Album Review: Somalgia – Inverted World

Band: Somalgia | Album:Inverted World | Genre: Progressive metal, Progressive rock | Year: 2021

From: UK | Label: Repose Records

For fans of: Sigh, Porcupine Tree, Kesem

Bandcamp

Records like this one are why I’m glad I decided to lump music released in December 2021 with 2022 for my year-end list-making purposes. I’m often in a bit of a rush getting my draft lists off to my editors, and trying to find new music in the midst of that is a fool’s errand. Somalgia’s debut album–Inverted World– was released in mid-December, and it’s a fantastic blend of genres, including progressive rock, black metal, trip-hop, and psychedelia.

Somalgia is an English duo who go so far as to label their music “post-genre.” It’s certainly a diverse release, especially as far as progressive rock and progressive metal go; but they’re not doing the stereotype of pretentious prog-rockers any favors with this sort of posturing. The lyrics are also a bit 14-year-old-who-just-saw-The-Matrix-and-is-now-a-conspiracy-theorist for my taste. The band has used the NPC wojak meme multiple times on their Instagram, as well as engaging in some 5G conspiracy. I get the feeling it would likely be unproductive for me to engage in political discussions with whomever wrote the lyrics.

Political gripes aside, Inverted World has a lot of fantastic music on it; and it’s situations like this one where I’m glad I’m good at just tuning words out most of the time.

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Top Prog EPs of 2021

Welcome to the third installment of The Elite Extremophile’s Top Prog Releases of 2021. We’re starting off with the Top 5 Prog EPs of 2021. The Two-part Top 50 Albums list will be posted next week.

I listened to more EPs than usual this year, but it was still a relatively small crop, so I decided to keep this list limited to five entries.

As I have stated in the past, I’m sure that I’ve missed some excellent releases. This site is my personal pet project, and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way, either through this site, email, or my Facebook page.

As I referenced in my Scheduling Note back in November, this list only addresses EPs put out between January 2021 and November 2021. Next year’s list will cover December 2021 through November 2022.

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Album Review: Creature – Eloge de l’Ombre

Band: Creature | Album:Eloge de l’Ombre | Genre: Progressive metal, Avant-garde metal | Year: 2021

From: Bretagne, France | Label: I, Voidhanger Records

For fans of: Arcturus, Cynic, Öxxö Xööx

Bandcamp

France has long embraced a distinct weirdness and experimentalism in their rock music. Magma are probably the most germane example for this site, though there was a whole microcosm of uniquely French prog acts in the ‘70s, such as Ange, Memoriance, and Mona Lisa. This spirit can be seen today in numerous extreme metal acts, like the bizarre symphonics of Öxxö Xööx or blackgaze pioneers Alcest.

Creature, the one-man project of Raphaël Fournier, has put out a striking, bold release that continues in this tradition of adventurous Francophone rock and metal. (It’s also another strong release from Italy-based experimental metal label I, Voidhanger; I strongly recommend checking out their catalogue.) The music is dense and replete with synthesized vocals and engaging rhythms. Fournier is also quite verbose, demonstrating downright Springsteenian levels of wordiness. So, if you speak French, there’s likely a lot for you to analyze here.

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Album Review: Kayo Dot – Moss Grew on the Swords and Plowshares Alike

Band: Kayo Dot | Album:Moss Grew on the Swords and Plowshares Alike | Genre: Progressive metal, Gothic metal | Year: 2021

From: Brooklyn, USA | Label: Prophecy Productions

For fans of: maudlin of the Well, Kekal, Neurosis

Bandcamp

Kayo Dot are back with their tenth full-length release two years after the totally-okay Blasphemy. That album continued the band’s recent trend away from metal and toward Gothic rock with some experimental leanings. Kayo Dot has always been difficult to nail down with precise genre descriptors, frequently operating in nebulous grey areas between assorted experimental rock and metal subgenres.

Bandleader Toby Driver has often worked with a rotating crew of musicians for Kayo Dot, but for Moss Grew on the Swords and Plowshares Alike, he recorded with the original lineup of his previous band, the critically-beloved maudlin of the Well. The musicianship is expectedly top-notch, and the fusion of experimental metal with subtler influences is sublime. This might just be my new favorite Kayo Dot record.

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