Band: Cthulhu Rise | Album: Last | Genre: Progressive rock, Jazz-fusion | Bandcamp

This instrumental Ukrainian band reminds me a lot of Liquid Tension Experiment. The roots of the act’s sound clearly derive from Dream Theater-style melodic prog metal, but jazz plays a large role here too. The individual musicians flaunt their chops on the three songs here, but the soloing always comes off as purposeful. Each track is full of surprising twists and turns, with few ideas sticking around for more than about a minute at a time. Somehow, it avoids feeling disjointed.

Score: 84/100 Continue reading “Odds & Ends – March 9, 2020”

Odds & Ends – December 2, 2019

TEE odds and ends logo

legendryBand: Legendry | Album: The Wizard and the Tower Keep | Genre: Power metal, Progressive rock | Bandcamp

For all the hackneyed, cliché, sword-and-sorcery heavy metal imagery Pittsburgh’s Legendry evoke in their artwork and lyrics, the music is ambitious and inventive while remaining surprisingly accessible. They walk a fine line straddling traditional metal, power metal, and progressive rock with their speedy riffs, dramatic vocals, and soaring solos. The Hammond organ adds a distinct character that helps Legendry stand out from other traditional metal acts.

Score: 84/100 Continue reading “Odds & Ends – December 2, 2019”