Best of 2024: Top 50 Prog Albums Part 1: 50-26

It’s time for The Elite Extremophile’s Top 50 Prog Albums of 2024! This is the first half of the list, and you can find the second half here.

As a reminder, the music on this list covers December 2023 to November 2024. I spend much of December compiling and editing this list, so I push releases from that month into the following year’s list.

This is also a one-man operation, in regard to reviewing. (Many thanks to my proofreaders/editors, Kelci and Dan.) I’m sure there’s plenty of great music out there I simply didn’t get to. I’ve also got my own biases against certain styles and trends.

2024 wound up being an alright year for the sort of stuff I cover here. It felt like it started off somewhat slow, but in the end, it wasn’t too challenging for me to find 50 records worthy of being highlighted.

Now, onto the list!

Continue reading “Best of 2024: Top 50 Prog Albums Part 1: 50-26”

Odds & Ends: July 15, 2024

Band: Абстрактор (Abstraktor) | Album: Мать (Mat’, Eng. Mother) | Genre: Progressive folk | Bandcamp

This Russian quartet plays a smart, artsy variety of folk rock. They blend their own Slavic roots with jazz, modern classical, indie rock, and other bits and pieces from around the globe. The instrumentation is often intricate and full of unexpected twists. They build lush and varied textures, and they’re able to blend strong pop sensibilities with a spirit of adventurousness and experimentation.

Score: 81/100

Band: Agusa | Album: Noir | Genre: Progressive rock, Space rock | Bandcamp

I liked this release a lot more than I expected to. Agusa is a band I like–each of their last two albums have made my year-end Top 50 lists, after all–but one of my gripes is that they can be a bit noodly and long-winded. This album is a soundtrack for a film, so I was particularly cautious. Would the scattershot nature of soundtracks hamstring this work? Instead, this is a delightfully varied yet purposeful and coherent release. Folk, jazz, and space rock elements are incorporated naturally, alongside Agusa’s usual prog stylings. This album is also more consistently lighthearted than much of their other work, which is a nice change of pace. The shorter runtimes for these tracks also behoove the band, as they’re able to put forward fun ideas and meditate on them for a bit without needing to build some huge suite. Things do sag and slow down a bit near the album’s end, but it’s far from a fatal flaw in this case.

Score: 76/100

Continue reading “Odds & Ends: July 15, 2024”

Odds & Ends: May 16, 2022

Band: Cró! | Album:Buah! | Genre: Progressive rock, Psychedelic rock | Bandcamp

On such a short album, this Spanish quartet manages to cover a huge amount of territory. The title track strongly reminds me of classic Italian acts like PFM or BDMS, and “Coia” is slow-moving and creepy. Other songs touch on alt-rock, funk, and jazzy art-rock. It’s a wonderfully diverse release, and all those different styles are played excellently.

Score: 88/100

Band: Envy of None | Album: Envy of None | Genre: Post-rock | Bandcamp

Envy of None is Alex Lifeson’s new band, and it sounds absolutely nothing like Rush. I went in expecting that, based off the lead single. I knew it was going to be a lot spacier, more atmospheric, and mellower. And while there are a few good songs on the album (“Look Inside”, “Spy House”, “Dog’s Life”), most of this album is a bore. It reminds me of trip-hop–a genre I’m really not crazy about–but without much creativity. Most songs are slow and relatively unvaried. This might be good background music, but I was hoping for dynamism.

Score: 52/100

Continue reading “Odds & Ends: May 16, 2022”