
Band: Merlin | Album: Grind House | Genre: Psychedelic rock, Synthwave, Film score (I guess?) | Year: 2023
From: Kansas City, (MO,) USA | Label: Independent
For fans of: ¯\_(ツ)_/¯
I like Merlin. I’ve covered them a couple times before. The Mortal is a pretty solid stoner metal release with healthy doses of prog and psych, and “Merlin’s Bizarre Adventure” is a mind-bending cavalcade of incongruous musical ideas that somehow gel. I’m also pretty fond of their albums The Wizard and Christ Killer. (The latter is based on Nick Cave’s bonkers idea for a sequel to the film Gladiator; read about it!) In addition to putting out good music, they’ve got one of the best social media presences I’ve run across. Their Facebook page consists of scores of strange, self-deprecating memes that always amuse. (One such meme, posted probably a year ago or so, said something to the effect of of, “Yeah, we’re into NFTs: Not Fucking Touring.” Though Merlin might not tour, I apparently missed an opportunity to see them live early in their career. I lived in Lawrence, KS, from late 2012 until late 2014, and they posted some photos from a show in 2014 they had at The Bottleneck, a live music venue in Lawrence. I went to a good number of live shows while I lived out there, so I am bummed I never happened to see them.)
Moving on to the substance of Grind House, their sixth LP, it’s tough to figure out where to start. Historically, they’ve been a stoner doom band with some artsy leanings. But back in 2020 or 2021, they put out this strange, jazzy single, “Master Thief ‘77”, which presaged the aggressive move away from the stoner doom they championed on “Merlin’s Bizarre Adventure”. In a Facebook exchange I had with the band’s vocalist, Jordan Knorr, he explained Merlin’s next album was going to be based around the theme music to a series of fictional films and that it would be completely different from the band’s prior output. And true to his word, this is a bizarre, unexpected, and very fun release.
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