Album Review: Geordie Greep – The New Sound

Artist: Geordie Greep | Album: The New Sound | Genre: Progressive rock | Year: 2024

From: London, UK | Label: Rough Trade

For fans of: black midi (duh), Frank Zappa, Sleepytime Gorilla Museum

Geordie Greep is the vocalist and guitarist for the recently-disbanded avant-prog band black midi. That act made quite a name for themselves over their last two albums, Cavalcade and Hellfire, both of which I like a lot. Their dissolution was sudden and seemed to catch everyone by surprise, but Geordie–whose unique voice and jumpy, angular guitar were key elements of their sound–has come out with his solo debut

The New Sound is a sprawling double-album that largely carries black midi’s flame. Some of his former band’s songs featured the occasional tropicalia influence, but that element is much more prominent here. Avant-garde tendencies are toned down, and jazziness is cranked up. Much of this record was recorded in Brazil with local musicians, so that likely further solidified Greep’s clear underlying love for this style of music.

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Album Review: Cime – The Cime Interdisciplinary Music Ensemble

Band: Cime | Album: The Cime Interdisciplinary Music Ensemble | Genre: Avant-prog, Art-punk | Year: 2024

From: Aliso Viejo, USA | Label: Independent

For fans of: black midi, At the Drive-In, Frank Zappa

Bandcamp

Monty Cime is the eponymous leader of this album’s titular ensemble. She covers vocals and bass, but beyond her, a huge cast of other musicians pitch in to flesh things out. On the Bandcamp page for this record, a friend of Monty’s describes how she recorded all the demos on a guitar and a cheap keyboard in their closet over the span of several days. It really is impressive knowing that these huge, sprawling, and lush tracks had such humble origins.

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Album Review: Papangu – Lampião Rei

Band: Papangu | Album: Lampião Rei | Genre: Progressive rock, Zeuhl, Jazz-rock | Year: 2024

From: João Pessoa, Brazil | Label: Chumbo Grosso Records

For fans of: Magma, King Crimson, Sigh, Herbie Hancock’s ‘70s stuff

Bandcamp

Papangu are back three years after their absolutely spectacular debut album, Holoceno. Their new album, Lampião Rei, carries on in their unique vein of zeuhl, prog, and metal, but there have been some changes between the records. Holoceno is an unrelenting assault of Magma-tinged sludge metal. It’s an eco-apocalyptic tale, and the music serves to build intense senses of dread and unease. Lampião Rei, in contrast, is quite a bit lighter. Significant chunks of this album are metallic, but the band draws more clearly from jazz and classic prog here.

Part of the reason for this shift in sound (aside from adding new members to the band) is that the subject matter here isn’t quite as grim as on their debut. It tells the story of Lampião, a Brazilian bandit leader and folk hero whose heyday was in the 1920s and 30s. This album doesn’t cover Lampião’s betrayal, capture, and beheading (though the band says they’ll do that on a future release), so there isn’t the same need for Holoceno’s oppressive mood.

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Best of 2023: Cool Songs

Welcome to the fifth annual installment of The Elite Extremophile’s Top Prog Releases. 2023 was an exceptional year for prog and prog-adjacent genres, and I was left with a glut of good music that wasn’t going to make my year-end lists. Even in less-stellar years, there are often records that I’m overall unimpressed with, which just so happen to have a great song or two on them. Thus, from a desire to not give such releases the short shrift, I’ve decided to highlight ten Cool Songs from this year.

This segment is meant to show off great tracks that otherwise do not appear on my year-end lists. If a release makes my best EPs or best albums list, it is disqualified from appearing in this particular segment.

Without further ado, let’s get to it!

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Odds & Ends: September 4, 2023

Band: Grant the Sun | Album: Voyage | Genre: Post-metal | Bandcamp

I liked this band’s 2019 EP, Sylvain, so when I saw they were putting out a full-length release, I made sure to put it on my docket. The music here is heavy and moody, occasionally with vocals. Guitar lines are both gritty and expansive, and there are a lot of wonderful textural contrasts. I’m not sure there are enough ideas here to warrant a full album, but this would have made a pretty decent long EP if they trimmed off a couple songs. The playing is great, and I’m especially fond of the guitar tones they chose. But post-metal is simply a genre where songs can quite easily start sounding too similar to one another for me.

Score: 73/100

Artist: Bobby Lee | Album: Endless Skyways | Genre: Krautrock, Americana | Bandcamp

This record is full of dreamy, floating guitar lines and airy, otherworldly atmospheres. The influences of acts like Neu! and Hawkwind are evident, but the occasional twang of slide guitar or folky acoustic strum helps keep this album in fairly unique territory. The blend of country, psychedelia, and krautrock is pulled off very well here.

Score: 77/100

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Top 50 Prog Albums of 2022, Part 1: 50-26

Welcome to the first half of The Elite Extremophile’s Top 50 Prog Albums of 2022. This article covers spots 50-26, and the top 25 can be found here!

Full disclosure: the label of “2022” is not entirely accurate. The music featured here covers December 2021 through November 2022. Trying to find new music in the month of December is a fool’s errand, as much of my time during that month is occupied with writing and editing this list.

As I always say, I’m sure there are some excellent albums not included in my list. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affects the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.

2022 wound up being a decent overall year for prog. It felt as if the year started off slowly, and there definitely were fewer albums that truly knocked my socks off, as compared to other years. However, there was still a lot of super-solid prog, psych, and otherwise-weird and experimental music to be heard. And I listened to more albums than ever before, which allowed me to draw from a larger pool. That meant I had to make some tough decisions about the final composition of this list, and deciding on the final order was challenging. Outside of the top 7 or 8, most of these albums could have easily been placed several spots higher or lower, depending on my mood.

Now, let’s get to it!

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Album Review: Magma – Kãrtëhl

Band: Magma | Album: Kãrtëhl | Genre: Zeuhl, Jazz-rock | Year: 2022

From: Paris, France | Label: Seventh Records

Bandcamp

Magma returns with a new studio album and a frustrating set of diacritics that make writing about this album in Google Docs a hassle. Kãrtëhl follows 2019’s Zëss, the conclusion of the Kobaïa mythos, so I have no idea where (or if) this fits into the story of the Kobaïans. (For more on that, check out my Magma Deep Dive!)

Where Zëss ended things on a bit of a somber note, Kãrtëhl has a noticeably sunnier disposition. It’s distinct from Félicité Thösz, but it shares that same general uplifting hopefulness. Magma has always been good at conveying emotion, whether it be the doom-and-gloom of “De Futura” or the celebratory warmth of “Öhst”.

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Odd & Ends – November 7, 2022

Band: Arkheth | Album:Clarity Came with a Cool Summer’s Breeze | Genre: Progressive metal, Psychedelic metal | Bandcamp

I’ve run across a number of acts claiming to be psychedelic metal, but not many actually pull it off. This Australian act manages to deliver on that promise, though. Psych, folk, and jazz are blended with blazing black and death metal to make an alluring sound. The album drifts along with gentle atmospherics at some points, but there’s no shortage of metallic aggression. Hints of Agalloch-ian post-metal crop up on occasion, and this whole release is very well-put-together.

Score: 81/100

Band: Gospel | Album: The Loser | Genre: Progressive rock | Bandcamp

I covered Gospel’s 20-minute single “MVDM” earlier this year, but this album came out about two months before that. The Loser is Gospel’s second full-length release, following their 2005 debut. In that 17-year hiatus, it’s evident the band crafted the best songs they could. The blending of top-notch instrumental skills, complex but concise compositions, and the raw power of their post-hardcore roots makes for a deeply engaging listen. Every song on this album is an exhilarating thrill ride. If the disappointment of the new Mars Volta album left you with an itch for aggressive, engaging prog, then this album should help out.

Score: 84/100

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Lesser-Known Gem: Czesław Niemen – Niemen vol. 2 & Niemen vol. 1 (Marionetki)

Artist: Czesław Niemen | Album:Niemen vol. 2 & Niemen vol. 1 | Genre: Avant-prog, Jazz-rock | Year: 1972

From: Stare Wasiliszki, Poland (now Staryya Vasilishki, Belarus) | Label: Polskie Nagrania

For fans of: Van der Graaf Generator, Pink Floyd c. 1969-1970, Area, King Crimson’s ‘70s stuff, Miles Davis

Listen

Halloween is on a Monday this year, so I figured this would be a good opportunity to get spooky with a Lesser Known Gem. I compiled a short list of about ten albums from which to choose. Some, like Jacula’s In Cauda Semper Stat Venenum, were written to be as occultic and creepy as possible. Others, like Message’s From Books and Dreams, were considered more for their album art. In the end, I decided on a pair of Czesław Niemen albums, Niemen vol. 2 and Niemen vol. 1.

Czesław Niemen (pronounced roughly Chess-woff Nyem-en) is an artist I’ve wanted to talk about for a while. Sort of like Guruh Gipsy were a big deal in Indonesia while remaining obscure elsewhere, Niemen is a major figure in the history of 20th Century Polish music. The National Bank of Poland has released three commemorative coins with his likeness, multiple streets around Poland bear his name, and his childhood home in modern-day Belarus has been converted into a museum.

After starting out playing straightforward rock and soul in the 1960s, his 1970 album Enigmatic saw him radically shift his style to the emergent genre of progressive rock. From 1971-1973, his backing band was the Silesian Blues Band, who eventually shortened their name to SBB and became another highly-influential prog act in their own right. (They are also a band I’ve considered for a future Deep Dive, though that’s far from imminent.)

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Album Review: Knekklectric – Alt blir verre

Band: Knekklectric | Album:Alt blir verre | Genre: Progressive rock | Year: 2022

From: Bergen, Norway | Label: Apollon Records

For fans of: Once and Future Band, Beardfish, PFM

Bandcamp

I have repeatedly raised the point on this site that Scandinavia (or the Nordic countries, or however you want to define Iceland, Norway, Denmark, Sweden, and Finland) punch above their weight in the world of rock music. Based on their populations, those five countries (though less so with Denmark) comprise a disproportionately large chunk of my library. Today I’m specifically focusing on the Norwegian act Knekklectric.

Alt blir verre (Eng: Everything Gets Worse) is their first new full-length since 2017. The brand of music they play is fun, clever, and overall relatively sunny, especially when compared to some of their compatriots. Their lyrics are also in a non-standard dialect of Norwegian (the sociolinguistics of Norwegian are quite complicated), so I had to make some slight guesses when translating song titles.

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