Band: Days Between Stations | Album:Giants | Genre: Progressive rock | Bandcamp
Though technically not a member of the band, ex-Yes multi-instrumentalist Billy Sherwood produced and contributed heavily to this album. This band is extremely Yes-y, almost to the point of distraction. It’s a skillful aping of Yes’s sound, but it does leave me wanting a bit more originality at moments. I’m also not wild about Sherwood’s production; this album sounds thin and washed-out. However, if you’re craving something in the vein of (good) ‘90s Yes, these guys are a decent way to scratch that itch.
Band: Enslaved | Album:Utgard | Genre: Progressive metal | Bandcamp
This is certainly an Enslaved album. It’s melodic black-ish metal with frequent intrusions of harmonized clean vocals and prominent keyboards. Enslaved’s albums tend to grow on me over time, but they’re also often structured significantly differently. This record feels like Enslaved are trying to be more accessible. The songs are shorter than usual, and the band’s black metal background is played down. When RIITIIR (my favorite release from this band) came out, it didn’t click with me at first, but I felt the itch to revisit it. I don’t think I’ll be having much urge to put this album on repeat.
Band: Chaos Over Cosmos | Album:The Ultimate Multiverse | Genre: Progressive metal | Bandcamp
This album is packed to the brim with tight, technical riffage and lush synth pads. Chaos Over Cosmos draw heavily from melodic death metal and classic prog metal, and they blend it into something exciting and complex. It’s perhaps not the most inventive or original bit of prog metal you’ll hear this year, but it’s engaging, fun, and shockingly accessible for a genre like death metal.
Band: Inter Arma | Album:Garber Days Revisited | Genre: Sludge metal, Progressive metal | Bandcamp
This is Inter Arma’s covers album. There are some interesting experiments on here. It opens with a Ministry cover; I’m not familiar with the original, but the feeling is both pummeling and atmospheric. Their cover of Neil Young’s “Southern Man” is an absolute gem. The blackened sludge fury lends itself to this track so naturally. This middle of this album sags a bit for me, as I’m not a fan of any of the originals, though hearing Inter Arma’s takes is interesting. They cover “Runnin’ Down a Dream”, and that’s just disorienting. Tom Petty was not sludgy in the least, and these guys play this song pretty clean. The non-shrieked vocals were almost distracting. It’s a serviceable cover, but it doesn’t do anything noteworthy. The album ends on a cover of “Purple Rain”. It closes strong, but the vocals in the first half feel strained, and that sort of instrumental gentleness doesn’t suit these guys too well.
Welcome to the first of three planned installments for this site’s best of 2019. Starting things off is TheEliteExtremophile’s Top Prog EPs of 2019. The vast bulk of what I listen to for this blog is full-length albums, and the assorted prog-related genres tend to be long-winded. As such, this list contains only five entries, but all five are highly recommended.
As a disclaimer, I’m sure there are some excellent releases not included. This site is my personal pet project, and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way, either through this site, via email, or through my Facebook page. Continue reading “Top Prog EPs of 2019”→
Band: Legendry | Album: The Wizard and the Tower Keep | Genre: Power metal, Progressive rock | Bandcamp
For all the hackneyed, cliché, sword-and-sorcery heavy metal imagery Pittsburgh’s Legendry evoke in their artwork and lyrics, the music is ambitious and inventive while remaining surprisingly accessible. They walk a fine line straddling traditional metal, power metal, and progressive rock with their speedy riffs, dramatic vocals, and soaring solos. The Hammond organ adds a distinct character that helps Legendry stand out from other traditional metal acts.
Band: Chaos Over Cosmos | Album:The Unknown Voyage | Genre: Progressive metal | Bandcamp
Chaos Over Cosmos’s debut album draws heavily from acts like Fates Warning and Symphony X. The music is fleshed out with lush synths. There’s no shortage of power metal cheese, both vocally and instrumentally. The songs themselves tend to be pretty long, but they do a good job of keeping the momentum up and not overstaying their welcome.
Artist: Richard Henshall | Album:The Cocoon | Genre: Progressive metal, Progressive rock | Bandcamp
The latest album from Haken’s guitarist/keyboardist is exactly what you’d expect. There are tons of speedy, intricate riffs, and smart contrasts of metallic heaviness with moments of jazzy and poppy levity. The soloing is restrained, avoiding the common pitfall of virtuosic masturbation that you often find in this corner of prog. My one real complaint here is that Henshal’s vocals are pretty weak. His chops as a guitarist are solid, but his voice is often weak or strained.
Entomology isn’t entirely new ground for progressive rock. The 2015 album Hivemind from the band Plank is about bugs. And while perhaps not the exact same branch of science, the band Slugdge have built their whole career around mollusks, including slugs and snails, which are colloquially grouped together with insects. Opsi, however, focuses on a specific entomologist, which is more distinct.
Based on his great-great-grandfather’s diaries from his time studying butterflies in Siberia, folk musician Jens Carelius pairs his unique style of finger-picking and strumming with rich synthesizers to create evocative soundscapes. Opsi is far more daring in its song structures and textures than Carelius’s previous releases. Elements of his smart folk-pop still manage to shine through, making this album both complex and surprisingly accessible. Continue reading “Album Review: Jens Carelius – Opsi”→
Odds and Ends is a segment where I do brief reviews of albums I either didn’t prioritize for longer-form reviews, or ones for which I don’t have that much to say.
Band: BLASTAR | Album:Construct | Genre: Progressive rock, Jam band | Bandcamp
I really loved BLASTAR’s debut album, so I was very excited when I saw them announce their latest release. On Construct, they’ve opted to go fully instrumental. The music is cosmic and high-energy, and the overall sound has shifted more in the direction of jam bands like Aqueous or Umphrey’s McGee, with jazz and folk tones. As I’ve frequently said, it can be tough to make an instrumental album consistently engaging, but this does a good job of holding the listener’s attention. That’s not to say it doesn’t have faults, but it’s enjoyable on the whole.