Band: Cheer-Accident | Album: Chicago XX | Genre: Avant-pop, Prog-pop | Bandcamp
One moment this album is brimming with squirmy, atonal synthesizers with eerie vocal arrangements, and the next it’s mellow, artful pop rock. Despite hailing from Chicago, there’s a very British sense of weirdness to Cheer-Accident’s work, most comparable to the inimitable Cardiacs. Strains of post-punk and folk merge seamlessly with progressive and pop rock to create something truly distinctive.
Band: Dai Kaht | Album: Dai Kaht II | Genre: Zeuhl | Bandcamp
I like Magma a lot. They’re one of my favorite bands, and I’m positive I’ll eventually do a Deep Dive entry on them. However, their shadow is nearly inescapable in the world of zeuhl (outside Japan, at least). Dai Kaht are a Finnish act who draw a huge amount of influence from Magma. Their sound is more guitar-centric than Magma ever were. On a technical level, the musicianship and compositions are complex. For all its oddness, it’s surprisingly catchy, and it is somewhat unusual for a zeuhl act to have guitar as its main instrument. But in the end, this release mostly sounds like an updated version of Attahk. If you like zeuhl, give it a listen, but don’t expect anything groundbreaking.
Score: 73/100 Continue reading “Odds & Ends – May 18, 2020”
Band: Pinkish Black | Album: Concept Unification | Genre: Space rock, Gothic rock, Experimental rock | Year: 2019
From: Austin, USA | Label: Relapse Records
For fans of: Van der Graaf Generator, Bauhaus, Magma
Buy: Bandcamp | Amazon | Apple Music
It’s really tough for me to describe Pinkish Black. I love their music; it’s a fantastic, innovative blend of different genres, but it’s packaged in such a way that they’re tough to sum up. The band consist of a keyboards-and-drums duo, but they’re on a metal label and are often mentioned in the same breath as doom metal bands. I’ve heard them referred to as “doom metal for people who don’t like metal,” which isn’t a terrible description. The music is heavy, in that it’s emotionally weighty. My go-to word for describing these guys is gloomy. At the same time, mixed in with this melancholy is a keen sense of musical adventurousness and ambition. The lush synth tones resemble those of acts like Eloy and Ozric Tentacles, though little else in this band’s repertoire resembles those acts.
Concept Unification is Pinkish Black’s fourth full-length album and their first in four years. Their last release, 2015’s Bottom of the Morning, was one of that year’s highlights. Compared to past releases, the sound palette here is very similar: spacy, echoed vocals; bass-heavy piano; lush, cosmic synthesizers; and sparse but powerful drumming. The songs on this album are more experimental and ambitious than past releases. This record is probably their most challenging release, though highly rewarding. Continue reading “Album Review: Pinkish Black – Concept Unification”
Odds and Ends is a segment where I do brief reviews of albums I either didn’t prioritize for longer-form reviews, or ones for which I don’t have that much to say.
Band: Cosmocracy, Inc. | Album: A Ride Across Your Mind | Genre: Progressive rock, Psychedelic rock | Bandcamp
This is a delightful album. It’s a high-energy, progressive garage rock piece, and it’s a ton of fun. The guitars have a distinctly bluesy twinge, and the keyboards lend a wide, galactic atmosphere. The bass tone used here comes across as downright funky. The vocals are a little rough and weak, but I’m hoping that’ll be improved on future releases. This band have some room for improvement, but they’re starting off strong.
Score: 80/100 Continue reading “Odds and Ends – February 18, 2019”