Mostly-acoustic Detroit band Custard Flux is back with their fourth full-length album (and their third to be named after an element), Phosphorus. Following 2020’s fantastic Oxygen, Phosphorus doubles down on some of the band’s previous innovations. The songs are longer and more complex, and electric instrumentation is integrated fluidly.
This is also Custard Flux’s longest release to date, and by a wide margin. At 80 minutes in length, it’s nearly 20 minutes longer than their debut and almost twice as long as either of their last two records. And though the melodies and overall ideas remain as strong as ever, this album isn’t without its excesses. There is a lot of bloat, with certain ideas being repeated over and over for much too long.
Custard Flux is the brainchild of Detroit-based multi-instrumentalist and songwriter Gregory Curvey, and this is one of the more unique acts currently active in the progosphere. Custard Flux is a (almost) fully-acoustic band, with electric instrumentation being limited to a small number of guitar solos on this band’s first two albums. Acoustic guitar and harmonium have been the primary instruments this act’s sound has been built around.
Oxygen is Custard Flux’s third album in as many years, and it’s their best and most diverse yet. While the sound is still primarily acoustic, it’s been augmented with ample saxophone and violin. Electric guitar—in its rare appearances—feels more integral to the compositions, rather than being a solo laid on top of a fully-acoustic piece. The compositions are also the most daring and progressive they’ve recorded yet. Continue reading “Album Review: Custard Flux – Oxygen”→
Odds & Ends is a recurring column where I cover short releases and albums I wasn’t able to commit enough time to for a full-length review.
Band: Custard Flux | Album:Echo | Genre: Psychedelic rock, folk rock | Bandcamp
Custard Flux has a neat little gimmick. With the exception of one electric guitar solo, all instrumentation is acoustic. This band’s particular blend of psychedelic pop and folk rock with progressive leanings results in something unique. Despite being almost all acoustic, the music is bombastic and impactful, and there’s a nice mix of the straightforward and the weird.