Path of Might’s self-titled debut was one of my earliest purchases on Bandcamp. I loved the intelligent song structures and the visceral intensity of their playing. I apparently missed their 2017 sophomore album, but now it’s 2022, and they’ve got a third full-length release for the world.
The overall sound I remember from their debut is still here in this new release. The music is powerful and unrelenting, often evoking early Mastodon. But they have also become more refined. They’ve added keyboards to their music, and that addition has brought new richness.
Artist: Stewart Clark | Album:Journeys | Genre: Progressive rock | Bandcamp
Stewart Clark draws noticeably from the classic prog giants, most obviously Yes and Genesis. The music is rich and grand, and though the playing is hardly flashy, the songs are creatively and thoughtfully structured. The folk elements are especially nice. Some cuts do drag on a bit, but this is an overall enjoyable release.
Band: Cyril | Album:Amenti’s Coin – Secret Place Pt. II | Genre: Progressive rock | Bandcamp
If you’re looking for some well-made progressive rock in the vein of acts like Transatlantic or The Flower Kings, these guys aren’t a bad choice. It’s highly melodic with a lot of strong instrumental performances. The band does occasionally veer into overwrought balladry, and I can’t say there’s anything particularly novel being said here. Despite that, sometimes you just want some lush, classic-style prog.
Welcome to the first installment of The Elite Extremophile’s Top 50 Prog Albums of 2021. This article will cover places 50-26 on my list, with the top half set to follow on Thursday.
As I always say, I’m sure there are some excellent albums not included in my list. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.
As I referenced in my Scheduling Note back in November, this list only addresses albums put out between January 2021 and November 2021. Next year’s list will cover December 2021 through November 2022.
Though it felt as if it started off fairly slow, 2021 wound up being a very strong year for progressive rock and metal. Finalizing this list took longer than usual, especially nailing down the specific order.
Welcome to the third installment of The Elite Extremophile’s Top Prog Releases of 2021. We’re starting off with the Top 5 Prog EPs of 2021. The Two-part Top 50 Albums list will be posted next week.
I listened to more EPs than usual this year, but it was still a relatively small crop, so I decided to keep this list limited to five entries.
As I have stated in the past, I’m sure that I’ve missed some excellent releases. This site is my personal pet project, and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way, either through this site, email, or my Facebook page.
As I referenced in my Scheduling Note back in November, this list only addresses EPs put out between January 2021 and November 2021. Next year’s list will cover December 2021 through November 2022.
Band: Devour Every Star | Album: Antiquity | Genre: Progressive metal, Trip-hop | Bandcamp
This is certainly one of the more distinctive genre fusions I’ve run across. Buzzy black metal merges with spacey instrumental hip-hop passages to forge a distinctive sound. It’s spooky and laid-back, and it’s definitely worth looking into. As a whole, it feels a little long; I think this style may be better suited to a 20-minute EP. Nonetheless, it’s quite unique, and this act shows ability beyond simply being a curiosity.
This instrumental piece was commissioned by the city of Melbourne to celebrate Melbourne Town Hall’s 150th anniversary, thus it prominently features the town hall’s grand organ as its primary instrument. Ephemera is grand and majestic in its harmonious marriage of reedy organ and lush, liquid synthesizers. The whole album is quite warm, and it feels midway between Mike Oldfield and Rick Wakeman. Elements of classical and electronic music are regularly incorporated, making this a surprisingly diverse record despite its limited sound palette.
Regal Worm is a solo project by Jarrod Gosling, one half of the duos I Monster (trip-hop) and Cobalt Chapel (psychedelic rock). Regal Worm blends Gosling’s usual psychedelic leanings with more progressive and ambitious song structures. His last release under this moniker, 2018’s Pig Views, was my favorite album that year, so I naturally had high hopes for this release.
The album cover for The Hideous Goblink lives up to its name. It is an ugly piece of art and not nearly as enchanting as the art on his past releases. However, this is an instance where that old axiom about book covers and judging them holds true. Regal Worm’s fourth full-length release is a fantastic collection of songs which sound like one unified whole. The six compositions here all work in harmony with each other to deliver something fantastic.
Diagonal had a quick turnaround between this album and their previous release, 2019’s Arc. Compare that timeline to the five-year gap between their self-titled debut and their sophomore album, or to the seven-year hiatus following that. Needless to say, I’m glad they’re putting out music at a brisker pace than they have in the past
I’m also glad that 4 is an improvement over Arc. Arc wasn’t bad by any means, but good chunks of it felt unfocused or needlessly drawn-out. On this new release, the band sounds energized and full of new ideas, and that musical vigor shines through in the five compositions present here.
Kesem’s debut EP was my EP of the year for 2020. It was a mind-bending trip of 21 minutes that blended progressive rock and space rock with the rawness and energy of classic garage rock. The songs on that EP feature sudden shifts in tone, texture, and mood; and the ample deployment of trumpet made them stand out.
Their first full-length-release, Post-Terra, follows in the same path as their self-titled EP. It feels more polished with smoother edges than its predecessor, but that doesn’t mean the sound is watered down at all. There’s still plenty of astral odysseys and surprises packed into this album.
Band: Antinode | Album:The Canary the Named the Stars | Genre: Progressive rock | Bandcamp
The three songs on this long EP/short LP are solid, spacey progressive rock with subtle touches of jazz, metal, and indie rock. I’m a big fan of the instrumental tones and textures, and despite the songs’ lengths, they never feel like they’re dragging. There’s significant internal variation on all three tracks, and there’s a natural flow to the way the compositions evolve.
Band: Big Big Train | Album:Common Ground | Genre: Neo-prog, Progressive rock | Bandcamp
I have never understood the appeal of Big Big Train. They’ve got the occasional decent song here or there, but I’ve never enjoyed an entire BBT album. They often come off as saccharine and glossy, like a worse version of Spock’s Beard. Maybe I’m too much of a dour Debbie Downer to enjoy such unashamedly major-key music, but the opening “The Strangest Times” exemplifies my lack of fondness for this act. It’s bright, sunny piano-pop that doesn’t strike me as particularly proggy in any definition of the word. Successive tracks are significantly better, though it’s still not exactly my cup of tea. Much of this album comes off as soulless and plain, to say nothing of the bloat. The band sounds stuck in the mid-’90s’ prog scene, a sound which was fine for its time but was rightfully cast aside at the turn of the century. The lushness hobbles the band’s ability to make any real splash, and everything on here has been done much better previously by other artists, often half a century ago.