Welcome to the top half of The Elite Extremophile’s Top Prog Albums of 2025. Part One can be found here.
Continue reading “Best of 2025: Top 50 Prog Albums Part 2: 25-1”Tag: spain
Album Review: Phantom Spell – Heather & Hearth

Band: Phantom Spell | Album: Heather & Hearth | Genre: Progressive rock, Hard rock, Heavy metal | Year: 2025
From: Murcia, Spain | Label: Wizard Tower
For fans of: Wishbone Ash, Uriah Heep, Queensryche
Phantom Spell is the solo project of Kyle McNeill, a guitarist for the power metal band Seven Sisters. There are certainly throughlines between these two acts, but Phantom Spell takes a decidedly 1970s-influenced path in their music. Things are highly melodic, with solos aplenty and dramatic vocals throughout.
Continue reading “Album Review: Phantom Spell – Heather & Hearth”Odds & Ends: July 7, 2025

Band: Mesmerians | Album: Somni eònic | Genre: Progressive rock | Bandcamp
The latest EP from this Catalan quartet blends hard-hitting heavy psych with complex song structures and exciting playing. The four songs here range from crushing, Elder-influenced stormers to lighter pieces that draw equally from acts of the late ‘60s and the relatively sunny prog of the early ‘90s. It’s a diverse release with a lot of strong songwriting.
Score: 82/100

Band: Murrayglossus | Album: Vigor | Genre: Post-metal | Bandcamp
Murrayglossus’s second release is a doomy-yet-warm collection of instrumental compositions. Guitar lines are expansive and unpredictable, and the band is successful at infusing the usual vocabulary of post-metal with a bit more vigor. Influences from stoner metal, krautrock, and even a bit of jazz help to keep this release varied and interesting.
Score: 78/100
Continue reading “Odds & Ends: July 7, 2025”Odds & Ends: February 3, 2025

Band: Actionfredag | Album: Lys fremtid i mørke | Genre: Progressive rock | Bandcamp
I liked Actionfredag’s debut, Turist i eget liv, a lot, so I went into this new release with somewhat high hopes. The opening track, “Angst oppå bordet” is a tense and exciting instrumental, but much of the rest of the album fails to land for me. They’ve incorporated a lot more jazz and Canterbury elements on this record, but it often comes off as a bit weak and mushy. Many songs meander without saying or doing much, and even some of the more enjoyable cuts here are still somewhat forgettable. There’s a certain sonic slipperiness which makes them difficult to hold onto. If you like warm, mellow jazz more than I do, perhaps you’ll get more out of this.
Score: 62/100

Band: Blackwood Station | Album: In the Gamma Garden | Genre: Psychedelic folk, Americana | Bandcamp
On their latest album, Blackwood Station takes a laid-back, psychedelic approach that heavily evokes the late 1960s. Textures are lush, and the atmosphere is dreamy. Bandleader Ian Blackwood shows a natural knack for catchy melodies. Some songs are a bit longer than they need to be, but it’s an overall fun listen.
Score: 78/100
Continue reading “Odds & Ends: February 3, 2025”Best of 2024: Top 50 Prog Albums Part 2: 25-1
Welcome back to The Elite Extremophile’s Top 50 Prog Albums of 2024. Today covers the top 25, and you can read about the first half in Part 1.
As a reminder, the music on this list covers December 2023 to November 2024. I spend much of December compiling and editing this list, so I push releases from that month into the following year’s list.
This is also a one-man operation, in regard to reviewing. (Many thanks to my proofreaders/editors, Kelci and Dan.) I’m sure there’s plenty of great music out there I simply didn’t get to. I’ve also got my own biases against certain styles and trends.
Now, onto the list!
Continue reading “Best of 2024: Top 50 Prog Albums Part 2: 25-1”Best of 2024: Top 50 Prog Albums Part 1: 50-26
It’s time for The Elite Extremophile’s Top 50 Prog Albums of 2024! This is the first half of the list, and you can find the second half here.
As a reminder, the music on this list covers December 2023 to November 2024. I spend much of December compiling and editing this list, so I push releases from that month into the following year’s list.
This is also a one-man operation, in regard to reviewing. (Many thanks to my proofreaders/editors, Kelci and Dan.) I’m sure there’s plenty of great music out there I simply didn’t get to. I’ve also got my own biases against certain styles and trends.
2024 wound up being an alright year for the sort of stuff I cover here. It felt like it started off somewhat slow, but in the end, it wasn’t too challenging for me to find 50 records worthy of being highlighted.
Now, onto the list!
Continue reading “Best of 2024: Top 50 Prog Albums Part 1: 50-26”Best of 2024: Cool Songs
Welcome to the first installment of The Elite Extremophile’s Best of 2024. Today we’re starting off with Cool Songs, to be followed by the Top EPs tomorrow and the Top Albums on Wednesday and Thursday.
Before we get to it, let me give my usual Best-Of disclaimers. This is a one-man operation, in regard to writing the reviews. My proofreaders Kelci and Dan are very helpful, but I’m sure there was plenty of great music I just simply couldn’t get around to. I’ve also got my own personal biases against certain styles and trends.
And as a reminder, these year-end lists cover music released between December 2023 and November 2024. I spend much of December compiling and editing these lists, so I don’t bother searching for new music released in December until the new year.
This segment is meant to show off great tracks that do not appear on my other year-end lists. If a release makes my best EPs or best albums list, it is disqualified from appearing in this particular segment.
Without further ado, let’s get to it!
Continue reading “Best of 2024: Cool Songs”Odds & Ends: December 2, 2024

Band: Anciients | Album: Beyond the Reach of the Sun | Genre: Progressive metal | Bandcamp
“Anciients” is one of my least-favorite band names. Certain dumb misspellings can be fun (see: Kömmand, Toxik, Vektor), but just slapping another “i” in there seems stupid. That being said, the focus of this site isn’t on bands’ names, but rather on the music they put out. And if I weren’t able to look past names I dislike, I’d never be able to enjoy acts like Between the Buried and Me or And So I Watch You from Afar.
Anciients is one of those bands that is adored by the likes of r/progmetal, and which I enjoy but do not view quite so worshipfully. Think Caligula’s Horse, Devin Townsend, or recent Haken. Beyond the Reach of the Sun, though, resonates with me more than this band’s prior work. Melodic, Dream Theater-influenced prog metal coexists with heavier sludge-influenced passages, and it results in some exciting compositions. Some slower cuts can take a little long to get going (I’m especially looking at you, “Is It Your God”), but the payoff is usually worth it.
Score: 78/100

Band: delving | Album: All Paths Diverge | Genre: Post-rock, Progressive rock | Bandcamp
Elder frontman Nicholas DiSalvo is back with his second album under the delving name. It continues in a vein similar to the first delving record, but I like this one more. Hirschbrunnen, released in 2021, is a passable but forgettable post-rock album. All Paths Diverge has more complex and purposeful compositions. I really like how thoroughly keyboards have been integrated, and the guitar tones are lovely. This very much feels like a non-metallic, dreamier version of Elder, and that twist on Elder’s sound works really well. Like any hour-long instrumental post-rock record, there’s some bloat, but this is a release where the vibes and atmospheres are more important than any specific riff.
Score: 79/100
Continue reading “Odds & Ends: December 2, 2024”Odds & Ends: September 2, 2024

Band: Burnt Log | Album: Time Is a Heron Waiting for Prey | Genre: Progressive rock, Dream pop | Bandcamp
Burnt Log is a one-man project based out of Scotland. The songs skillfully combine intelligent, progressive song structures with floating, dreamy atmospheres. Melodies are smart but accessible, and there’s a vague sense of nostalgia to much of the music here. Touches of post-punk, new wave, and even post-rock crop up here and there. Some passages are perhaps a bit too dream-poppy for my taste, but this is still an overall solid and interesting release.
Score: 72/100

Band: FILESHAREMAIDEN | Album: Veuve | Genre: Progressive metal, Technical death metal | Bandcamp
The first full-length release from Quebecois death metallers File Share Maiden is a swirling, tangled thicket of finger-twisting riffs, guttural vocals, and even moments of surprising lightness. There are many exciting, fun passages that demonstrate both technical skills and songwriting smarts. However, this band also falls victim to the common excesses of other tech-death acts. Many songs are longer than they need to be, and a number of cuts border on purposelessness. That said, there’s still plenty of great material here.
Score: 70/100
Continue reading “Odds & Ends: September 2, 2024”Album Review: Ulls – Cripta nau

Band: Ulls | Album: Cripta nau | Genre: Progressive rock | Year: 2024
From: Barcelona, Spain | Label: Independent
For fans of: Pink Floyd, Banco del Mutuo Soccorso, The Mars Volta
One of my primary motivations for starting this site was highlighting small-time bands that are easy to overlook. One such act is Ulls. Ulls (Catalan for “eyes”) is a one-man project based out of Barcelona that plays a somewhat heavy, eerie, organ-fueled variety of prog. The music often leans heavily on atmosphere, evoking certain acts who have scored films, like Goblin or early Pink Floyd.
Their 2019 LP, Anoia s’apodera (“Boredom sets in”) was one of my favorites of that year. However, it was released in December 2019, and I didn’t discover it until a few months into 2020. Thus, all it got on this site was a brief Odds & Ends entry. That is a big reason why my year-end best-of lists now cover December-to-November. When I got the alert from the Bandcamp app that Ulls was releasing a new record, titled Cripta nau (“Ship crypt”), I was quick to pre-order it.
Continue reading “Album Review: Ulls – Cripta nau”



