Odds & Ends – April 13, 2020

Band: Catapulco | Album: Pulpo | Genre: Progressive rock, Hard rock | Bandcamp

Pulpo, the second album from German band Catapulco, opens with the 17-minute suite “Sina”. On both this song and the rest of the album, Catapulco clearly draw inspiration from early ‘70s hard rock acts, and the vocalist’s delivery has an almost Southern twang to it. Much of Pulpo sounds like Molly Hatchet trying to do prog rock. There are some neat ideas on this record, and overall I enjoyed it, but at points it is derivative enough to be distracting. The lyrics also are distractingly trite, but as these guys are non-native Anglophones, I’m more than happy to cut them some slack.

Score: 69/100

Band: Intronaut | Album: Fluid Existential Inversions | Genre: Progressive metal | Bandcamp

I avoided this record for the better part of a month because I confused this band’s name with that of Astronoid, a group I emphatically dislike. Once I realized this mix-up, I gave this a listen, and I was glad I did. The music is pummeling, sludgy, melodic, and exciting. I’m especially impressed with the vocal performance here. My one complaint is that this record feels a tad long. Even if they would have chopped off one song or maybe shaved 30 seconds off every song, I would have enjoyed this release more.

Score: 82/100 Continue reading “Odds & Ends – April 13, 2020” →

Top 50 Prog Albums of 2019, Part 1: 50-26

Though this blog is only about a year old, I’ve been publishing music-oriented year-end lists on my personal Facebook since 2010. Those lists have usually covered all releases—albums and EPs—as well as music from genres outside the progosphere. Since starting this blog, I listened to more new music in 2019 than I had in any previous year, and it was even more skewed toward prog and prog-related output than in years past.

To save myself from having to write (and you from having to read) a 100-plus-entry list full of mediocre releases, I’ve instead opted to publish TheEliteExtremophile’s Top 50 Prog Albums of 2019. This post will cover entries 50-26. Part 2, covering the top 25, will be published on Monday.

I’m not publishing album scores here, and past album scores should not be read into too much. Reviews generally reflect something of a first impression, and after months of listening, albums’ standings rise and fall. This list also features some very good albums which I just never reviewed in full.

As a disclaimer, I’m sure there are some excellent albums not included. This is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way, either through this site, via email, or through my Facebook page. Continue reading “Top 50 Prog Albums of 2019, Part 1: 50-26” →

Album Review: Inter Arma – Sulphur English

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Band: Inter Arma | Album: Sulphur English | Genre: Progressive metal, Sludge metal, Black metal | Year: 2019

From: Richmond, USA | Label: Relapse Records

For fans of: early Mastodon, Agalloch, Giant Squid

Buy: Bandcamp | Amazon | Apple Music

Inter Arma is among the most-talked-about bands in the realm of modern progressive metal (at least online). It’s not hard to see why. The band’s last few releases have been stellar, and their most recent album, 2016’s Paradise Gallows, was especially impressive in its scope and ambition. They’ve managed to effectively blend the pounding heaviness of doom and sludge metal with the speed and sharpness of black metal. I try not to set my hopes too high for high-profile releases like this, lest I be disappointed with a pretty good album.

Sulphur English continues a trend that was begun on Paradise Gallows. Their 2016 release was the first of theirs to feature clean vocals, and acoustic guitar was even given prominent placement at moments. Clean vocals are even more widespread on Sulphur English, and acoustic guitars continue to be given a large role in an increasing number of songs, offering a sharp contrast against the thundering, growling sludge riffs. Continue reading “Album Review: Inter Arma – Sulphur English” →

Odds and Ends – March 21, 2019

Odds and Ends is a segment where I do brief reviews of albums I either didn’t prioritize for longer-form reviews, or ones for which I don’t have that much to say.

a1945761875_10 Band: Cheeto’s Magazine | Album: Amazingous | Genre: Progressive rock, Pop, Progressive metal | Bandcamp

This album was a disorienting experience. Cheeto’s Magazine blend sunshiny pop with metal riffs and complex structures. The closest analogue I can think of would be A.C.T., though this has an even more aggressively poppy edge. The songwriting is consistently ambitious, and there are some moments reminiscent of Dream Theater’s better output. I give them a lot of credit for ambition, but the juxtaposition of metal with those bubblegum synths is often jarring.

Score: 69/100 Continue reading “Odds and Ends – March 21, 2019” →

Album Review: Kekal – Deeper Underground

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Band: Kekal | Album: Deeper Underground | Year: 2018 | Genre: Progressive metal, Black metal, Electronic

From: Jakarta, Indonesia | Label: Hitam Kelam Records

For fans of: Agalloch, Atheist, Kayo Dot

Buy: Bandcamp | Amazon | Apple Music

Kekal have been around for two decades, but this may be their best album yet. The band’s signature sound of complex black metal, catchy pop sensibilities, and wonky electronics comes together in a way more balanced than anything else I’ve previously heard from them. This is a huge improvement over their last release, 2015’s Multilateral, which was an uneven effort. Throughout much of this band’s discography, they’ve often had a hard time getting the black metal and electronic influences to meld effectively.

Here, however, Kekal have dialed back the electronic elements of their sound. Bloops and bleeps are saved for interludes and building texture and atmosphere. It’s rare for synthesizers to take the spotlight for any extended period of time. This isn’t some purely black metal shredfest, either. Yes, a lot of the metal here is extreme, but the band also mixes in gentler sounds, ample interludes, and surprisingly accessible moments. Continue reading “Album Review: Kekal – Deeper Underground” →