Album Review: The Mask of the Phantasm – New Axial Age

Band: The Mask of the Phantasm | Album:New Axial Age | Genre: Progressive rock | Year: 2021

From: Austin, USA | Label: Independent

For fans of: Bent Knee, The Dear Hunter, The Mars Volta

Bandcamp

It is likely unsurprising that the author of a progressive rock blog is not the biggest fan of punk. Post-hardcore is a variety I’m particularly not fond of (mostly due to the vocals), but post-hardcore is also the variety most often melded with prog. There have been some successes in the realm, most notably The Mars Volta’s earliest releases, but a lot of it fails to tickle my fancy.

The Mask of the Phantasm’s debut is one of those uncommon records which uses post-hardcore in a way which I like. There’s an emotional rawness to New Axial Age, as well, which is absent in a lot of prog. Thomas Pridgen (formerly of The Mars Volta) provides drums on this album, and the raw intensity he brings serves it well. All the members of this band perform excellently, from the impassioned vocals to creative keyboard parts, to the strong compositions provided by their guitarist.

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Album Review: Pinkish Black – Concept Unification

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Band: Pinkish Black | Album: Concept Unification | Genre: Space rock, Gothic rock, Experimental rock | Year: 2019

From: Austin, USA | Label: Relapse Records

For fans of: Van der Graaf Generator, Bauhaus, Magma

Buy: BandcampAmazonApple Music

It’s really tough for me to describe Pinkish Black. I love their music; it’s a fantastic, innovative blend of different genres, but it’s packaged in such a way that they’re tough to sum up. The band consist of a keyboards-and-drums duo, but they’re on a metal label and are often mentioned in the same breath as doom metal bands. I’ve heard them referred to as “doom metal for people who don’t like metal,” which isn’t a terrible description. The music is heavy, in that it’s emotionally weighty. My go-to word for describing these guys is gloomy. At the same time, mixed in with this melancholy is a keen sense of musical adventurousness and ambition. The lush synth tones resemble those of acts like Eloy and Ozric Tentacles, though little else in this band’s repertoire resembles those acts.

Concept Unification is Pinkish Black’s fourth full-length album and their first in four years. Their last release, 2015’s Bottom of the Morning, was one of that year’s highlights. Compared to past releases, the sound palette here is very similar: spacy, echoed vocals; bass-heavy piano; lush, cosmic synthesizers; and sparse but powerful drumming. The songs on this album are more experimental and ambitious than past releases. This record is probably their most challenging release, though highly rewarding. Continue reading “Album Review: Pinkish Black – Concept Unification”