Odds & Ends: September 7, 2026

Bands: Cocanha, Los Sara Fontán, Tarta Relena | Album: 4132314 | Genre: Experimental folk | Bandcamp

This collaboration of three duos is a mixture of original compositions and reinterpretations of folk songs. Cocanha specializes in Occitan polyphony, Los Sara Fontán in Catalan folk, and Tarta Relena in electronic-tinged post-rock; and all three bands’ styles are on proud display here. The vocals are rich, multi-layered, and carefully arranged; and the backing is brimming with odd metrical flourishes. This record feels like it has one foot in the twenty-first century and another in the nineteenth, and it’s a fantastic mash-up.

Score: 86/100

Band: Furii | Album: Pyromancy | Genre: Progressive pop | Bandcamp

Furii (pronounced “fury”) is a Cardiacs-adjacent project, a fact which is unmistakable from this album’s opening moments. Sole bandmember Adrien Rodes is the longtime keyboardist of Spratleys (another Tim Smith project) and an occasional member of Cardiacs’ live band. Joanne Spratley, another member of Spratleys, provides vocals on Pyromancy, and her vocals lend an eerie, airy atmosphere. The textures on this record are psychedelic and dreamy, with tinkling piano and swirling synths. Despite the songs being rather to-the-point, the soundscapes presented are dense and complex, with lots of innovative sonic choices. I found LSD to be an exhausting listen (and not in a fun way), but this is a much more enjoyable spiritual successor to Cardiacs.

Score: 80/100

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Album Review: Jordsjø – Pestkrønikene

Band: Jordsjø | Album: Pestkrønikene | Genre: Progressive rock, Heavy psych | Year: 2026

From: Oslo, Norway | Label: Dying Victims Productions

For fans of: Anekdoten, Wobbler, Uriah Heep, Rush

Bandcamp

This is far from the first time Jordsjø has been featured on this site. They’re among the most prominent names in the flourishing Norwegian prog scene, and their music is usually pretty solid. Their last release, the split LP Kontraster with Breidablik, featured some of their best work ever.

What I love about Jordsjø’s usual work is the way they integrate classic Anglo-prog elements with ample Nordic folk flavors. Pestkrønikene (Eng.: The Plague Chronicles), then, marks something of a break from their usual style. The music here is much heavier, harder, and fuzzier, drawing from classic heavy psych sounds. It’s certainly different from their usual output, but it’s another strong entry in their discography.

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Album Review: The Magpie Arc – Gil Brenton

Band: The Magpie Arc | Album: Gil Brenton | Genre: Progressive rock, British folk | Year: 2025

From: UK | Label: Independent

For fans of: Strawbs, Comus, Jethro Tull, Steeleye Span

Bandcamp

The Magpie Arc is a British quartet that spins traditional folk songs of the British Isles into hard-hitting, proggy folk rock, and Gil Brenton is their second full-length album. Where many bands I describe as folk rock are primarily rock acts with some folk influences, this band is the inverse. Their vocal style and instrumentalism belie a deep love of British folk music, and that helps give their music a character that stands out from other acts in a similar space.

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Odds & Ends: April 6, 2026

Band: END! Begin | Album: The END! | Genre: Progressive folk | Bandcamp

This collection of four instrumental pieces is a solid follow-up to END! Begin’s fantastic debut LP. The overall mood is a bit more energetic and less torporous here, and I really appreciate getting to see this other side of the band. “Cherry Blossoms” in particular draws a lot from rock music, which is a very exciting blend.

Score: 78/100

Band: Mellow Beast | Album: Grimble, The Worm | Genre: Psychedelic rock | Bandcamp

Mellow Beast’s latest record sees him expand upon the musical universe he has established. The story of this record takes place right after Reactor, his 2023 release. Throughlines are obvious in the music, and there are even connections to earlier releases. The mood is spacy and often-hypnotic while also imbuing some Gong-ish fun and whimsy.

Score: 76/100

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Best of 2025: Top 50 Prog Albums Part 2: 25-1

Welcome to the top half of The Elite Extremophile’s Top Prog Albums of 2025. Part One can be found here.

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Odds & Ends: December 29, 2025

Band: Doom Gong | Album: Megagong | Genre: Psychedelic rock | Bandcamp

Doom Gong’s latest record is by turns exhilarating and idyllic. The band nimbly alternates between speedy instrumental antics and moments of lush abstraction. In general, the tempo is upbeat, and the easiest stylistic comparison here would be King Gizzard. These guys have a bit more fuzz to them, often channeling Ty Segall and Ty Segall-adjacent acts, like Wand or Fuzz. The sound is maximal, often bordering on suffocating, but Doom Gong makes it work.

Score: 82/100

Band: Eyes Twitch | Album: … | Genre: Progressive metal | Bandcamp

The debut record from this instrumental duo is an engaging excursion. Riffs are speedy and complex, and song structures are often surprising. The synth inclusions are a lot of fun, and the band demonstrates a good knack for knowing when to take their foot off the gas for a moment.

Score: 80/100

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Odds & Ends: December 1, 2025

Band: Agabas | Album: Hard Anger | Genre: Progressive metal | Bandcamp

The title of Agabas’s latest record is quite fitting. This record is heavy, hard-hitting, and angry as hell. The riffs are punishing, lashing the listener’s ears. There’s a neverending sense of forward momentum, with almost no breathing room. Everything here is maximal, with shouted vocals, pummeling guitars, and squalling saxophone filling up every available inch of auditory space.

Score: 76/100

Band: Ahles | Album: Between Dreams and the Waking World | Genre: Progressive metal | Bandcamp

The debut album (well, sorta; they previously released a record in 2010 under the moniker Born from the Ashes) from this Australian quartet showed a lot of promise. The opening few songs featured a lot of strong melodies, exciting playing, and intelligent structuring. Unfortunately, the second half of the album is quite a bit wobblier, and it’s only hampered by some less-than-amazing lyrics that even I couldn’t zone out. However, they show a lot of ambition and promise, so I’m optimistic they can refine things more on their next release in 2040.

Score: 67/100

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Odds & Ends: September 1, 2025

Band: Jordsjø & Breidablik | Album: Kontraster | Genre: Progressive rock, Progressive folk, Krautrock | Bandcamp

Norwegian bands Jordsjø and Breidablik team up on this album to each deliver one epic apiece, fittingly titled “Kontraster” (“Contrasts”). Jordsjø’s composition is some of their best music in a long time, featuring a thrilling mix of classic prog that filters the influences of Genesis and King Crimson through their Norse folk-tinged lens. This work is balanced against many pretty acoustic moments that feel like they’re rooted in scenic fjords, but still with a foot in the modern prog-rock movement. Breidablik’s offering is much more electronic. Tangerine Dream, Vangelis, and other early prog-electronic acts are their obvious inspiration. Hints of their homeland still peek through, though. Airy flutes and twinkling guitars shine against the backing of looping synths.

Score: 91/100

Band: King Gizzard & The Lizard Wizard | Album: Phantom Island | Genre: Progressive pop | Bandcamp

King Gizzard’s latest album is a bit borderline for this site, but I enjoyed it overall. On this release, the band has incorporated a full orchestra into their music, and it’s a successful experiment. The lush soundscapes complement and elevate the band’s smart, Southern-inflected art rock, and it pushes the album from “fine” to “pretty good.” Their previous record didn’t really resonate with me; this is in a similar vein, but the freshness of all the strings and winds helps the band better realize their ideas.

Score: 78/100

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Album Review: Kuunatic – Wheels of Ömon

Band: Kuunatic | Album: Wheels of Ömon | Genre: Avant-garde psychedelic tribal folk zeuhl? | Year: 2025

From: Tokyo, Japan | Label: Glitterbeat

For fans of: Kikagaku Moyo, Magma, Osamu Kitajima

Bandcamp

Kuunatic’s sound is pretty difficult to describe, and that’s a big part of why I love them. I lumped all those genre descriptors above into a big chimera rather than split them up more granularly for a reason. The elements are noticeable but impossible to truly pick apart or isolate. At its base, this is a drums-bass-keys trio where all three members sing, but they also include a multitude of traditional Japanese folk instruments, including the sho, sasara, and ryuteki.

Much as Magma’s music is largely about and set on Kobaïa, Kuunatic’s is about their own mythic world, Kuurandia. (They go into great detail about the story of both this album and their 2021 debut, Gate of Klüna, in this article, as well as on the Bandcamp page for this release.) The music is fittingly odd, experimental, and ritualistic for such heady concepts.

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Best of 2024: Top 50 Prog Albums Part 1: 50-26

It’s time for The Elite Extremophile’s Top 50 Prog Albums of 2024! This is the first half of the list, and you can find the second half here.

As a reminder, the music on this list covers December 2023 to November 2024. I spend much of December compiling and editing this list, so I push releases from that month into the following year’s list.

This is also a one-man operation, in regard to reviewing. (Many thanks to my proofreaders/editors, Kelci and Dan.) I’m sure there’s plenty of great music out there I simply didn’t get to. I’ve also got my own biases against certain styles and trends.

2024 wound up being an alright year for the sort of stuff I cover here. It felt like it started off somewhat slow, but in the end, it wasn’t too challenging for me to find 50 records worthy of being highlighted.

Now, onto the list!

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