Odds & Ends: March 7, 2022

Artist: Stewart Clark | Album:Journeys | Genre: Progressive rock | Bandcamp

Stewart Clark draws noticeably from the classic prog giants, most obviously Yes and Genesis. The music is rich and grand, and though the playing is hardly flashy, the songs are creatively and thoughtfully structured. The folk elements are especially nice. Some cuts do drag on a bit, but this is an overall enjoyable release.

Score: 77/100

Band: Cyril | Album: Amenti’s Coin – Secret Place Pt. II | Genre: Progressive rock | Bandcamp

If you’re looking for some well-made progressive rock in the vein of acts like Transatlantic or The Flower Kings, these guys aren’t a bad choice. It’s highly melodic with a lot of strong instrumental performances. The band does occasionally veer into overwrought balladry, and I can’t say there’s anything particularly novel being said here. Despite that, sometimes you just want some lush, classic-style prog.

Score: 71/100

Continue reading “Odds & Ends: March 7, 2022”

Odds & Ends: December 27, 2021

Band: Band of Rain | Album: The Sun King | Genre: Progressive rock | Bandcamp

This is decent, mid-tempo prog that goes more for atmosphere than technicality. (That’s not to disparage the bandmembers’ instrumental chops, though.) The overall sound is lush, and the band skillfully layers different textures and melodies. I also appreciate the many touches of jazz scattered throughout this record. The vocals come off as fairly weak, unfortunately, which does hamper this release, along with a general sense that everything here is too long.

Score: 65/100

Band: Fanatism | Album: Inverted Evolution | Genre: Progressive rock, Krautrock | Bandcamp

Inverted Evolution has an unhurried pace which allows the band to stretch out and weave wonderful atmospheres. This Swedish act draws heavily from ‘70s hard rock in a lot of their musical vocabulary, but elements of jazz, post-punk, and gothic rock are readily evident, too. Eerie synths, hypnotic rhythms, and progressive song structures are hallmarks of this album. The ending is a little weak (though not bad), but beyond this hiccup, it’s a strong release.

Score: 77/100

Continue reading “Odds & Ends: December 27, 2021”

Odds & Ends: December 20, 2021

Artist: Waqas Ahmed | Album:A Perpetual Winter | Genre: Progressive metal | Bandcamp

This is a fun little EP from Pakistani-born, Romania-based guitarist Waqas Ahmed. It’s a bit cheesy, but in such a small dose it’s pretty enjoyable. Sometimes, I’m just in the mood for some flashy guitar work over a solid instrumental backing. A Perpetual Winter is strongly reminiscent of Dream Theater, so if that’s your cup of tea, I’d recommend this release as well.

Score: 79/100

Band: Chafouin | Album: Toufoulcan | Genre: Krautrock, Progressive rock, Math rock | Bandcamp

Toufoulcan overall has a stark sound, relying on ragged (mostly) clean guitars and odd, imposing riffs and rhythms. The mood varies from sinister to sunny, but those extremes never feel out of place. Synth embellishments flesh out the sound, and Chafouin utilizes repetition well to give each song a clear sense of build and direction. The individual tracks tend to be fairly short, and that adds a strong feeling of forward momentum.

Score: 81/100

Continue reading “Odds & Ends: December 20, 2021”

Odds & Ends – July 12, 2021

Band: BaK | Album:Crater | Genre: Progressive rock, Progressive metal | Bandcamp

BaK is a bombastic Australian act which blends the sound of acts like Pain of Salvation and Dream Theater with Middle Eastern instrumentation and rhythms. The closest parallel to BaK is probably the Tunisian power metal act Myrath, though some of the weaker moments on this EP do remind me of Grorr. The integration of those more exotic influences is done better than most acts who attempt similar genre fusions, but it’s still really tough to not come off as corny.

Score: 71/100

Artist: Christian Cosentino | Album: Lawn | Genre: Progressive metal | Bandcamp

This proggy atmospheric black metal album makes extensive use of lush, programmed orchestration. Many parts of this record feature piano as a co-lead instrument alongside guitar, and strings are almost always present. Normally I’m not the biggest fan of this type of arrangement, but I credit the success here to the fact that he went in a more atmospheric direction, instead of something more traditionally proggy, technical, and overblown.

Score: 81/100

Continue reading “Odds & Ends – July 12, 2021”