Odds and Ends is a segment where I do brief reviews of albums I either didn’t prioritize for longer-form reviews, or ones for which I don’t have that much to say.
Band: BLASTAR | Album: Construct | Genre: Progressive rock, Jam band | Bandcamp
I really loved BLASTAR’s debut album, so I was very excited when I saw them announce their latest release. On Construct, they’ve opted to go fully instrumental. The music is cosmic and high-energy, and the overall sound has shifted more in the direction of jam bands like Aqueous or Umphrey’s McGee, with jazz and folk tones. As I’ve frequently said, it can be tough to make an instrumental album consistently engaging, but this does a good job of holding the listener’s attention. That’s not to say it doesn’t have faults, but it’s enjoyable on the whole.
Score: 77/100 Continue reading “Odds & Ends – June 20, 2019”
Band: All Traps on Earth | Album: A Drop of Light | Year: 2018 | Genre: Progressive Rock
From: Stockholm, Sweden | Label: AMS
For fans of: Änglagård, Magma, early King Crimson, Wobbler
Buy: Bandcamp | Amazon | Apple Music
Any discussion of All Traps on Earth requires at least briefly discussing Änglagård, the band’s progenitor.
Änglagård were one of the best (read: one of the few good) progressive rock acts of the 1990s. They put out two classic albums, Hybris (1992) and Epilog (1994). These releases brought the sounds of classic ‘70s prog acts like Yes and Gentle Giant into a new era with a fresh twist and breathed new life into the long-out-of-favor genre. Those two albums deserve every bit of the praise they get. In 2012, 18 years after their last one, Änglagård put out their third album, Viljans Öga, to much acclaim. (I like it overall, but I think it’s too long and doesn’t do anything too special.)
Based on their past release schedule, Änglagård’s next album won’t be out until 2030, so in the meantime, the band’s bassist, keyboardist, and drummer have formed All Traps on Earth. This band’s debut, A Drop of Light, feels very much to be the spiritual successor of Viljans Öga. Both albums are mostly-instrumental, feature vast, Mellotron-soaked suites, and display a high degree of complex songcraft. But both also feel like they’re lacking some impact. Continue reading “Album Review: All Traps on Earth – A Drop of Light”