Album Review: Kuunatic – Wheels of Ömon

Band: Kuunatic | Album: Wheels of Ömon | Genre: Avant-garde psychedelic tribal folk zeuhl? | Year: 2025

From: Tokyo, Japan | Label: Glitterbeat

For fans of: Kikagaku Moyo, Magma, Osamu Kitajima

Bandcamp

Kuunatic’s sound is pretty difficult to describe, and that’s a big part of why I love them. I lumped all those genre descriptors above into a big chimera rather than split them up more granularly for a reason. The elements are noticeable but impossible to truly pick apart or isolate. At its base, this is a drums-bass-keys trio where all three members sing, but they also include a multitude of traditional Japanese folk instruments, including the sho, sasara, and ryuteki.

Much as Magma’s music is largely about and set on Kobaïa, Kuunatic’s is about their own mythic world, Kuurandia. (They go into great detail about the story of both this album and their 2021 debut, Gate of Klüna, in this article, as well as on the Bandcamp page for this release.) The music is fittingly odd, experimental, and ritualistic for such heady concepts.

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Album Review: Fulguromatic – Fulguromatic

Band: Fulguromatic | Album: Fulguromatic | Genre: Progressive rock | Year: 2025

From: Rennes, France | Label: áMARXE

For fans of: Zopp, Frank Zappa, Gong

Bandcamp

Fulguromatic is a French duo, about which there is relatively little information online. Their self-titled debut album is a fascinating blend of styles. “Progressive rock” is certainly a safe label for this act, but they incorporate a lot of jazz into their sound, as well as weirder, more experimental and improvisational elements. Fulguromatic has a rich and enthralling sound, and each song is impressively inventive.

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Odds & Ends: November 4, 2024

Band: Arcane Atlas | Album: Constellation Plus | Genre: Progressive rock, Art rock | Bandcamp

Arcane Atlas plays a relatively light and relaxing variety of prog. Expansive atmospheres and lush textures have a calming effect, and there are some really enchanting passages here. ‘90s Rush and ‘90s Yes are the most obvious influences to my ear. This album’s instrumental moments are its best. This duo does a great job at establishing a mood and toying around with drama. Not everything here is a winner (“Sample”, in particular, was a tough listen for me), but this band’s occasional veers into soft rock are forgivable in the end. If you’re looking for something intelligent but soothing, Constellation Plus is a good choice.

Score: 76/100

Band: Bent Knee | Album: Twenty Pills Without Water | Genre: Art rock | Bandcamp

This is a welcome return to form for Bent Knee after their unimpressive last outing. Smart pop hooks are mixed in amidst creative and surprising arrangements. The textures are lush, and the vocals are strong, as usual. Parts of this record can veer into less-distinctive sorta-art-poppy-type stuff every now and then, but overall, Bent Knee does a great job at weaving together accessible and inventive elements.

Score: 79/100

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Album Review: Papangu – Lampião Rei

Band: Papangu | Album: Lampião Rei | Genre: Progressive rock, Zeuhl, Jazz-rock | Year: 2024

From: João Pessoa, Brazil | Label: Chumbo Grosso Records

For fans of: Magma, King Crimson, Sigh, Herbie Hancock’s ‘70s stuff

Bandcamp

Papangu are back three years after their absolutely spectacular debut album, Holoceno. Their new album, Lampião Rei, carries on in their unique vein of zeuhl, prog, and metal, but there have been some changes between the records. Holoceno is an unrelenting assault of Magma-tinged sludge metal. It’s an eco-apocalyptic tale, and the music serves to build intense senses of dread and unease. Lampião Rei, in contrast, is quite a bit lighter. Significant chunks of this album are metallic, but the band draws more clearly from jazz and classic prog here.

Part of the reason for this shift in sound (aside from adding new members to the band) is that the subject matter here isn’t quite as grim as on their debut. It tells the story of Lampião, a Brazilian bandit leader and folk hero whose heyday was in the 1920s and 30s. This album doesn’t cover Lampião’s betrayal, capture, and beheading (though the band says they’ll do that on a future release), so there isn’t the same need for Holoceno’s oppressive mood.

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Odds & Ends: August 5, 2024

Band: Ceiling Spirits | Album: The Bloodwren | Genre: Post-rock | Bandcamp

Hailing from Milwaukee, this classical-influenced ensemble plays a spacey, morose variety of post-rock. Violin and piano weave evocative textures, and the individual passages range from fluid and mournful to jittery and technical. Guitar is minimized overall on this release, but when it shows up, either as a lead instrument or as support, the tones utilized are always a perfect complement to the atmosphere. I often find post-rock to be aimless, but this album does a great job at maintaining focus. The rich orchestration does an amazing job of adding emotional weight to everything as well. The closing drone track isn’t even that bad, though it definitely didn’t need to be 8 minutes long.

Score: 77/100

Band: Gender Studies | Album: Д​​​а​​​л​​​е​​​к​​​и​​​й Л​​​и​​​м​​​а​​​н | Genre: Progressive rock | Bandcamp

Gender Studies is a Ukrainian band that plays a garage-y, jazz-inflected variety of progressive rock. The six songs on this LP demonstrate intelligent and creative writing, catchy melodies, and diverse influences. Slavic folk crops up here and there amid Return to Forever-style jazz-rock and harder-rocking passages.

Score: 81/100

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Best of 2023: Top Prog EPs

Welcome to The Elite Extremophile’s Top Prog EPs of 2023. The two-part Top 50 Albums list will be posted in the coming days.

As I stated last year, due to the variable number of short releases I run across year-to-year, this list is not limited to a firm number. This year, there were eight EPs I felt worth highlighting. 

And where last year had all releases clocking in at under 30 minutes, this year’s collection is a bit more vibes-based. Some EPs fall within last year’s parameters, but others are noticeably longer. I’ve always taken an “I’ll know it when I see it” approach to categorizing EPs and LPs.

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