Tag: death metal

Odds & Ends: July 15, 2024

Band: Абстрактор (Abstraktor) | Album: Мать (Mat’, Eng. Mother) | Genre: Progressive folk | Bandcamp

This Russian quartet plays a smart, artsy variety of folk rock. They blend their own Slavic roots with jazz, modern classical, indie rock, and other bits and pieces from around the globe. The instrumentation is often intricate and full of unexpected twists. They build lush and varied textures, and they’re able to blend strong pop sensibilities with a spirit of adventurousness and experimentation.

Score: 81/100

Band: Agusa | Album: Noir | Genre: Progressive rock, Space rock | Bandcamp

I liked this release a lot more than I expected to. Agusa is a band I like–each of their last two albums have made my year-end Top 50 lists, after all–but one of my gripes is that they can be a bit noodly and long-winded. This album is a soundtrack for a film, so I was particularly cautious. Would the scattershot nature of soundtracks hamstring this work? Instead, this is a delightfully varied yet purposeful and coherent release. Folk, jazz, and space rock elements are incorporated naturally, alongside Agusa’s usual prog stylings. This album is also more consistently lighthearted than much of their other work, which is a nice change of pace. The shorter runtimes for these tracks also behoove the band, as they’re able to put forward fun ideas and meditate on them for a bit without needing to build some huge suite. Things do sag and slow down a bit near the album’s end, but it’s far from a fatal flaw in this case.

Score: 76/100

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Album Review: Job for a Cowboy – Moon Healer

Band: Job for a Cowboy | Album: Moon Healer | Genre: Technical death metal, Progressive metal | Year: 2024

From: Glendale, USA | Label: Metal Blade

For fans of: The Faceless, early Opeth, Gorguts

Bandcamp

When Job for a Cowboy first came onto the scene in the late ‘00s, I remember them being derided as just another deathcore band with a stupid name. I listened to some of their early work, and I agreed with that assessment. I don’t like deathcore, and their name is dumb. Seriously, it sounds like a lousy innuendo from a bro-country song. There are some bands I haven taken too long to give a shot because of how much I dislike their name (for example, Between the Buried and Me, And So I Watch You from Afar; pretty much any band whose name is a full clause), but JfaC is a band where my distaste for their name was backed up by a distaste for their music.

In the ensuing decade-and-a-half, though, they’ve taken a considerably more technical and progressive turn. When I saw Moon Healer rather high up on the 2024 chart on Rate Your Music, I was baffled. Aren’t these guys just some shitty deathcore band? I thought. My curiosity was piqued, so I gave Moon Healer a listen. I’m glad I did.

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Odds & Ends: February 4, 2024

Band: Everything Oscillating | Album: The Taboo Against Knowing Who You Are | Genre: Progressive rock | Bandcamp

Everything Oscillating is an instrumental act that focuses on flashy, technical shredding. Two of the three members are the guitarist and bassist for the Seattle-based band Moon Letters, whom I’ve covered a couple times. EO does a great job threading the needle of balancing flashy instrumental antics and engaging songwriting. The best moments here call to mind classic bombastic ‘90s and early ‘00s prog bands like Liquid Tension Experiment and Transatlantic, with a bit more of a classic heavy metal influence. Jazz and Latin flavors are included naturally, and the (abbreviated) instrumental cover of “Achilles’ Last Stand” is done well, too. (I feel like I could write a short essay on my love for the original version of that song, and EO absolutely does it justice here. It’s right up there with “Carouselambra”, “In the Light”, and “The Rain Song” among my favorite Led Zeppelin cuts. (I know, shocker, my favorite Zeppelin songs are all among the band’s longest.))

Score: 79/100

Artist: Peter Gabriel | Album: i/o | Genre: Art pop | Bandcamp

Peter Gabriel’s first new album in 20 years is enjoyable. It’s decent, fairly arty pop with some good melodies and interesting ideas. His vocal performance is strong, and the production is clean, crisp, and professional. Compositionally, though, it doesn’t stand out. Post-rock flavors weave themselves into Gabriel’s usual somewhat-spacey writing style. It’s competent but not particularly memorable. i/o comes in two different mixes: the so-called “bright-side” and “dark-side” mixes. These two mixes are not meaningfully different. Yes, if you listen to each song’s bright and dark version, you can tell them apart, but the differences between the two are insubstantial, surface-level, and borderline-gimmicky. Publications (especially prog-focused ones) that included this on their best-of 2023 lists make me question if they just reflexively put every release from major ‘70s players on their year-end lists, regardless of quality. (In fact, I know several included Yes’s abysmal The Quest on their 2021 lists, so I suppose they do.) If you want some keyboard-forward art-pop to put on in the background, i/o will work, but this album doesn’t leave a lasting impression.

Score: 63/100

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Best of 2023: Top 50 Prog Albums Part 1: 50-26

Welcome to the first half of The Elite Extremophile’s Top 50 Prog Albums of 2023. This article covers spots 50-26, and the top 25 will follow soon!

As a reminder: the label of “2023” is not entirely accurate. The music featured here covers December 2022 through November 2023. Trying to find new music in the month of December is a fool’s errand, as much of my time during that month is occupied with writing and editing this list.

As I always say, I’m sure there are some excellent albums not included on my list. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog. (*cough* djent *cough*)

2023 wound up being an excellent year for the type of music I enjoy. While it wasn’t necessarily difficult to whittle the list down to fifty entries, some of the albums that failed to make the cut for this year’s list probably could place as high as the low thirties in weaker years. (Such acts include Loma Baja, The Ocean, Legendry, and Lil Yachty.) I contemplated expanding the list, but this already takes up a ton of my time as it is. So, let’s get to it!

Continue reading “Best of 2023: Top 50 Prog Albums Part 1: 50-26” →

Odds & Ends: December 18, 2023

Band: Hashshashin | Album: Śaraṇaṃ | Genre: Post-rock, Afghan folk | Bandcamp

The latest release from this Australian act draws upon the Central Asian folk-meets-progressive metal flavors of their last release and hones them even more. Here, much of the focus is on an Afghan instrument, the rubab. It lends a distinct folky and esoteric character to these three songs. This EP is both meditative and impactful, drawing from Afghan folk traditions and modern progressive and post-rock scenes.

Score: 74/100

Band: Mellow Beast | Album: Reactor | Genre: Space rock, Progressive rock | Bandcamp

Mellow Beast’s third release of the year is their strongest of the bunch. Many of this band’s releases are interconnected and tell the story of the land of Hyperion. As such, this release focuses on the story of a gnome trying to save Hyperion after a great cataclysm. The music is psychedelic and awash in effects-laden guitar lines. There’s a fine line being tread here between tight, focused, melodic passages and a desire to stretch things out and jam. It all works together excellently, and I love the way musical themes are occasionally repeated to give everything a sense of continuity.

Score: 83/100

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Album Review: Tomb Mold – The Enduring Spirit

Band: Tomb Mold | Album: The Enduring Spirit | Genre: Death metal, Progressive metal | Year: 2023

From: Toronto, Canada | Label: 20 Buck Spin

For fans of: Blood Incantation, Edge of Sanity

Bandcamp

Tomb Mold is a name I’ve heard tossed around in the past. I was vaguely aware of them, and that people generally liked them, but I wasn’t even really sure what subgenre of metal they played. So when they dropped their first new album in four years and people started praising it as this wonderful prog metal release, I felt like I had to give it a listen.

The Enduring Spirit kicks off with “The Perfect Memory (Phantasm of Aura)”. It’s got a tight, complex, nasty main riff, and that title really nails the pretension of prog-death well. The playing is fantastic, and there are lots of neat flourishes. This is one of my favorite songs on the album. The following “Angelic Fabrications”, though, is considerably more generic. It’s not bad, but it’s pretty run-of-the-mill blackened death metal.

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Odds & Ends: August 7, 2023

Band: Amoeba Split | Album: Quiet Euphoria | Genre: Progressive rock | Bandcamp

This instrumental release has a nice diversity of sounds on it, and the prominence given to jazz flavors works in its favor. The saxophone and keyboard parts especially call to mind early jazzy prog acts, like Frank Zappa, Magma, and Soft Machine. At points, they even veer into territory comparable to Return to Forever. The only real weak point here is the sprawling closer, which atmospherically meanders for eleven-plus minutes without saying or doing all that much. That aside, this is a really enjoyable release.

Score: 76/100

Band: Aton Five | Album: Aton Five | Genre: Progressive rock | Bandcamp

This instrumental Russian quartet plays a relatively heavy variety of prog that often treads the line between rock and metal. The riffs are flashy, complex, and weird, and the guitar and keyboard tones deployed are all great. Dashes of jazz and classical crop up throughout the record for some pleasant moments of contrast. The speed and complexity of these riffs call to mind bands like Liquid Tension Experiment. The closing 22-minute “Lethe” might be a touch long, but it still has plenty of great ideas in it that channel acts like Pink Floyd and Elder. 

Score: 73/100

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Odds & Ends: May 1, 2023

Band: Arkitekture | Album: Rationalis Impetus | Genre: Progressive rock | Bandcamp

Arkitekture is a South Korean progressive rock band that plays a lush variety of progressive rock augmented by strings, winds, and reeds. Jazz, classical, and chamber music influences are prominent across this instrumental album. The individual tracks are well-constructed and full of powerful, emotive playing. If you’re looking for something grand and dramatic, this one is for you.

Score: 88/100

Band: Entropia | Album: Total | Genre: Progressive metal, Black metal | Bandcamp

Entropia’s new album is full of icy, biting riffs. The guitar passages are intricately layered and full of irregular rhythms. They’re often repeated in a krautrock-like way as minor changes accumulate. Though they’re hardly the focus, I love the way keyboards are deployed on this album; they add drama and depth whenever they’re included. The 15-minute title track includes some nice flavors of post-metal here and there. This is a really exciting record, and if you’re into acts like Oranssi Pazuzu or Inter Arma, I would especially strongly recommend this release.

Score: 90/100

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Album Review: Caratucay – Nocturnes of the Incarcerated

Band: Caratucay | Album: Nocturnes of the Incarcerated | Genre: Death metal, Progressive metal | Year: 2023

From: Mülheim an der Ruhr, Germany | Label: Independent

For fans of: Between the Buried and Me, Opeth

Bandcamp

Caratucay is a German prog-death metal quintet, and Nocturnes of the Incarcerated is their second full-length album. I will admit that I was entirely unfamiliar with this band before running across Nocturnes while perusing Bandcamp, but this album made enough of an impression on me, I felt it’d make a solid spotlight for this site.

After the brief subdued intro “Captivi te Salutant”, the album starts in earnest with “Paralysis”. It’s an immediate punch in the face, full of pummeling yet melodic riffs. The vocals have more in common with black metal than death metal for the most part, but that’s something I like. In general, I prefer black metal shrieking over death metal Cookie Monster vocals. Those low guttural vocals feature prominently, too, but they strike a nice balance. “Paralysis” is a tight, anxious song, where the riffs bounce all over the place. Despite the many shifts, the song holds together well.

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