Odds & Ends – July 27, 2020

chaosBand: Chaos Over Cosmos | Album: The Ultimate Multiverse | Genre: Progressive metal | Bandcamp

This album is packed to the brim with tight, technical riffage and lush synth pads. Chaos Over Cosmos draw heavily from melodic death metal and classic prog metal, and they blend it into something exciting and complex. It’s perhaps not the most inventive or original bit of prog metal you’ll hear this year, but it’s engaging, fun, and shockingly accessible for a genre like death metal.

Score: 73/100

iaBand: Inter Arma | Album: Garber Days Revisited | Genre: Sludge metal, Progressive metal | Bandcamp

This is Inter Arma’s covers album. There are some interesting experiments on here. It opens with a Ministry cover; I’m not familiar with the original, but the feeling is both pummeling and atmospheric. Their cover of Neil Young’s “Southern Man” is an absolute gem. The blackened sludge fury lends itself to this track so naturally. This middle of this album sags a bit for me, as I’m not a fan of any of the originals, though hearing Inter Arma’s takes is interesting. They cover “Runnin’ Down a Dream”, and that’s just disorienting. Tom Petty was not sludgy in the least, and these guys play this song pretty clean. The non-shrieked vocals were almost distracting. It’s a serviceable cover, but it doesn’t do anything noteworthy. The album ends on a cover of “Purple Rain”. It closes strong, but the vocals in the first half feel strained, and that sort of instrumental gentleness doesn’t suit these guys too well.

Score: 65/100 Continue reading “Odds & Ends – July 27, 2020”

Odds & Ends – May 18, 2020

chBand: Cheer-Accident | Album: Chicago XX | Genre: Avant-pop, Prog-pop | Bandcamp

One moment this album is brimming with squirmy, atonal synthesizers with eerie vocal arrangements, and the next it’s mellow, artful pop rock. Despite hailing from Chicago, there’s a very British sense of weirdness to Cheer-Accident’s work, most comparable to the inimitable Cardiacs. Strains of post-punk and folk merge seamlessly with progressive and pop rock to create something truly distinctive.

Score: 76/100

daiBand: Dai Kaht | Album: Dai Kaht II | Genre: Zeuhl | Bandcamp

I like Magma a lot. They’re one of my favorite bands, and I’m positive I’ll eventually do a Deep Dive entry on them. However, their shadow is nearly inescapable in the world of zeuhl (outside Japan, at least). Dai Kaht are a Finnish act who draw a huge amount of influence from Magma. Their sound is more guitar-centric than Magma ever were. On a technical level, the musicianship and compositions are complex. For all its oddness, it’s surprisingly catchy, and it is somewhat unusual for a zeuhl act to have guitar as its main instrument. But in the end, this release mostly sounds like an updated version of Attahk. If you like zeuhl, give it a listen, but don’t expect anything groundbreaking.

Score: 73/100 Continue reading “Odds & Ends – May 18, 2020”