Welcome to Part 2 of The Elite Extremophile’s Top 50 Prog Albums of 2021. In case you missed Part 1, it can be found here.Continue reading “Top 50 Prog Albums of 2021, Part 2: 25-1”
Welcome to the first installment of The Elite Extremophile’s Top 50 Prog Albums of 2021. This article will cover places 50-26 on my list, with the top half set to follow on Thursday.
As I always say, I’m sure there are some excellent albums not included in my list. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.
As I referenced in my Scheduling Note back in November, this list only addresses albums put out between January 2021 and November 2021. Next year’s list will cover December 2021 through November 2022.
Though it felt as if it started off fairly slow, 2021 wound up being a very strong year for progressive rock and metal. Finalizing this list took longer than usual, especially nailing down the specific order.Continue reading “Top 50 Prog Albums of 2021, Part 1: 50-26”
Artist: Bobby Shock | Album: Street Angels | Genre: Progressive rock | Year: 2021
From: New Jersey, USA | Label: Independent
For fans of: Chris Squire, Patrick Moraz, The Alan Parsons Project
Bobby Shock is a New Jersey-based composer and multi-instrumentalist, whose last album—The Unforeseen—was a pleasant surprise for me last year. It was lush, diverse, and bass-forward. The compositions were unquestionably smart and progressive, but the music was still accessible.
Shock’s latest release continues with that general trend. The obvious focal point of this album is its 20-minute title track, but the other four songs are no less enjoyable.Continue reading “Album Review: Bobby Shock – Street Angels”
Band: Cicada the Burrower | Album: Corpseflower | Genre: Black metal, Progressive metal | Bandcamp
Corpseflower is a record built around contrasts. One moment, the music is based around murky vocals and jazzy clean guitars, and the next it’s all harsh shrieks and icily distorted guitars. The instrumental work is deft, and the compositional choices are diverse and interesting. My only real complaint is that the two lengthy instrumental cuts feel too long. It’s not a fatal flaw by any means, but both could have been tightened up.
Band: Cosmic Void | Album: All Is Lost in Time | Genre: Black metal, Post-metal | Bandcamp
This 30-minute EP doesn’t stray too far outside the normal aesthetic bounds of somewhat-proggy post-black-metal, but it’s done quite well. The quiet moments are haunting with folky undertones, and the loud moments manage to be both icy and expansive. There are some rather inventive riffs and plenty of uncommon chords. I’m also impressed by the structuring of the four songs here. Though the tones and textures are typical of post-black-metal, the songs’ structures are more akin to classic prog acts with multiple distinct movements.
Score: 83/100Continue reading “Odds & Ends: May 4, 2021”
Band: Æthĕrĭa Conscĭentĭa | Album: Corrupted Pillars of Vanity | Genre: Black metal, Progressive metal | Year: 2021
From: Nantes, France | Label: Independent
For fans of: Ihsahn, Enslaved, Panopticon, Van der Graaf Generator
Progressive rock and progressive metal are notorious for high-minded concept albums which feature dense, intricate worldbuilding full of invented names and esoteric jargon. Ranging from the complex, Kobaïan mythos of Magma to Dream Theater’s multiple over-the-top multithreaded stories, you often don’t need to range too far afield to find a record which sounds like it started off life as an idea for a sci-fi novel.
Æthĕrĭa Conscĭentĭa is a French quartet which uses saxophone-infused progressive black metal to tell their tales of astral mysticism. Their 2018 debut, Tales from Hydhradh, is a powerful record which marries jazz, prog, and metal elements beautifully. Their 2021 follow-up, Corrupted Pillars of Vanity, takes that strong base and improves on it.Continue reading “Album Review: Æthĕrĭa Conscĭentĭa – Corrupted Pillars of Vanity”
Artist: Xander Naylor | Album: Continuum | Genre: Progressive rock, Jazz-fusion, Post-rock | Year: 2020
From: New York, USA | Label: Chant Records
For fans of: Return to Forever, early Frank Zappa, Magma, The Mars Volta
There is no shortage of instrumental EPs and albums put out by guitarists. Many of these releases tend to be self-indulgent and focused on technical soloing. Because of that trend, it’s always a refreshing change of pace when I run across someone like Xander Naylor, who functions more as a composer who just so happens to play guitar, rather than a guitarist composing pieces for his instrument.
Continuum is Naylor’s debut full-length record, and it reminds me of Steve Hackett’s solo material. Not so much in sound, but more so in that while there’s plenty of skillful instrumentalism, it isn’t to the neglect of structure or vision.Continue reading “Album Review: Xander Naylor – Continuum”
Artist: Armando Tirelli | Album: El Profeta | Genre: Progressive rock, Jazz-rock | Year: 1978
From: Uruguay | Label: SEM Label
For fans of: Rick Wakeman, Premiata Forneria Marconi
It’s been a while since I posted a Lesser-Known Gem entry. There’s been a ton of fantastic music released lately, and I can’t keep up with all of it, but there have always been great albums that simply get missed. El Profeta is one of those records. Released in 1978, this album failed to get much traction outside of Uruguay at its release, or in following years.
Armando Tirelli, prior to releasing his solo album, was the keyboardist for the Uruguayan jazz-rock group Sexteto Electrónico Moderno. SEM was not a prog band, but there were ample classical and jazz influences. I’m no expert in South American music (so I can’t specify genres), but SEM also had a distinctly South American feel to their music. Tirelli would use a lot of that classical and jazz experience when composing El Profeta.Continue reading “Lesser-Known Gem: Armando Tirelli – El Profeta”
Band: Thy Catafalque | Album: Naiv | Genre: Avant-garde metal, Hungarian folk | Year: 2020
From: Makó, Hungary | Label: Season of Mist
For fans of: Kekal, Agalloch, Botanist
I found this album in a record store and was struck immediately by the cover art. After quickly consulting the Internet to make sure this wasn’t going to be something I’d hate, I decided to gamble and bought it without first listening to it. And boy, am I glad that I did.
Thy Catafalque is a one-man project based out of Hungary, and Naiv is this act’s ninth full-length album. By the way, this is a catafalque; I’d never heard that word and needed to look it up. On it, sole full-time bandmember Tamás Kátai blends black metal, electronic elements, and Hungarian folk music into something distinctive.Continue reading “Album Review: Thy Catafalque – Naiv”
Band: Abstracción | Album: Abstracción | Genre: Progressive rock, Psychedelic rock | Bandcamp
The debut EP from this Spanish septet draws heavily from the sound of Jethro Tull’s early material, and the liberal inclusion of sitar adds a late-‘60s psychedelic folk feel to the mix. Swirling Hammond organ and echoing electric guitar lines keep the atmosphere lush, while vocalist Catalina Requena’s willowy delivery occasionally bleeds into the instrumental elements. Each song is distinct, but the tonal continuity between the pieces keeps this recording cohesive and coherent.
Band: Ars de Er | Album: La Métamorphose | Genre: Progressive rock | Bandcamp
I’ve run across more Belarusian prog bands while writing for this site than I ever anticipated. The latest of these is the one-man act Ars de Er, which incorporates hefty doses of classical and jazz. Strange harmonizations predominate on La Métamorphose, drawing comparisons to the original big names of avant-prog and RIO. Heavy, metallic guitar lines underpin moments of furious soloing and chaotic rhythms. The atmosphere on this record is oppressive. The strange, diminished chords and haunting keyboard textures make for an anxious, claustrophobic feel.
Score: 80/100 Continue reading “Odds & Ends – August 17, 2020”
Band: Chaos Over Cosmos | Album: The Ultimate Multiverse | Genre: Progressive metal | Bandcamp
This album is packed to the brim with tight, technical riffage and lush synth pads. Chaos Over Cosmos draw heavily from melodic death metal and classic prog metal, and they blend it into something exciting and complex. It’s perhaps not the most inventive or original bit of prog metal you’ll hear this year, but it’s engaging, fun, and shockingly accessible for a genre like death metal.
Band: Inter Arma | Album: Garber Days Revisited | Genre: Sludge metal, Progressive metal | Bandcamp
This is Inter Arma’s covers album. There are some interesting experiments on here. It opens with a Ministry cover; I’m not familiar with the original, but the feeling is both pummeling and atmospheric. Their cover of Neil Young’s “Southern Man” is an absolute gem. The blackened sludge fury lends itself to this track so naturally. This middle of this album sags a bit for me, as I’m not a fan of any of the originals, though hearing Inter Arma’s takes is interesting. They cover “Runnin’ Down a Dream”, and that’s just disorienting. Tom Petty was not sludgy in the least, and these guys play this song pretty clean. The non-shrieked vocals were almost distracting. It’s a serviceable cover, but it doesn’t do anything noteworthy. The album ends on a cover of “Purple Rain”. It closes strong, but the vocals in the first half feel strained, and that sort of instrumental gentleness doesn’t suit these guys too well.
Score: 65/100 Continue reading “Odds & Ends – July 27, 2020”