Band: Atsuko Chiba | Album: Trace | Genre: Progressive rock, Math rock, Post-punk, Post-rock | Year: 2019

From: Montreal, Canada | Label: Mothland

For fans of: The Physics House Band, The Mars Volta, early Portugal. The Man, Cardiacs

Buy: Bandcamp | Amazon | Apple Music

The 1980s produced a lot of very good music. I’ve got a soft spot for some synthpop, and I love genres like new wave and post-punk. However, that decade, particularly its latter half, was not especially kind to progressive rock. In the current musical landscape, though, both progressive rock and post-punk are on the cultural and creative upswing. Occasionally, there is the rare nexus of both those genres’ revivals. Atsuko Chiba are one such nexus.

On Trace, their second full-length release, this Quebecois quintet lean into the dark, jagged rhythms of bands like Joy Division and Wire while mixing these influences with the complexity and technicality of math rock. Ample synthesizers, inventive melodies, and nonlinear song structures add to their prog bona fides. Continue reading “Albums Review: Atsuko Chiba – Trace” →