Album Review: King Gizzard & The Lizard Wizard – Changes

Band: King Gizzard & The Lizard Wizard | Album:Changes | Genre: Progressive rock, Psychedelic rock | Year: 2022

From: Melbourne, Australia | Label: KGLW

For fans of: Traffic, Once & Future Band

Bandcamp

King Gizzard & The Lizard Wizard are nothing if not prolific. Since debuting a mere decade ago, this band has put out twenty-three studio albums (plus an album of remixes, two sets of demos, and a ton of live releases), with Changes being their twenty-third overall, their fifth of 2022, and their third of the month of October, 2022. Not only have they been prolific, but their output has been consistently diverse. To call them genre chameleons would be underselling them; genre octopuses would better suit their radical stylistic shifts. 

(Note that a lot of my octopus comment is due to people overselling chameleons’ abilities to change color. I have a pet chameleon, and he certainly does change color, but it’s not for camouflage. They change color to express their mood or to absorb more or less heat. And it’s not like it’s a massive shift in color. It’s more like an adjustment in intensity and saturation. Be sure to come back next week when I change the name of this site to TheEliteHerpetologist.com.)

My chameleon Rufus

Where was I? Oh right, lizards! Specifically of the magical variety and the monarchs of certain digestive organs with which they associate.

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Album Review: Ben Craven – Monsters from the Id

Artist: Ben Craven | Album:Monsters from the Id | Genre: Progressive rock | Year: 2022

From: Brisbane, Australia | Label: Desert Comb Music

For fans of: Yes, Pink Floyd

Bandcamp

Yes casts a very long shadow over progressive rock. Their influence isn’t just obvious in the music, but also in the visuals frequently deployed on album covers. Roger Dean-style artwork has become a cliche of the genre, and I have developed something of an apprehension about acts that use this visual style. I’ve harped on about acts that just uncreatively wallow in the mid-70s, and flashy album covers do not make up for bland, uninspired music. Thankfully, this is not one of those albums.

Monsters of the Id is the fifth full-length release from Australian multi-instrumentalist Ben Craven. It follows in the long prog tradition of albums made up of just two long songs. (Though for all the obvious Yes-isms on this album, that band never released a record with fewer than three songs.)

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Album Review: King Gizzard & The Lizard Wizard – Omnium Gatherum

Band: King Gizzard & The Lizard Wizard | Album:Omnium Gatherum | Genre: Psychedelic rock | Year: 2022

From: Melbourne, Australia | Label: KGLW

Bandcamp

I hesitate to use a label more restrictive than “rock” to describe King Gizzard & The Lizard Wizard. These astonishingly prolific Aussies have one of the most diverse back catalogs in modern popular music, ranging from garage rock to prog to thrash metal to synthpop to microtonal music and beyond. Their latest release is a dizzying encapsulation of their always-shifting style. The appropriately-titled Omnium Gatherum (a faux-Latin phrase meaning “a collection of many different things”) is a sprawling, 80-minute record that has a bit of everything.

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Top Prog EPs of 2021

Welcome to the third installment of The Elite Extremophile’s Top Prog Releases of 2021. We’re starting off with the Top 5 Prog EPs of 2021. The Two-part Top 50 Albums list will be posted next week.

I listened to more EPs than usual this year, but it was still a relatively small crop, so I decided to keep this list limited to five entries.

As I have stated in the past, I’m sure that I’ve missed some excellent releases. This site is my personal pet project, and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way, either through this site, email, or my Facebook page.

As I referenced in my Scheduling Note back in November, this list only addresses EPs put out between January 2021 and November 2021. Next year’s list will cover December 2021 through November 2022.

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Odds & Ends: December 27, 2021

Band: Band of Rain | Album: The Sun King | Genre: Progressive rock | Bandcamp

This is decent, mid-tempo prog that goes more for atmosphere than technicality. (That’s not to disparage the bandmembers’ instrumental chops, though.) The overall sound is lush, and the band skillfully layers different textures and melodies. I also appreciate the many touches of jazz scattered throughout this record. The vocals come off as fairly weak, unfortunately, which does hamper this release, along with a general sense that everything here is too long.

Score: 65/100

Band: Fanatism | Album: Inverted Evolution | Genre: Progressive rock, Krautrock | Bandcamp

Inverted Evolution has an unhurried pace which allows the band to stretch out and weave wonderful atmospheres. This Swedish act draws heavily from ‘70s hard rock in a lot of their musical vocabulary, but elements of jazz, post-punk, and gothic rock are readily evident, too. Eerie synths, hypnotic rhythms, and progressive song structures are hallmarks of this album. The ending is a little weak (though not bad), but beyond this hiccup, it’s a strong release.

Score: 77/100

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Odds & Ends: December 20, 2021

Artist: Waqas Ahmed | Album:A Perpetual Winter | Genre: Progressive metal | Bandcamp

This is a fun little EP from Pakistani-born, Romania-based guitarist Waqas Ahmed. It’s a bit cheesy, but in such a small dose it’s pretty enjoyable. Sometimes, I’m just in the mood for some flashy guitar work over a solid instrumental backing. A Perpetual Winter is strongly reminiscent of Dream Theater, so if that’s your cup of tea, I’d recommend this release as well.

Score: 79/100

Band: Chafouin | Album: Toufoulcan | Genre: Krautrock, Progressive rock, Math rock | Bandcamp

Toufoulcan overall has a stark sound, relying on ragged (mostly) clean guitars and odd, imposing riffs and rhythms. The mood varies from sinister to sunny, but those extremes never feel out of place. Synth embellishments flesh out the sound, and Chafouin utilizes repetition well to give each song a clear sense of build and direction. The individual tracks tend to be fairly short, and that adds a strong feeling of forward momentum.

Score: 81/100

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Odds & Ends: December 6, 2021

Band: Devour Every Star | Album: Antiquity | Genre: Progressive metal, Trip-hop | Bandcamp

This is certainly one of the more distinctive genre fusions I’ve run across. Buzzy black metal merges with spacey instrumental hip-hop passages to forge a distinctive sound. It’s spooky and laid-back, and it’s definitely worth looking into. As a whole, it feels a little long; I think this style may be better suited to a 20-minute EP. Nonetheless, it’s quite unique, and this act shows ability beyond simply being a curiosity.

Score: 70/100

Artist: Ehsan Gelsi | Album: Ephemera | Genre: Progressive rock | Bandcamp

This instrumental piece was commissioned by the city of Melbourne to celebrate Melbourne Town Hall’s 150th anniversary, thus it prominently features the town hall’s grand organ as its primary instrument. Ephemera is grand and majestic in its harmonious marriage of reedy organ and lush, liquid synthesizers. The whole album is quite warm, and it feels midway between Mike Oldfield and Rick Wakeman. Elements of classical and electronic music are regularly incorporated, making this a surprisingly diverse record despite its limited sound palette.

Score: 80/100

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Odds & Ends – July 12, 2021

Band: BaK | Album:Crater | Genre: Progressive rock, Progressive metal | Bandcamp

BaK is a bombastic Australian act which blends the sound of acts like Pain of Salvation and Dream Theater with Middle Eastern instrumentation and rhythms. The closest parallel to BaK is probably the Tunisian power metal act Myrath, though some of the weaker moments on this EP do remind me of Grorr. The integration of those more exotic influences is done better than most acts who attempt similar genre fusions, but it’s still really tough to not come off as corny.

Score: 71/100

Artist: Christian Cosentino | Album: Lawn | Genre: Progressive metal | Bandcamp

This proggy atmospheric black metal album makes extensive use of lush, programmed orchestration. Many parts of this record feature piano as a co-lead instrument alongside guitar, and strings are almost always present. Normally I’m not the biggest fan of this type of arrangement, but I credit the success here to the fact that he went in a more atmospheric direction, instead of something more traditionally proggy, technical, and overblown.

Score: 81/100

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