Welcome back to The Elite Extremophile’s Topg 50 Prog Albums of 2022. In case you missed it, Part 1 can be found here.
Continue reading “Top 50 Prog Albums of 2022, Part 2: 25-1”Top 50 Prog Albums of 2022, Part 2: 25-1
Tag: progressive pop
Odds & Ends: December 26, 2022
Band: Delvoid | Album: Swarmlife | Genre: Post-rock | Bandcamp
This Norwegian quartet plays a melodic variety of post-metal and post-rock with strong alt-rock influences. Tool is an obvious comparison, but there are also flashes of Isis and even Soundgarden. They do a good job at balancing harsh and clean passages, and I appreciate the subtle touches of jazz they incorporate. Some songs (and the album as a whole) run a little long. This is nothing groundbreaking, but it’s solid and enjoyable.
Score: 75/100
Band: The Dunning-Kruger Effect | Album: Psychik Adventures in Stereo | Genre: Krautrock | Bandcamp
This Irish duo plays music very strongly influenced by early electro-kraut acts like Tangerine Dream and early Kraftwerk. Loops and insistent rhythms help push the songs forward, and the unfolding synth textures give the listener something to focus on. There’s nothing particularly innovative here, but if you’re looking for some spacey music to have on in the background, this is a pretty decent choice.
Score: 71/100
Continue reading “Odds & Ends: December 26, 2022”Odds & Ends: March 7, 2022
Artist: Stewart Clark | Album:Journeys | Genre: Progressive rock | Bandcamp
Stewart Clark draws noticeably from the classic prog giants, most obviously Yes and Genesis. The music is rich and grand, and though the playing is hardly flashy, the songs are creatively and thoughtfully structured. The folk elements are especially nice. Some cuts do drag on a bit, but this is an overall enjoyable release.
Score: 77/100
Band: Cyril | Album: Amenti’s Coin – Secret Place Pt. II | Genre: Progressive rock | Bandcamp
If you’re looking for some well-made progressive rock in the vein of acts like Transatlantic or The Flower Kings, these guys aren’t a bad choice. It’s highly melodic with a lot of strong instrumental performances. The band does occasionally veer into overwrought balladry, and I can’t say there’s anything particularly novel being said here. Despite that, sometimes you just want some lush, classic-style prog.
Score: 71/100
Continue reading “Odds & Ends: March 7, 2022”Top 50 Prog Albums of 2021, Part 2: 25-1
Welcome to Part 2 of The Elite Extremophile’s Top 50 Prog Albums of 2021. In case you missed Part 1, it can be found here.
Continue reading “Top 50 Prog Albums of 2021, Part 2: 25-1”Odds & Ends – July 12, 2021
Band: BaK | Album:Crater | Genre: Progressive rock, Progressive metal | Bandcamp
BaK is a bombastic Australian act which blends the sound of acts like Pain of Salvation and Dream Theater with Middle Eastern instrumentation and rhythms. The closest parallel to BaK is probably the Tunisian power metal act Myrath, though some of the weaker moments on this EP do remind me of Grorr. The integration of those more exotic influences is done better than most acts who attempt similar genre fusions, but it’s still really tough to not come off as corny.
Score: 71/100
Artist: Christian Cosentino | Album: Lawn | Genre: Progressive metal | Bandcamp
This proggy atmospheric black metal album makes extensive use of lush, programmed orchestration. Many parts of this record feature piano as a co-lead instrument alongside guitar, and strings are almost always present. Normally I’m not the biggest fan of this type of arrangement, but I credit the success here to the fact that he went in a more atmospheric direction, instead of something more traditionally proggy, technical, and overblown.
Score: 81/100
Continue reading “Odds & Ends – July 12, 2021”Album Review: Hanford Flyover – Hanford Tape Sessions
Band: Hanford Flyover | Band:Hanford Tape Sessions | Genre: Progressive rock, Psychedelic rock | Year: 2021
From: UK | Label: Fruits de Mer Records
For fans of: Cheer-Accident, Phideaux, early Pink Floyd
The lockdowns of the last year-and-a-half interrupted many musical acts’ touring and recording plans. But at the same time, the sudden forced sedentary setup offered many opportunities to write and record at home. Hanford Tape Sessions is one such of those recordings.
UK-based duo Hanford Flyover recorded all this music on a few portable cassette home recording devices. That technological limitation forced the band to keep things pared-back and straightforward, and the contrast to past releases’ lush sounds is obvious. The songs on this album are mostly short and to-the-point, but there are some interesting sonic experiments with satisfying structures.
Continue reading “Album Review: Hanford Flyover – Hanford Tape Sessions”Odds & Ends – June 7, 2021
Band: Caligonaut | Album: Magnified as Giants | Genre: Progressive rock | Bandcamp
This solo project from guitarist Ole Michael Bjørndal features members of Wobbler in supporting roles, most notably in backing vocals. The vocal arrangements, combined with the Mellotron-focused compositions, make this a very Wobbler-y album. This project is what I had hoped Dwellers of the Deep would have been. While no individual track rises to the same level as “Merry Macabre”, this is a far stronger overall release. The four songs sound well-planned and finely-honed. It’s hardly groundbreaking stuff, but it is consistent, enjoyable, and well-formed progressive rock in the classic Anglo-prog vein.
Score: 86/100
Band: Coevality | Album: Multiple Personalities | Genre: Progressive rock, Jazz fusion, Math rock | Bandcamp
All the individual songs on this record are strong in their own right. The musicianship is fun and flashy without being too indulgent, and the band draws from a nice tonal palette. However, when packaged into a full-length record, it just feels too long. After about 10 or 15 minutes I find myself losing interest. Perhaps someone more into jazz would enjoy this record more than I do.
Score: 67/100
Continue reading “Odds & Ends – June 7, 2021”Album Review: Bobby Shock – Street Angels
Artist: Bobby Shock | Album: Street Angels | Genre: Progressive rock | Year: 2021
From: New Jersey, USA | Label: Independent
For fans of: Chris Squire, Patrick Moraz, The Alan Parsons Project
Bobby Shock is a New Jersey-based composer and multi-instrumentalist, whose last album—The Unforeseen—was a pleasant surprise for me last year. It was lush, diverse, and bass-forward. The compositions were unquestionably smart and progressive, but the music was still accessible.
Shock’s latest release continues with that general trend. The obvious focal point of this album is its 20-minute title track, but the other four songs are no less enjoyable.
Continue reading “Album Review: Bobby Shock – Street Angels”Odds & Ends: April 5, 2021
Band: Grorr | Album: Ddulden’s Last Flight | Genre: Progressive rock, Progressive metal | Bandcamp
Grorr are clearly trying to conjure up vaguely “Eastern” aesthetics on this album. The band’s logo evokes Chinese seals, and the album art draws from Chinese and Japanese styles. This continues in the music, though the influences are muddled and slapdash. The opening track is mostly scene-setting, but it give the listener musical whiplash by swirling together the entire continent of Asia. It’s got throat singing (from Mongolia and southern Siberia), sitars and tablas (from the Indian subcontinent), and the melodies are stereotypically “Chinese.” (Instruments which sound like guzhengs and erhus can be heard later on the album.) Moving beyond this mish-mash, Ddulden’s Last Flight is an alright album. The metal is melodic, and there are some inventive riffs. I’m especially impressed with the textures and timbres deployed here. After a while, though, the Oriental instrumentation becomes distracting. I absolutely hated the sitar by album’s end. And that’s unfortunate because Grorr demonstrated that they’ve got a creative vision and that they’re capable of composing some strong cuts. Ultimately, this record’s overbearing and half-baked Asiatic flare is what does it in. I really wish they would have toned it down a bit, or at least shown a bit more geographic restraint.
Score: 58/100
Artist: Jean Pierre Louveton (JPL) | Album: Sapiens – chaptire 2/3: Deus ex Machina | Genre: Progressive rock, Progressive metal, Jazz-fusion | Bandcamp
When I saw JPL is the leader of the band Nemo, I didn’t get my hopes up. Nemo is an alright act, but I classify them in the same group Spock’s Beard and other schlocky, overblown retro-prog acts. Thankfully, this album wound up being a pleasant surprise. Sapiens is a bit more metallic than Nemo’s usual fare, and while there’s plenty of pomp and show-off-y instrumental moments, it mostly avoids needless indulgence. Jazzy touches are present throughout, and the overall bloat is minimal.
Score: 75/100
Continue reading “Odds & Ends: April 5, 2021”Top 50 Prog Albums of 2020, Part 1: 50-26
Welcome to Part One of TheEliteExtremophile’s Top 50 Prog Albums of 2020, this site’s second-annual best-of list. It’s also my tenth year of writing year-end music roundups. The first eight were posted on my personal Facebook. Check out Part 2 here.
2020 was a banner year for progressive rock and progressive metal. There were so many fantastic albums released, and paring this list down to just 50 was often a painful process. Even more difficult was deciding on the exact order of these albums.
Like I said last year, I’m sure there are some excellent albums not included. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.
Continue reading “Top 50 Prog Albums of 2020, Part 1: 50-26”
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