Tag: spain

Top 50 Prog Albums of 2021, Part 1: 50-26

Welcome to the first installment of The Elite Extremophile’s Top 50 Prog Albums of 2021. This article will cover places 50-26 on my list, with the top half set to follow on Thursday.

As I always say, I’m sure there are some excellent albums not included in my list. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.

As I referenced in my Scheduling Note back in November, this list only addresses albums put out between January 2021 and November 2021. Next year’s list will cover December 2021 through November 2022.

Though it felt as if it started off fairly slow, 2021 wound up being a very strong year for progressive rock and metal. Finalizing this list took longer than usual, especially nailing down the specific order.

Continue reading “Top 50 Prog Albums of 2021, Part 1: 50-26” →

Odds & Ends: December 6, 2021

Band: Devour Every Star | Album: Antiquity | Genre: Progressive metal, Trip-hop | Bandcamp

This is certainly one of the more distinctive genre fusions I’ve run across. Buzzy black metal merges with spacey instrumental hip-hop passages to forge a distinctive sound. It’s spooky and laid-back, and it’s definitely worth looking into. As a whole, it feels a little long; I think this style may be better suited to a 20-minute EP. Nonetheless, it’s quite unique, and this act shows ability beyond simply being a curiosity.

Score: 70/100

Artist: Ehsan Gelsi | Album: Ephemera | Genre: Progressive rock | Bandcamp

This instrumental piece was commissioned by the city of Melbourne to celebrate Melbourne Town Hall’s 150th anniversary, thus it prominently features the town hall’s grand organ as its primary instrument. Ephemera is grand and majestic in its harmonious marriage of reedy organ and lush, liquid synthesizers. The whole album is quite warm, and it feels midway between Mike Oldfield and Rick Wakeman. Elements of classical and electronic music are regularly incorporated, making this a surprisingly diverse record despite its limited sound palette.

Score: 80/100

Continue reading “Odds & Ends: December 6, 2021” →

Top 50 Prog Albums of 2020, Part 1: 50-26

Welcome to Part One of TheEliteExtremophile’s Top 50 Prog Albums of 2020, this site’s second-annual best-of list. It’s also my tenth year of writing year-end music roundups. The first eight were posted on my personal Facebook. Check out Part 2 here.

2020 was a banner year for progressive rock and progressive metal. There were so many fantastic albums released, and paring this list down to just 50 was often a painful process. Even more difficult was deciding on the exact order of these albums.

Like I said last year, I’m sure there are some excellent albums not included. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.

Continue reading “Top 50 Prog Albums of 2020, Part 1: 50-26” →

Album Review: Acid Mess – Sangre de Otros Mundos

Band: Acid Mess | Album: Sangre de Otros Mundos | Genre: Psychedelic rock, Progressive rock | Year: 2020

From: Asturias, Spain | Label: Spinda Records

For fans of: Mezquita, The Mars Volta, Fuzz

Bandcamp

I’ve discussed Spinda Records and their consistently high-quality underground prog and psych before. Moura’s self-titled debut—released by Spinda in March—might just wind up being my album of the year, but my year-end list is still taking form. The latest release from this label is the third album from Acid Mess, Sangre de Otros Mundos (Blood of Other Worlds).

The album opens with “El Reflejo de Su Piel” (“The Reflection of Your Skin”). The first half of this song is slow and atmospheric: clean guitar echoes as a squiggly, fizzy synth line winds its way beneath. That suddenly erupts into a distinctly Spanish guitar riff imbued with metallic aggression. Handclaps add a distinct textural element, and swirling organ, though low in the mix, makes everything feel fleshed-out.

Continue reading “Album Review: Acid Mess – Sangre de Otros Mundos” →

Odds & Ends – August 17, 2020

abstBand: Abstracción | Album: Abstracción | Genre: Progressive rock, Psychedelic rock | Bandcamp

The debut EP from this Spanish septet draws heavily from the sound of Jethro Tull’s early material, and the liberal inclusion of sitar adds a late-‘60s psychedelic folk feel to the mix. Swirling Hammond organ and echoing electric guitar lines keep the atmosphere lush, while vocalist Catalina Requena’s willowy delivery occasionally bleeds into the instrumental elements. Each song is distinct, but the tonal continuity between the pieces keeps this recording cohesive and coherent.

Score: 81/100

arsBand: Ars de Er | Album: La Métamorphose | Genre: Progressive rock | Bandcamp

I’ve run across more Belarusian prog bands while writing for this site than I ever anticipated. The latest of these is the one-man act Ars de Er, which incorporates hefty doses of classical and jazz. Strange harmonizations predominate on La Métamorphose, drawing comparisons to the original big names of avant-prog and RIO. Heavy, metallic guitar lines underpin moments of furious soloing and chaotic rhythms. The atmosphere on this record is oppressive. The strange, diminished chords and haunting keyboard textures make for an anxious, claustrophobic feel.

Score: 80/100 Continue reading “Odds & Ends – August 17, 2020” →

Album Review: Moura – Moura

mouraBand: Moura | Album: Moura | Genre: Progressive rock, Psychedelic rock, Galician folk | Year: 2020

From: A Coruña, Spain | Label: Spinda Records

For fans of: Pink Floyd (pre-1973), Magma, Van der Graaf Generator

Buy: Bandcamp | Amazon

Near the end of last year, I reviewed the debut album of the band Híbrido. In that review, I praised the label Spinda Records for giving underground prog and psych in Spain a platform. Not long after I published that review, someone from the label reached out and told me to keep my eyes on Moura, a band from Galicia.

Moura’s self-titled debut record is a tour de force of psychedelic progressive rock. This quintet blends the dark psychedelia of Pink Floyd (c. 1968-1970), the compositional and instrumental complexity of acts like Yes and Van der Graaf Generator, and the native, Celtic folk of their native Galicia. This confluence is then draped in a druidic, occult atmosphere that in turn creates a menacing aura. (Galicia is a region in northwestern Spain which historically was populated by Celtic peoples and today retains significant Celtic influence in the local culture, particularly the music.) Continue reading “Album Review: Moura – Moura” →

Odds & Ends – March 9, 2020

a1331639050_10Band: Ak’chamel, The Giver Of Illness | Album: The Totemist | Genre: Krautrock, Psychedelic folk | Bandcamp

The Totemist is a swirl of ritualistic atmosphere and repetition. The murky aura augments the contrasts between the sharp notes of the acoustic instruments and the omnipresent, sinister drone. The compositions morph in naturalistic ways, and subtle touches of jazz are worked in amid the faux-shamanic folk, resulting in something quite creative.

Score: 75/100

a2807075973_10Band: Cthulhu Rise | Album: Last | Genre: Progressive rock, Jazz-fusion | Bandcamp

This instrumental Ukrainian band reminds me a lot of Liquid Tension Experiment. The roots of the act’s sound clearly derive from Dream Theater-style melodic prog metal, but jazz plays a large role here too. The individual musicians flaunt their chops on the three songs here, but the soloing always comes off as purposeful. Each track is full of surprising twists and turns, with few ideas sticking around for more than about a minute at a time. Somehow, it avoids feeling disjointed.

Score: 84/100 Continue reading “Odds & Ends – March 9, 2020” →

Top 50 Prog Albums of 2019, Part 1: 50-26

Though this blog is only about a year old, I’ve been publishing music-oriented year-end lists on my personal Facebook since 2010. Those lists have usually covered all releases—albums and EPs—as well as music from genres outside the progosphere. Since starting this blog, I listened to more new music in 2019 than I had in any previous year, and it was even more skewed toward prog and prog-related output than in years past.

To save myself from having to write (and you from having to read) a 100-plus-entry list full of mediocre releases, I’ve instead opted to publish TheEliteExtremophile’s Top 50 Prog Albums of 2019. This post will cover entries 50-26. Part 2, covering the top 25, will be published on Monday.

I’m not publishing album scores here, and past album scores should not be read into too much. Reviews generally reflect something of a first impression, and after months of listening, albums’ standings rise and fall. This list also features some very good albums which I just never reviewed in full.

As a disclaimer, I’m sure there are some excellent albums not included. This is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way, either through this site, via email, or through my Facebook page. Continue reading “Top 50 Prog Albums of 2019, Part 1: 50-26” →

Album Review: Híbrido – I

hibrido

Band: Híbrido | Album: I | Genre: Progressive rock, Heavy psych | Year: 2019

From: Algeciras, Spain | Label: Spinda Records

For fans of: Mastodon, Antemasque, Yes

Buy: Bandcamp | Apple Music

Spain has thriving progressive/experimental rock and metal scenes, and Spanish bands have been featured on this site multiple times. The Spanish label Spinda Records is a recent discovery of mine, and they’re the sort of label I love. Based just north of the border with Gibraltar, they focus on underground, local acts that play progressive and psychedelic music. This support provides such acts with a valuable link to the outside world.

One act which particularly stood out to me was Híbrido. Híbrido’s music straddles a line between desert rock and more traditional progressive rock, which occasionally veers into the territory of a somewhat light version of post-metal. Continue reading “Album Review: Híbrido – I” →