Odds & Ends: September 1, 2025

Band:  Jordsjø & Breidablik | Album: Kontraster | Genre: Progressive rock, Progressive folk, Krautrock | Bandcamp

Norwegian bands Jordsjø and Breidablik team up on this album to each deliver one epic apiece, fittingly titled “Kontraster” (“Contrasts”). Jordsjø’s composition is some of their best music in a long time, featuring a thrilling mix of classic prog that filters the influences of Genesis and King Crimson through their Norse folk-tinged lens. This work is balanced against many pretty acoustic moments that feel like they’re rooted in scenic fjords, but still with a foot in the modern prog-rock movement. Breidablik’s offering is much more electronic. Tangerine Dream, Vangelis, and other early prog-electronic acts are their obvious inspiration. Hints of their homeland still peek through, though. Airy flutes and twinkling guitars shine against the backing of looping synths.

Score: 91/100

Band: King Gizzard & The Lizard Wizard | Album: Phantom Island | Genre: Progressive pop | Bandcamp

King Gizzard’s latest album is a bit borderline for this site, but I enjoyed it overall. On this release, the band has incorporated a full orchestra into their music, and it’s a successful experiment. The lush soundscapes complement and elevate the band’s smart, Southern-inflected art rock, and it pushes the album from “fine” to “pretty good.” Their previous record didn’t really resonate with me; this is in a similar vein, but the freshness of all the strings and winds helps the band better realize their ideas.

Score: 78/100

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Album Review: Liquid Pennies – Fore

Band: Liquid Pennies | Album: Fore | Genre: Progressive rock, Psychedelic rock | Year: 2025

From: Saint Petersburg, USA | Label: Threat Collection Records

For fans of: Zechs Marquise, WEEED, Osees

Bandcamp

Liquid Pennies is a Floridian psych-rock trio that dabbles in many genres. Their sound incorporates elements of progressive rock, electronica, post-punk, and more. This multifaceted approach lends their records a varied, exciting quality where the listener is never quite certain what’s coming next. Fore, their latest album, sees them expand upon their sound in inventive ways.

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Album Review: Fer de Lance – Fires on the Mountainside

Band: Fer de Lance | Album: Fires on the Mountainside | Genre: Progressive metal, Power metal | Year: 2025

From: Chicago, USA | Label: Cruz del Sur Music

For fans of: Iron Maiden, Dream Theater, Wytch Hazel, Rainbow

Bandcamp

Power metal and classic heavy metal are styles of music that show up on my site every now and then, but never with a ton of frequency. Fer de Lance is a Chicagoan quartet that uses those genres as the basis for some very big, very epic-sounding metal. They pull in influences from farther afield, too, including various veins of folk music and black metal.

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Odds & Ends: August 4, 2025

Band: Alburnus | Album: Alburnus III | Genre: Progressive rock, Psychedelic rock | Bandcamp

This Finnish band’s latest album is a groovy, retro-influenced slab of prog and psych. The instrumental passages are peppy, surprisingly catchy, and thoroughly enjoyable. The band shows a knack for melody and hooks, and their playing is flashy without being excessively technical. It’s nothing groundbreaking, but it’s fun.

Score: 72/100

Band: Echolyn | Album: TimeSilentRadio II | Genre: Progressive rock | Bandcamp

Echolyn put out two albums this March, and this is the stronger of the two. Consisting of just two massive tracks, TSRII sees the band utilize their usual sound in an effective manner. ‘90s prog is not my favorite flavor of the genre, but Echolyn pulls it off pretty well. It’s often sunny and relatively accessible, but the underlying songwriting is complex and intelligent. Some parts can be a bit on the cheesy side for me, but overall, their blend of classic prog, pop-rock, and jazzy flourishes works very well. The 29-minute “Water in Our Hands” is especially memorable.

Score: 80/100 

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Album Review: Snooze – I Know How You Will Die

Band: Snooze | Album: I Know How You Will Die | Genre: Math rock, Progressive metal | Year: 2025

From: Chicago, USA | Label: Choke Artist

For fans of: Between the Buried and Me, Tera Melos, And So I Watch You From Afar, Emberside

Bandcamp

I’ve been pretty open about my general distaste for subgenres that end in “-core.” And that goes double for most things classifiable as djent. So, had I not had this album specifically recommended to me, I probably would have skipped it had I found it on my own on Bandcamp. “Mathcore” and “djent” are usually good signs I’ll find a record tedious and repetitious. There are outliers, of course, but I do do some prioritization of stuff to listen to in looking for records for this site.

I am very happy I had this album recommended to me. Snooze is a Chicago-based quartet that plays a pretty heavy variety of math rock. I Know How You Will Die is their third full-length release and their first in six years. It’s also their heaviest by a significant margin. The band’s roots in math rock and Midwest emo are evident, especially in the vocal lines, but everything comes together in an incredibly satisfying way.

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Album Review: Lars Fredrik Frøislie – Gamle Mester

Artist: Lars Fredrik Frøislie | Album: Gamle Mester | Genre: Progressive rock | Year: 2025

From: Oslo, Norway | Label: Karisma Records

For fans of: Yes, Camel, Jethro Tull, Tusmørke

Bandcamp

Wobbler’s keyboard player is back with his second solo album. Lars Fredrik Frøislie’s solo debut, 2023’s Fire Fortellinger, was a pretty solid release. It didn’t break any new ground, but I enjoyed it a fair bit. I do like Wobbler, and Frøislie’s solo stuff is very much in the same vein. Gamle Mester (Eng.: Old Master) continues in the same general style, but it demonstrates some continued growth and development in his songwriting, which I like a lot.

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Album Review: Custard Flux – Enter Xenon

Band: Custard Flux | Album: Enter Xenon | Genre: Psychedelic rock | Year: 2025

From: Detroit, USA | Label: Independent

For fans of: early ‘70s Pink Floyd, Moon Letters, Regal Worm

Bandcamp

Custard Flux is an act I’ve covered a number of times. Begun as an all-acoustic psych-rock act, the band has evolved their sound over the years. Oxygen saw them take a decidedly more progressive turn, and last year’s Einsteinium Delirium had them ditch their all-acoustic gimmick. Enter Xenon, in addition to continuing with their elemental album names, keeps with Einsteinium’s electric sound. The songs are punchy and energetic with a great blend of psychedelic whimsy and forward-thinking grit.

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Album Review: Moon Letters – This Dark Earth

Band: Moon Letters | Album: This Dark Earth | Genre: Progressive rock | Year: 2025

From: Seattle, USA | Label: Independent

For fans of: Genesis, Yes, Marillion

Bandcamp

Three years after their last release, 2022’s excellent Thank You from the Future, Moon Letters have returned with their third full-length album. I’ve mentioned a few times that they’re one of my favorite local acts, and if you follow me on Facebook, you will occasionally see photos of their rather theatrical live shows. If you get a chance to see them perform, I highly recommend it.

My first experience hearing this album was at one of those performances. It was their album release show, and they played This Dark Earth in its entirety. That performance was part of a larger musical festival called Cascadence, formerly Seaprog. Occurring most Junes (there have been a few years it did not occur), it’s a fantastic highlight of mostly-local progressive music acts.

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Album Review: Chercán – Chercán

Band: Chercán | Album: Chercán | Genre: Progressive rock | Year: 2025

From: Valdivia, Chile | Label: Independent

For fans of: Tool, The Mars Volta

Bandcamp

Chercán is a Chilean quintet that plays a lush, complex, and engaging variety of progressive rock. Things are densely layered and smartly composed, and the band incorporates jazz and sounds from their homeland. Everything about this record really impresses me.

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