Band: Sonora Sunrise | Album: The Route through the Canyon | Genre: Psychedelic rock, Krautrock | Year: 2019
From: Barnaul, Russia | Label: Trail Records
For fans of: Hawkwind, Can, Ozric Tentacles
After running across this band, I’m starting to doubt if the American Southwest puts out any desert rock. I’ve previously discussed acts from Venice, Sydney, and The Netherlands that draw inspiration from the arid lands of California and Arizona, and now I’ve found this band from Siberia. Perhaps I shouldn’t be too surprised; the band name would be a bit too on-the-nose for a group actually from the region. It’s not as if the Altai region is entirely dissimilar to the Southwest. It’s mountainous and semi-arid in places, albeit much, much colder.
Despite the desert imagery in the band’s name, and despite the fact that the music itself on this album evokes desert imagery, Sonora Sunrise don’t rely much on the blues. Instead, they opt for a more expansive, meditative sound full of lush synth pads and cosmic guitar arpeggios. The individual songs are unhurried yet mostly feel to be appropriate lengths. There’s also an impressive amount of sonic diversity. Krautrock, space rock, stoner rock/metal, and ambient music all get their own turn to be in the foreground. Continue reading “Album Review: Sonora Sunrise – The Route through the Canyon”
Band: Kayo Dot | Album: Blasphemy | Genre: Experimental rock, Gothic rock | Year: 2019
From: Brooklyn, USA | Label: Prophecy Productions
For fans of: maudlin of the Well, Leprous, Type O Negative
Buy: Bandcamp | Amazon | Apple Music
Kayo Dot have long been one of the more amorphous acts in the progressive rock and metal scene. There’s often a great deal of variation between their individual albums, with their last couple releases being relatively soft and synth-heavy. Compare that to their vaunted debut, Choirs of the Eye, where the band started off as an avant-garde metal act. Of late, though, they’ve been incorporating more and more influences from the 1980s, particularly post-punk and gothic rock.
This fusion continues on Blasphemy, the band’s ninth studio album. This release also sees Kayo Dot reviving a bit of their metal roots. I would not call this a metal album, but it’s their most aggressive record in a while. Those heavier tones complement the coldness of the goth influences, and bandleader Toby Driver has managed to write another distinct album. Continue reading “Album Review: Kayo Dot – Blasphemy”
Band: Guruh Gipsy | Album: Guruh Gipsy | Genre: Progressive rock, Gamelan music | Year: 1977
From: Jakarta, Indonesia | Label: Paramaqua
For fans of: Yes, Genesis, ELP
In Lesser-Known Gem entries, I’ve explored acts that combined progressive rock with Orthodox chants, flamenco music, and country and honky-tonk. The act I’m writing about today also blends progressive rock with the music of their homeland. That homeland, though, is Indonesia (specifically Java and Bali), which is quite far from progressive rock’s European homeland.
Guruh Gipsy were a one-off project. All the music was written by artist Guruh Sukarnoputra (a son of Indonesia’s first president, Sukarno), and he worked with the band Gipsy to record the material. Unlike the previous acts I’ve written about, Guruh Gipsy’s sole album was a widely-acclaimed and highly-influential success upon its release in Indonesia. However, as of the time of publishing, I’ve had exactly zero Indonesian readers of my blog, according to WordPress’s stats. It’s probably a safe bet that this is a rather unknown album to most of my audience. Continue reading “Lesser-Known Gem: Guruh Gipsy – Guruh Gipsy”