Welcome to the first of three planned installments for this site’s best of 2019. Starting things off is TheEliteExtremophile’s Top Prog EPs of 2019. The vast bulk of what I listen to for this blog is full-length albums, and the assorted prog-related genres tend to be long-winded. As such, this list contains only five entries, but all five are highly recommended.
As a disclaimer, I’m sure there are some excellent releases not included. This site is my personal pet project, and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way, either through this site, via email, or through my Facebook page. Continue reading “Top Prog EPs of 2019”
Artist: Louis de Mieulle | Album: Side$how | Genre: Progressive rock, Jazz fusion | Year: 2019
From: New York, USA | Label: Dalang Records
For fans of: Return to Forever, Magma, Brainticket, Probably a lot of those jazzy instrumental metal acts I don’t like
Buy: Bandcamp | Apple Music
I’ve been pretty open in my general hesitance toward instrumental albums. I’m not the kind of person to pay attention to lyrics, but the human voice adds so much character to music, which can be quite difficult to make up for with just instruments. I don’t believe I’ve discussed it in any great detail on this site—though I’ve made a few comments about it on Reddit—but I am also not a fan of the current zeitgeist of jazzy, instrumental rock and metal epitomized by acts like Intervals, Plini, and Sithu Aye. So much of it just sounds like aimless, speedy noodling. Thank God this album avoids those pitfalls magnificently.
French-born bassist and composer Louis de Mieulle’s newest album, Side$how, is a constantly-engaging blend of ambitious instrumental progressive rock with many trappings of jazz. Touches of electronic genres and krautrock crop up throughout this release’s 41-minute runtime. Consisting of eight songs, titled “Bed of Nails, Part 1-8”, the music was mostly improvised and recorded live by de Mieulle, a pair of keyboardists, and a drummer. Continue reading “Album Review: Louis de Mieulle – Side$how”
Artist: Guy Hatton | Album: I Am Concentric | Year: 2019 | Genre: Jazz fusion, Space rock
From: Rochester, UK | Label: Pantechnicon Recordings
For fans of: Return to Forever, Gong, Al Di Meola, Soft Machine, King Crimson’s jazzier side
Buy: Bandcamp | Amazon | Apple Music
Guy Hatton is a prolific multi-instrumentalist specializing in high-energy jazz, jazz fusion, and progressive rock. His previous releases have had significant funk and Latin influence, featuring bouncing bass, congas, and rich synth textures.
Here, Hatton plays guitars, bass, and keys and programs all the drums. A pair of guests are also brought on for this album to play saxophone and additional keys. The album title is taken from a quote by Salvador Dalí, “It’s true I am eccentric, but in the same time, I am concentric!”, which features in both the opening and closing tracks. It’s a fitting quote to inspire this album—the music is weird, wonky, and off-kilter. At the same time, it’s carefully constructed and complexly layered, with guitars and synths piling up to make an intricate mesh. Continue reading “Album Review: Guy Hatton – I Am Concentric”