Odds & Ends: September 1, 2025

Band:  Jordsjø & Breidablik | Album: Kontraster | Genre: Progressive rock, Progressive folk, Krautrock | Bandcamp

Norwegian bands Jordsjø and Breidablik team up on this album to each deliver one epic apiece, fittingly titled “Kontraster” (“Contrasts”). Jordsjø’s composition is some of their best music in a long time, featuring a thrilling mix of classic prog that filters the influences of Genesis and King Crimson through their Norse folk-tinged lens. This work is balanced against many pretty acoustic moments that feel like they’re rooted in scenic fjords, but still with a foot in the modern prog-rock movement. Breidablik’s offering is much more electronic. Tangerine Dream, Vangelis, and other early prog-electronic acts are their obvious inspiration. Hints of their homeland still peek through, though. Airy flutes and twinkling guitars shine against the backing of looping synths.

Score: 91/100

Band: King Gizzard & The Lizard Wizard | Album: Phantom Island | Genre: Progressive pop | Bandcamp

King Gizzard’s latest album is a bit borderline for this site, but I enjoyed it overall. On this release, the band has incorporated a full orchestra into their music, and it’s a successful experiment. The lush soundscapes complement and elevate the band’s smart, Southern-inflected art rock, and it pushes the album from “fine” to “pretty good.” Their previous record didn’t really resonate with me; this is in a similar vein, but the freshness of all the strings and winds helps the band better realize their ideas.

Score: 78/100

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Album Review: Steven Wilson – The Future Bites

Artist: Steven Wilson | Album: The Future Bites | Genre: Art pop, Synthpop, Soft rock | Year: 2021

From: Hertfordshire, UK | Label: Caroline International

For fans of: Steven Wilson’s other recent solo work – beyond that, I’m not sure; this is outside my normal wheelhouse

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Steven Wilson, likely the biggest individual name in the current world of prog, returns with his sixth solo album. After making a name for himself with his longtime prog metal/rock band, Porcupine Tree, he struck out on a solo career (which I’ve documented here) that has tacked increasingly poppy over his last few releases.

Wilson had commented that he currently does not feel inspired when playing guitar, and his continued gravitation toward synthesizers is evident on The Future Bites. I have to give him kudos for following his musical heart and not kowtowing to prog traditionalists demanding another Deadwing or Hand. Cannot. Erase. I really respect him for broadening his horizons and playing what he wants to play. I wish more artists had that sort of integrity and adventurous spirit.

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