Odds & Ends – July 12, 2021

Band: BaK | Album:Crater | Genre: Progressive rock, Progressive metal | Bandcamp

BaK is a bombastic Australian act which blends the sound of acts like Pain of Salvation and Dream Theater with Middle Eastern instrumentation and rhythms. The closest parallel to BaK is probably the Tunisian power metal act Myrath, though some of the weaker moments on this EP do remind me of Grorr. The integration of those more exotic influences is done better than most acts who attempt similar genre fusions, but it’s still really tough to not come off as corny.

Score: 71/100

Artist: Christian Cosentino | Album: Lawn | Genre: Progressive metal | Bandcamp

This proggy atmospheric black metal album makes extensive use of lush, programmed orchestration. Many parts of this record feature piano as a co-lead instrument alongside guitar, and strings are almost always present. Normally I’m not the biggest fan of this type of arrangement, but I credit the success here to the fact that he went in a more atmospheric direction, instead of something more traditionally proggy, technical, and overblown.

Score: 81/100

Continue reading “Odds & Ends – July 12, 2021”

Odds & Ends – June 7, 2021

Band: Caligonaut | Album: Magnified as Giants | Genre: Progressive rock | Bandcamp

This solo project from guitarist Ole Michael Bjørndal features members of Wobbler in supporting roles, most notably in backing vocals. The vocal arrangements, combined with the Mellotron-focused compositions, make this a very Wobbler-y album. This project is what I had hoped Dwellers of the Deep would have been. While no individual track rises to the same level as “Merry Macabre”, this is a far stronger overall release. The four songs sound well-planned and finely-honed. It’s hardly groundbreaking stuff, but it is consistent, enjoyable, and well-formed progressive rock in the classic Anglo-prog vein.

Score: 86/100

Band: Coevality | Album: Multiple Personalities | Genre: Progressive rock, Jazz fusion, Math rock | Bandcamp

All the individual songs on this record are strong in their own right. The musicianship is fun and flashy without being too indulgent, and the band draws from a nice tonal palette. However, when packaged into a full-length record, it just feels too long. After about 10 or 15 minutes I find myself losing interest. Perhaps someone more into jazz would enjoy this record more than I do.

Score: 67/100

Continue reading “Odds & Ends – June 7, 2021”

Album Review: Neptunian Maximalism – Solar Drone Ceremony

Band: Neptunian Maximalism | Album: Solar Drone Ceremony | Genre: Drone, Krautrock, Experimental metal | Year: 2021

From: Brussels, Belgium | Label: I, Voidhanger Records

For fans of: Om, Sunn O))), Ash Ra Tempel, Van der Graaf Generator’s weirder stuff

Bandcamp

I briefly covered Neptunian Maximalism’s (NNMM) last album, Éons, in an Odds & Ends last year. I said that I liked the idea of that album—an abrasive, sax-forward assault of drone, psychedelia, zeuhl, and more—more than its realization. I’m not a big fan of drone, but I sensed that NNMM could put forward something a bit more palatable to my tastes while still maintaining that genre’s aesthetic language.

Solar Drone Ceremony is the second full-length studio release from this Belgian ensemble, and it contains just one 52-minute track. It’s a creepy, occultic album wrapped in befittingly H.R. Giger-inspired artwork showing some sort of sexualized alien ritual.

Continue reading “Album Review: Neptunian Maximalism – Solar Drone Ceremony”

Odds & Ends: April 5, 2021

Band: Grorr | Album: Ddulden’s Last Flight | Genre: Progressive rock, Progressive metal | Bandcamp

Grorr are clearly trying to conjure up vaguely “Eastern” aesthetics on this album. The band’s logo evokes Chinese seals, and the album art draws from Chinese and Japanese styles. This continues in the music, though the influences are muddled and slapdash. The opening track is mostly scene-setting, but it give the listener musical whiplash by swirling together the entire continent of Asia. It’s got throat singing (from Mongolia and southern Siberia), sitars and tablas (from the Indian subcontinent), and the melodies are stereotypically “Chinese.” (Instruments which sound like guzhengs and erhus can be heard later on the album.) Moving beyond this mish-mash, Ddulden’s Last Flight is an alright album. The metal is melodic, and there are some inventive riffs. I’m especially impressed with the textures and timbres deployed here. After a while, though, the Oriental instrumentation becomes distracting. I absolutely hated the sitar by album’s end. And that’s unfortunate because Grorr demonstrated that they’ve got a creative vision and that they’re capable of composing some strong cuts. Ultimately, this record’s overbearing and half-baked Asiatic flare is what does it in. I really wish they would have toned it down a bit, or at least shown a bit more geographic restraint.

Score: 58/100

Artist: Jean Pierre Louveton (JPL) | Album: Sapiens – chaptire 2/3: Deus ex Machina | Genre: Progressive rock, Progressive metal, Jazz-fusion | Bandcamp

When I saw JPL is the leader of the band Nemo, I didn’t get my hopes up. Nemo is an alright act, but I classify them in the same group Spock’s Beard and other schlocky, overblown retro-prog acts. Thankfully, this album wound up being a pleasant surprise. Sapiens is a bit more metallic than Nemo’s usual fare, and while there’s plenty of pomp and show-off-y instrumental moments, it mostly avoids needless indulgence. Jazzy touches are present throughout, and the overall bloat is minimal.

Score: 75/100

Continue reading “Odds & Ends: April 5, 2021”

Album Review: Slift – Ummon

sliftBand: Slift | Album: Ummon | Genre: Space rock, Krautrock | Year: 2020

From: Toulouse, France | Label: Vicious Circle and Stolen Body Records

For fans of: Elder’s new stuff, Can, Ash Ra Tempel, Fuzz

Buy: Bandcamp | Amazon | Apple Music

Slift are a French trio who combine the ethos and aesthetic trappings of garage rock with cosmic atmosphere and mantra-like repetition. I was introduced to them via their 2018 album, La Planète Inexplorée. That album was great, and Ummon took everything I loved about it and cranked it up even harder.

Ummon is not a record for the faint of heart. It’s 72 minutes of garage-kraut-doom (or maybe doom-garage-kraut) with barely any breathing room. Huge, abrasive walls of guitar dominate this record, while chaotic bursts of noise pummel the listener. The band members themselves give fair warning on how key repetition is to this album’s sound on their Bandcamp page (or, as they phrase it, “r r e e p p e e t t i i t t i i o o n n”). With all this in mind, if you’re willing to give it a shot, this album is highly rewarding. Continue reading “Album Review: Slift – Ummon”

Odds & Ends – March 9, 2020

a1331639050_10Band: Ak’chamel, The Giver Of Illness | Album: The Totemist | Genre: Krautrock, Psychedelic folk | Bandcamp

The Totemist is a swirl of ritualistic atmosphere and repetition. The murky aura augments the contrasts between the sharp notes of the acoustic instruments and the omnipresent, sinister drone. The compositions morph in naturalistic ways, and subtle touches of jazz are worked in amid the faux-shamanic folk, resulting in something quite creative.

Score: 75/100

a2807075973_10Band: Cthulhu Rise | Album: Last | Genre: Progressive rock, Jazz-fusion | Bandcamp

This instrumental Ukrainian band reminds me a lot of Liquid Tension Experiment. The roots of the act’s sound clearly derive from Dream Theater-style melodic prog metal, but jazz plays a large role here too. The individual musicians flaunt their chops on the three songs here, but the soloing always comes off as purposeful. Each track is full of surprising twists and turns, with few ideas sticking around for more than about a minute at a time. Somehow, it avoids feeling disjointed.

Score: 84/100 Continue reading “Odds & Ends – March 9, 2020”

Odds & Ends – December 2, 2019

TEE odds and ends logo

legendryBand: Legendry | Album: The Wizard and the Tower Keep | Genre: Power metal, Progressive rock | Bandcamp

For all the hackneyed, cliché, sword-and-sorcery heavy metal imagery Pittsburgh’s Legendry evoke in their artwork and lyrics, the music is ambitious and inventive while remaining surprisingly accessible. They walk a fine line straddling traditional metal, power metal, and progressive rock with their speedy riffs, dramatic vocals, and soaring solos. The Hammond organ adds a distinct character that helps Legendry stand out from other traditional metal acts.

Score: 84/100 Continue reading “Odds & Ends – December 2, 2019”