Odds & Ends – December 7, 2020

Band: Alustrium | Album: Insurmountable | Genre: Death metal, Progressive metal | Bandcamp

The music on this EP is played with incredible precision, and the density of riffs-per-minute is impressively high. However, it also feels like this band’s main goal was to play as fast as possible, and even across such a short EP, that gets exhausting. There’s also nothing particularly unique about this release; this is rather boilerplate tech-death.

Score: 68/100

Band: Esthesis | Album: The Awakening | Genre: Progressive rock | Bandcamp

This band heavily channels Porcupine Tree in just about every regard. It’s a skillful facsimile, right down to the tones of the individual instruments, and the songs are well structured. There is also the occasional outside influence, such the odd jazzy lick here or there. On the downside, this album is pretty long-winded. Only one of the six songs comes in under eight minutes, and most cuts could have benefitted from some trimming.

Score: 70/100

Continue reading “Odds & Ends – December 7, 2020”

Odds & Ends – November 16, 2020

Band: Arcade Messiah | Album: The Host | Genre: Progressive rock, Progressive metal | Bandcamp

Arcade Messiah is a one-man project out of Ireland that mixes progressive rock and metal with earworm melodies and intriguing electronic touches. Hints of post-rock and stoner metal permeate this album, and each song works wonderfully with the next. This release reminds me a lot of ADHD-era Riverside with its strong hooks, varied textural palette, and adventurous spirit. The Host artfully threads the needle in a way that many acts are unable to. This album strikes a balance of metallic bombast and smooth melodicism.

Score: 89/100

Band: Babel Trio | Album: The Martyr | Genre: Stoner metal, Progressive metal, Greek folk | Bandcamp

I’ve previously discussed this Cretan trio, and I found their blend of Greek folk melodies, progressive songwriting, and sunbaked fuzz truly refreshing. In lieu of guitar, the lead instrument in this band is a modified electric lute, which imbues the songs with a unique timbral quality. The Martyr took a bit longer for me to get into than their previous album, but it gradually grew on me over several listens. This distinctly Hellenic stoner metal kept drawing me back in with its uncommon melodies and well-structured compositions. Compositions range from charging to plodding, and that diversity of atmosphere serves this record well.

Score: 80/100

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Album Review: Aridonia – Aridonia

arBand: Aridonia | Album: Aridonia | Genre: Stoner metal, Progressive rock | Year: 2020

From: Jujuy, Argentina | Label: Independent

For fans of: Tool, Kyuss, Baroness

Buy: Bandcamp | Amazon

Aridonia hail from Jujuy, a city in Argentina’s extreme northwest. That high-elevation, arid backdrop makes itself well-known on Aridonia, the band’s debut full-length record. Blues and stoner rock are the backbone of most songs here. The four musicians in the band are skilled and creative, so they’re able to twist those influences into something weird and exciting.

“Abismos” opens the album on a foreboding note. A simple, minor-key guitar pattern rings out, and haunting vocals join thereafter. It’s not long before the distortion kicks in, though, and the band begin playing a weird, high-energy stoner-jazz riff with subtle Middle Eastern touches. Aridonia pull out all the stops for this song. They cycle through odd musical themes, seamlessly blending stoner metal and jazz-fusion. “Fantasmagoría” begins with more traditional stoner metal fare, but the jazziness and exercises in technicality reemerge after the first verse. Continue reading “Album Review: Aridonia – Aridonia”

Odds and Ends – March 21, 2019

TEE odds and ends logo

Odds and Ends is a segment where I do brief reviews of albums I either didn’t prioritize for longer-form reviews, or ones for which I don’t have that much to say.

a1945761875_10Band: Cheeto’s Magazine | Album: Amazingous | Genre: Progressive rock, Pop, Progressive metal | Bandcamp

This album was a disorienting experience. Cheeto’s Magazine blend sunshiny pop with metal riffs and complex structures. The closest analogue I can think of would be A.C.T., though this has an even more aggressively poppy edge. The songwriting is consistently ambitious, and there are some moments reminiscent of Dream Theater’s better output. I give them a lot of credit for ambition, but the juxtaposition of metal with those bubblegum synths is often jarring.

Score:  69/100 Continue reading “Odds and Ends – March 21, 2019”