Album Review: In Mourning – Garden of Storms

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Band: In Mourning | Album: Garden of Storms | Genre: Melodic death metal, Progressive metal | Year: 2019

From: Falun, Sweden | Label: Agonia Regords

For fans of: Edge of Sanity, Opeth, Agalloch

Buy: Bandcamp | Amazon | Apple Music

In Mourning are a Swedish metal band who play in a style very similar to that of their fellow countrymen, Opeth; but they’re distinct enough to avoid the label of “Opeth clone,” something for which the current prog-metal scene does not want. Opeth’s classic material is some of the best progressive metal ever recorded, and there’s been a yawning, Opeth-shaped hole in the scene ever since they switched to playing unimpressive, unimaginative retro-prog.

In Mourning have been around for nearly two decades, giving them plenty of time to develop their own unique flourishes within the framework of progressive melodic death metal. Garden of Storms is their fifth full-length release and a noticeable step up in quality over 2016’s Afterglow. The songwriting is strong, and there is a smart degree of interplay between distorted and clean sections. Continue reading “Album Review: In Mourning – Garden of Storms”

Album Review: Halcyon Reign – The Voyage

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Band: Halcyon Reign | Album: The Voyage | Genre: Progressive metal | Year: 2019

From: Sydney, Australia | Label: Independent

For fans of: Mastodon, Opeth, Dream Theater

Buy: Bandcamp | Amazon | Apple Music

Halcyon Reign are a trio hailing from Sydney that play a brand of progressive metal which borrows heavily from Mastodon’s most-acclaimed era. It’s sludgy yet melodic, complex yet accessible, and a successful album overall. However, some of the Mastodon influence can be a bit on-the-nose. The most egregious example is the album artwork. Mastodon’s Leviathan, a retelling of Moby-Dick, features striking artwork of the white whale and the Pequod. Similarly, The Voyage—while not based on Moby-Dick, as far I can tell—features a monstrous white whale charging at a ship.

Moving past the artwork, though, The Voyage stands on its own as a strong, enjoyable album. Many riffs are rooted in sludge metal, but the band incorporate other influences, including jazz and folk, to create smart contrasts and interesting textures. Continue reading “Album Review: Halcyon Reign – The Voyage”

Odds & Ends – September 23, 2019

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a2161853656_10Band: Chaos Over Cosmos | Album: The Unknown Voyage | Genre: Progressive metal | Bandcamp

Chaos Over Cosmos’s debut album draws heavily from acts like Fates Warning and Symphony X. The music is fleshed out with lush synths. There’s no shortage of power metal cheese, both vocally and instrumentally. The songs themselves tend to be pretty long, but they do a good job of keeping the momentum up and not overstaying their welcome.

Score: 73/100

a0570910034_10Artist: Richard Henshall | Album: The Cocoon | Genre: Progressive metal, Progressive rock | Bandcamp

The latest album from Haken’s guitarist/keyboardist is exactly what you’d expect. There are tons of speedy, intricate riffs, and smart contrasts of metallic heaviness with moments of jazzy and poppy levity. The soloing is restrained, avoiding the common pitfall of virtuosic masturbation that you often find in this corner of prog. My one real complaint here is that Henshal’s vocals are pretty weak. His chops as a guitarist are solid, but his voice is often weak or strained.

Score: 80/100 Continue reading “Odds & Ends – September 23, 2019”

Album Review: Tool – Fear Inoculum

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Band: Tool | Album: Fear Inoculum | Genre: Progressive metal, Alternative metal | Year: 2019

From: Los Angeles, USA | Label: Volcano

For a band with the stature that Tool has, writing my usual two-paragraph intro feels almost superfluous. They’re one of the most popular progressive metal bands of all time; their first four studio albums all went platinum multiple times over and are critically revered. They mixed the darker sound of early ‘90s alt-rock with progressive ambition and mind-bending psychedelia to forge a unique sound that resonated with a huge swathe of the population, myself included.

It shouldn’t be a secret that I love all of Tool’s previous output, with their 2001 album, Lateralus, being among my all-time personal favorites. The long-running delays and recording difficulties since their last release had become a punchline among fans, with Tool’s as-yet-unreleased fifth album being considered as imminent as Half-Life 3 or The Winds of Winter. But Fear Inoculum has finally arrived, 13 years after their previous release, 2006’s 10,000 Days. Most reviews I’ve seen, as well as general online discourse I’ve observed, has tended toward rapturous praise. I’m not among those. Continue reading “Album Review: Tool – Fear Inoculum”

Album Review: Merlin – The Mortal

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Band: Merlin | Album: The Mortal | Genre: Heavy Psych, Stoner metal | Year: 2019

From: Kansas City, (MO,) USA | Label: The Company

For fans of: Elder, Hawkwind, Pink Floyd

Buy: Bandcamp | Big Cartel | Apple Music

Merlin are one of the better examples of progressive stoner metal, and their last few albums have shown a clear musical evolution from dank groovemasters to artistically ambitious dank groovemasters. The saxophone which first appeared on 2018’s The Wizard now is more fully integrated, and with it, an injection of jazz influence. Blues elements are certainly present as well, but they don’t overpower, and many of the sludgy riffs are played with impressive restraint.

The Mortal appears to be something of a follow-up to The Wizard. Beyond their shared use of saxophone and similar titles, both close with an eponymous suite, and both those suites share musical and lyrical themes of magic. Continue reading “Album Review: Merlin – The Mortal”