Bobby Shock is a New Jersey-based composer and multi-instrumentalist, whose last album—The Unforeseen—was a pleasant surprise for me last year. It was lush, diverse, and bass-forward. The compositions were unquestionably smart and progressive, but the music was still accessible.
Shock’s latest release continues with that general trend. The obvious focal point of this album is its 20-minute title track, but the other four songs are no less enjoyable.
Band: Alustrium | Album:Insurmountable | Genre: Death metal, Progressive metal | Bandcamp
The music on this EP is played with incredible precision, and the density of riffs-per-minute is impressively high. However, it also feels like this band’s main goal was to play as fast as possible, and even across such a short EP, that gets exhausting. There’s also nothing particularly unique about this release; this is rather boilerplate tech-death.
This band heavily channels Porcupine Tree in just about every regard. It’s a skillful facsimile, right down to the tones of the individual instruments, and the songs are well structured. There is also the occasional outside influence, such the odd jazzy lick here or there. On the downside, this album is pretty long-winded. Only one of the six songs comes in under eight minutes, and most cuts could have benefitted from some trimming.
Artist: That 1 Guy | Album:Set the Controls for the Heart of the Buttnoggin | Genre: Experimental rock, Electronic, “experimental ‘earthshaking future funk’ from the future maybe” (as per his Facebook) | Year: 2020
That 1 Guy is one of my favorite musical acts. I’ve seen him live over a dozen times since I first saw him open for Porcupine Tree in 2009. He tours relentlessly (or at least he did prior to this current COVID-related lockdown), and I would strongly recommend going to see him live if you get the opportunity. As his name implies, he’s a one-man musical project who plays the Magic Pipe, an instrument of his own invention. The Magic Pipe is depicted on this album cover, but here is some footage of it in action.
As much as I love That 1 Guy, I wouldn’t label him as progressive rock. He certainly has an experimental flair—what with the homemade instrument and all—but most of his songs are, structurally, pretty straightforward. His previous album, 2014’s Poseidon’s Deep Water Adventure Friends, was his most ambitious to date, featuring surprisingly complex compositions and highly varied textures. So, when he released this album, I saw how long the songs were and the fact that he had tagged himself as “progressive rock” on Bandcamp, and I decided to stretch my definition of the genre to write about this release. Continue reading “Album Review: That 1 Guy – Set the Controls for the Heart of the Buttnoggin”→