I covered Toboggan’s debut EP back in 2019, and I really liked what I heard. It was jazzy, funky, and high-energy instrumental zeuhl. Toboggan’s guitar/keyboard player, Etienne Mazoyer, is in another zeuhl band, ZWOYLD, which draws more heavily from traditional prog and psych tones. There’s a lot of shared DNA between these acts, so if you like what you hear here, I strongly recommend checking out ZWOYLD. (Especially their 2016 album, ZGOND.)
The cover art of Première Descente suits the music quite well. The twisting, spiral slide gives a sense of the wild, swerving nature of the songs. Structurally, the individual tracks follow a long-short pattern, with long cuts running 9-14 minutes, followed by sub-two-minute breathers.
There is no shortage of instrumental EPs and albums put out by guitarists. Many of these releases tend to be self-indulgent and focused on technical soloing. Because of that trend, it’s always a refreshing change of pace when I run across someone like Xander Naylor, who functions more as a composer who just so happens to play guitar, rather than a guitarist composing pieces for his instrument.
Continuum is Naylor’s debut full-length record, and it reminds me of Steve Hackett’s solo material. Not so much in sound, but more so in that while there’s plenty of skillful instrumentalism, it isn’t to the neglect of structure or vision.
Guy Hatton is a prolific multi-instrumentalist specializing in high-energy jazz, jazz fusion, and progressive rock. His previous releases have had significant funk and Latin influence, featuring bouncing bass, congas, and rich synth textures.
Here, Hatton plays guitars, bass, and keys and programs all the drums. A pair of guests are also brought on for this album to play saxophone and additional keys. The album title is taken from a quote by Salvador Dalí, “It’s true I am eccentric, but in the same time, I am concentric!”, which features in both the opening and closing tracks. It’s a fitting quote to inspire this album—the music is weird, wonky, and off-kilter. At the same time, it’s carefully constructed and complexly layered, with guitars and synths piling up to make an intricate mesh. Continue reading “Album Review: Guy Hatton – I Am Concentric”→