Odds & Ends: May 16, 2022

Band: Cró! | Album:Buah! | Genre: Progressive rock, Psychedelic rock | Bandcamp

On such a short album, this Spanish quartet manages to cover a huge amount of territory. The title track strongly reminds me of classic Italian acts like PFM or BDMS, and “Coia” is slow-moving and creepy. Other songs touch on alt-rock, funk, and jazzy art-rock. It’s a wonderfully diverse release, and all those different styles are played excellently.

Score: 88/100

Band: Envy of None | Album: Envy of None | Genre: Post-rock | Bandcamp

Envy of None is Alex Lifeson’s new band, and it sounds absolutely nothing like Rush. I went in expecting that, based off the lead single. I knew it was going to be a lot spacier, more atmospheric, and mellower. And while there are a few good songs on the album (“Look Inside”, “Spy House”, “Dog’s Life”), most of this album is a bore. It reminds me of trip-hop–a genre I’m really not crazy about–but without much creativity. Most songs are slow and relatively unvaried. This might be good background music, but I was hoping for dynamism.

Score: 52/100

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Odds & Ends: December 27, 2021

Band: Band of Rain | Album: The Sun King | Genre: Progressive rock | Bandcamp

This is decent, mid-tempo prog that goes more for atmosphere than technicality. (That’s not to disparage the bandmembers’ instrumental chops, though.) The overall sound is lush, and the band skillfully layers different textures and melodies. I also appreciate the many touches of jazz scattered throughout this record. The vocals come off as fairly weak, unfortunately, which does hamper this release, along with a general sense that everything here is too long.

Score: 65/100

Band: Fanatism | Album: Inverted Evolution | Genre: Progressive rock, Krautrock | Bandcamp

Inverted Evolution has an unhurried pace which allows the band to stretch out and weave wonderful atmospheres. This Swedish act draws heavily from ‘70s hard rock in a lot of their musical vocabulary, but elements of jazz, post-punk, and gothic rock are readily evident, too. Eerie synths, hypnotic rhythms, and progressive song structures are hallmarks of this album. The ending is a little weak (though not bad), but beyond this hiccup, it’s a strong release.

Score: 77/100

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Odds & Ends – November 1, 2021

Band: Duke Grey Fox w/ The Striped Bananas | Album:A Trilogy of Six | Genre: Progressive rock | Bandcamp

This instrumental record has interesting textures, ideas, and rhythms in spades. I’m especially fond of many of the synthesizer tones. However, like most instrumental records, this one feels too long. This release indeed feels like a trilogy of six; almost every song which tops three minutes feels dragged-out.

Score: 65/100

Band: Goat | Album: Headsoup | Genre: Psychedelic rock, Krautrock | Bandcamp

This is a fuzzy, buzzy psych record that is heavily inspired by the early works of King Gizzard and similar acts. The individual cuts are all fairly enjoyable, with a lot of folky inclusions. Certain instrumental excursions are better-plotted than others, though. My main issue is that this album feels somewhat aimless. There’s very little on this album that I’d consider unenjoyable, but more focus and cohesion would have been beneficial.

Score: 71/100

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Album Review: JG Thirlwell & Simon Steensland – Oscillospira

jgtArtists: JG Thirlwell & Simon Steensland | Alubum: Oscillospira | Genre: Avant-prog, Zeuhl | Year: 2020

From: Melbourne, Australia (Thirlwell) & Sweden (Steensland) | Label: Ipecac Recordings

For fans of: Magma, Univers Zero

Bandcamp | Spotify

JG Thirlwell is an Australian-born, Brooklyn-based multi-instrumentalist best known as the man behind the industrial act Foetus. He also acts the composer for the TV shows Archer and The Venture Bros, the latter of which is one of my absolute favorite shows. (It also made progressive rock a central plot element in one episode.) Simon Steensland is a Swedish multi-instrumentalist and composer with a long history in modern avant-garde rock music.

In addition to avant-garde and progressive rock influences, this duo makes extensive use of orchestral music. Much of this album sounds like it could have been the score for a creepy arthouse film. Atonal strings and minor key woodwinds dominate on this record, filling up most of the space not occupied by traditional rock instrumentation. Continue reading “Album Review: JG Thirlwell & Simon Steensland – Oscillospira”