Odds & Ends – July 12, 2021

Band: BaK | Album:Crater | Genre: Progressive rock, Progressive metal | Bandcamp

BaK is a bombastic Australian act which blends the sound of acts like Pain of Salvation and Dream Theater with Middle Eastern instrumentation and rhythms. The closest parallel to BaK is probably the Tunisian power metal act Myrath, though some of the weaker moments on this EP do remind me of Grorr. The integration of those more exotic influences is done better than most acts who attempt similar genre fusions, but it’s still really tough to not come off as corny.

Score: 71/100

Artist: Christian Cosentino | Album: Lawn | Genre: Progressive metal | Bandcamp

This proggy atmospheric black metal album makes extensive use of lush, programmed orchestration. Many parts of this record feature piano as a co-lead instrument alongside guitar, and strings are almost always present. Normally I’m not the biggest fan of this type of arrangement, but I credit the success here to the fact that he went in a more atmospheric direction, instead of something more traditionally proggy, technical, and overblown.

Score: 81/100

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Album Review: Æthĕrĭa Conscĭentĭa – Corrupted Pillars of Vanity

Band: Æthĕrĭa Conscĭentĭa | Album: Corrupted Pillars of Vanity | Genre: Black metal, Progressive metal | Year: 2021

From: Nantes, France | Label: Independent

For fans of: Ihsahn, Enslaved, Panopticon, Van der Graaf Generator

Bandcamp

Progressive rock and progressive metal are notorious for high-minded concept albums which feature dense, intricate worldbuilding full of invented names and esoteric jargon. Ranging from the complex, Kobaïan mythos of Magma to Dream Theater’s multiple over-the-top multithreaded stories, you often don’t need to range too far afield to find a record which sounds like it started off life as an idea for a sci-fi novel.

Æthĕrĭa Conscĭentĭa is a French quartet which uses saxophone-infused progressive black metal to tell their tales of astral mysticism. Their 2018 debut, Tales from Hydhradh, is a powerful record which marries jazz, prog, and metal elements beautifully. Their 2021 follow-up, Corrupted Pillars of Vanity, takes that strong base and improves on it.

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Top Prog EPs of 2020

Welcome to the first installment of my 2020 best-of lists, TheEliteExtremophile’s Top 5 Prog EPs of 2020. Expect the two-part Top 50 Prog Albums list next week.

Prog is a pretty long-winded genre, so the number of EPs I listened to was low, somewhere in the 12-15 range. However, there were some absolutely killer releases, and trimming this list down to 5 was tough.

As I stated last year, I’m sure there are some excellent releases not included. This site is my personal pet project, and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way, either through this site, email, or my Facebook page.

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Odds & Ends – November 16, 2020

Band: Arcade Messiah | Album: The Host | Genre: Progressive rock, Progressive metal | Bandcamp

Arcade Messiah is a one-man project out of Ireland that mixes progressive rock and metal with earworm melodies and intriguing electronic touches. Hints of post-rock and stoner metal permeate this album, and each song works wonderfully with the next. This release reminds me a lot of ADHD-era Riverside with its strong hooks, varied textural palette, and adventurous spirit. The Host artfully threads the needle in a way that many acts are unable to. This album strikes a balance of metallic bombast and smooth melodicism.

Score: 89/100

Band: Babel Trio | Album: The Martyr | Genre: Stoner metal, Progressive metal, Greek folk | Bandcamp

I’ve previously discussed this Cretan trio, and I found their blend of Greek folk melodies, progressive songwriting, and sunbaked fuzz truly refreshing. In lieu of guitar, the lead instrument in this band is a modified electric lute, which imbues the songs with a unique timbral quality. The Martyr took a bit longer for me to get into than their previous album, but it gradually grew on me over several listens. This distinctly Hellenic stoner metal kept drawing me back in with its uncommon melodies and well-structured compositions. Compositions range from charging to plodding, and that diversity of atmosphere serves this record well.

Score: 80/100

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