Welcome back to The Elite Extremophile’s Topg 50 Prog Albums of 2022. In case you missed it, Part 1 can be found here.Continue reading “Top 50 Prog Albums of 2022, Part 2: 25-1”
Welcome to the fourth installment of The Elite Extremophile’s Top Prog Releases of 2022. We’re starting off with the Top Prog EPs of 2022. The two-part Top 50 Albums list will be posted in the coming days.
I’ve never settled on a firm number for this list, but the last three years have all been Top Fives. This year, though, I listened to many more short releases than usual, and there are nine in particular that I want to highlight.
The difference between an EP and a short LP can often be murky. A number of these releases could have feasibly been included in the Top Albums list (and at least two initially were). However, upon thinking it through, I’m comfortable with this list. Aside from being fairly short, I don’t have firm criteria for differentiating LPs and EPs. It’s very much an “I’ll-know-it-when-I-see-it” situation.
So, without further ado, let’s jump into the list!Continue reading “Top Prog EPs of 2022”
Band: Bekor Qilish | Album:Throes of Death from the Dreamed Nihilism | Genre: Black metal, Progressive metal | Bandcamp
Bekor Qilish is a one-man project hailing from Italy. The songs are full of high-energy shredding, technical soloing, and some really great keyboard textures. The production is fantastic, as well. This release (the title of which is impressively cliche for the famously-verbose world of one-man black metal projects) clocks in at under 30 minutes, and that works in its favor. There is absolutely no fat to trim, even in the sprawling and atmospheric closing track.
Band: Birth | Album: Born | Genre: Progressive rock, Psychedelic rock | Bandcamp
I really liked Birth’s self-titled EP last year, and their debut LP contains rerecorded versions of those three songs. The album as a whole is a bit mixed, however. Songs like “Cosmic Tears” and “For Yesterday” are fun, engaging slices of retro-prog. They’re obviously going for the sounds of 1969, but it’s well-enough played and written that I don’t mind. But then others, like “Descending Us” and “Another Time” lack that spark, making the retro sound feel more like a crutch. Overall, there’s a lot to like here, but it’s not without its drawbacks.
Score: 70/100Continue reading “Odds & Ends: August 1, 2022”
Band: Artificial Brain | Album:Artificial Brain | Genre: Technical death metal, progressive death metal | Bandcamp
I remember there being a lot of hype around this band’s last album–2017’s Infrared Horizon–but it just never quite clicked with me. Their new self-titled album, though, is great. The riffs are blistering, dizzying, and mind-bendingly dissonant. The songs are well-built and feature some wonderful hairpin turns. Amid the mucky morass of gurgling vocals and growling guitars, lead guitar lines are often surprisingly melodic.
Band: Bess of Bedlam | Album: Dance until the Crimes End | Genre: Psychedelic folk, Canterbury sound | Bandcamp
This album varies between idyllic folk with psychedelic tinges and some Canterbury-leaning prog-pop. There’s a lot of good music here, but unfortunately, there’s also a fair amount of unspectacular indie-folk-pop. The weak moments are never bad, per se–just dull. And it’s usually quickly counteracted with a good song. If you’re looking for something arty but light, this isn’t a bad option.
Score: 68/100Continue reading “Odds & Ends: July 11, 2022”
Band: Moura | Album: Axexan, espreitan | Genre: Progressive rock, Galician folk | Year: 2022
From: A Coruña, Spain | Label: Spinda Records
For fans of: Pink Floyd, Hawkwind, Traffic
Moura’s self-titled debut album was my album of the year for 2020. It was an exceptional release which blended dark psychedelia, progressive song structures, and the folk music of Galicia (the bit of Spain that dangles over Portugal; not to be confused with Eastern European Galicia). Two years later, the band has returned with another outing that blends those aforementioned influences, as well as some new inclusions.
Axexan, espreitan (Eng. Lurking, Peeking) is a strong successor to Moura while also having its own unique character. The songs are terser on this album; both records are roughly the same length, but this has twice as many individual tracks as their debut. The folk influences are prominent, and that helps Moura stand out in the current progressive rock landscape.Continue reading “Album Review: Moura – Axexan, espreitan”
Band: Cró! | Album:Buah! | Genre: Progressive rock, Psychedelic rock | Bandcamp
On such a short album, this Spanish quartet manages to cover a huge amount of territory. The title track strongly reminds me of classic Italian acts like PFM or BDMS, and “Coia” is slow-moving and creepy. Other songs touch on alt-rock, funk, and jazzy art-rock. It’s a wonderfully diverse release, and all those different styles are played excellently.
Band: Envy of None | Album: Envy of None | Genre: Post-rock | Bandcamp
Envy of None is Alex Lifeson’s new band, and it sounds absolutely nothing like Rush. I went in expecting that, based off the lead single. I knew it was going to be a lot spacier, more atmospheric, and mellower. And while there are a few good songs on the album (“Look Inside”, “Spy House”, “Dog’s Life”), most of this album is a bore. It reminds me of trip-hop–a genre I’m really not crazy about–but without much creativity. Most songs are slow and relatively unvaried. This might be good background music, but I was hoping for dynamism.
Score: 52/100Continue reading “Odds & Ends: May 16, 2022”
Welcome to the first installment of The Elite Extremophile’s Top 50 Prog Albums of 2021. This article will cover places 50-26 on my list, with the top half set to follow on Thursday.
As I always say, I’m sure there are some excellent albums not included in my list. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.
As I referenced in my Scheduling Note back in November, this list only addresses albums put out between January 2021 and November 2021. Next year’s list will cover December 2021 through November 2022.
Though it felt as if it started off fairly slow, 2021 wound up being a very strong year for progressive rock and metal. Finalizing this list took longer than usual, especially nailing down the specific order.Continue reading “Top 50 Prog Albums of 2021, Part 1: 50-26”
Band: Devour Every Star | Album: Antiquity | Genre: Progressive metal, Trip-hop | Bandcamp
This is certainly one of the more distinctive genre fusions I’ve run across. Buzzy black metal merges with spacey instrumental hip-hop passages to forge a distinctive sound. It’s spooky and laid-back, and it’s definitely worth looking into. As a whole, it feels a little long; I think this style may be better suited to a 20-minute EP. Nonetheless, it’s quite unique, and this act shows ability beyond simply being a curiosity.
Artist: Ehsan Gelsi | Album: Ephemera | Genre: Progressive rock | Bandcamp
This instrumental piece was commissioned by the city of Melbourne to celebrate Melbourne Town Hall’s 150th anniversary, thus it prominently features the town hall’s grand organ as its primary instrument. Ephemera is grand and majestic in its harmonious marriage of reedy organ and lush, liquid synthesizers. The whole album is quite warm, and it feels midway between Mike Oldfield and Rick Wakeman. Elements of classical and electronic music are regularly incorporated, making this a surprisingly diverse record despite its limited sound palette.
Score: 80/100Continue reading “Odds & Ends: December 6, 2021”
Welcome to Part One of TheEliteExtremophile’s Top 50 Prog Albums of 2020, this site’s second-annual best-of list. It’s also my tenth year of writing year-end music roundups. The first eight were posted on my personal Facebook. Check out Part 2 here.
2020 was a banner year for progressive rock and progressive metal. There were so many fantastic albums released, and paring this list down to just 50 was often a painful process. Even more difficult was deciding on the exact order of these albums.
Like I said last year, I’m sure there are some excellent albums not included. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.Continue reading “Top 50 Prog Albums of 2020, Part 1: 50-26”
Band: Acid Mess | Album: Sangre de Otros Mundos | Genre: Psychedelic rock, Progressive rock | Year: 2020
From: Asturias, Spain | Label: Spinda Records
For fans of: Mezquita, The Mars Volta, Fuzz
I’ve discussed Spinda Records and their consistently high-quality underground prog and psych before. Moura’s self-titled debut—released by Spinda in March—might just wind up being my album of the year, but my year-end list is still taking form. The latest release from this label is the third album from Acid Mess, Sangre de Otros Mundos (Blood of Other Worlds).
The album opens with “El Reflejo de Su Piel” (“The Reflection of Your Skin”). The first half of this song is slow and atmospheric: clean guitar echoes as a squiggly, fizzy synth line winds its way beneath. That suddenly erupts into a distinctly Spanish guitar riff imbued with metallic aggression. Handclaps add a distinct textural element, and swirling organ, though low in the mix, makes everything feel fleshed-out.Continue reading “Album Review: Acid Mess – Sangre de Otros Mundos”