Odds & Ends – February 16, 2021

Band: Børeal | Album: Las Mariposas Agitan Sus Alas | Genre: Progressive rock, Alt-metal | Bandcamp

The debut EP of this Colombian four-piece combines the gritty, dirty guitar tones of early-‘00s alt-metal with engaging melodies, and diverse song structures. “Homo Homini Lupus” is a highlight, with its rolling rhythm and descending chorus. The band’s eponymous song closes out this brief release, and it’s my favorite of the bunch. This song is weird and draws the most heavily from modern metal. Some moments on this EP are a bit too evocative of the weaker elements of alt-metal, and some of the catchier melodies feeling incongruous against the harsh backing. Overall, it’s an enjoyable release.

Score: 79/100

Band: Dancing Sun | Album: Heart Tales | Genre: Progressive metal, Psychedelic rock | Bandcamp

There’s a lot of variance in the styles and discernable influences on these individual tracks. While a somewhat heavy album overall, some songs go all-in on metal influences, while others draw from jazzier corners. Heart Tales’ longer songs are the obvious high points. The extra space allows Dancing Sun to have the most fun with structure. I’m not wild about the vocals on this album, but if you’re able to move beyond it (like I was), or if you wind up enjoying them, there’s some very good music here.

Score: 77/100

Continue reading “Odds & Ends – February 16, 2021”

Odds & Ends – December 7, 2020

Band: Alustrium | Album: Insurmountable | Genre: Death metal, Progressive metal | Bandcamp

The music on this EP is played with incredible precision, and the density of riffs-per-minute is impressively high. However, it also feels like this band’s main goal was to play as fast as possible, and even across such a short EP, that gets exhausting. There’s also nothing particularly unique about this release; this is rather boilerplate tech-death.

Score: 68/100

Band: Esthesis | Album: The Awakening | Genre: Progressive rock | Bandcamp

This band heavily channels Porcupine Tree in just about every regard. It’s a skillful facsimile, right down to the tones of the individual instruments, and the songs are well structured. There is also the occasional outside influence, such the odd jazzy lick here or there. On the downside, this album is pretty long-winded. Only one of the six songs comes in under eight minutes, and most cuts could have benefitted from some trimming.

Score: 70/100

Continue reading “Odds & Ends – December 7, 2020”

Odds & Ends – November 16, 2020

Band: Arcade Messiah | Album: The Host | Genre: Progressive rock, Progressive metal | Bandcamp

Arcade Messiah is a one-man project out of Ireland that mixes progressive rock and metal with earworm melodies and intriguing electronic touches. Hints of post-rock and stoner metal permeate this album, and each song works wonderfully with the next. This release reminds me a lot of ADHD-era Riverside with its strong hooks, varied textural palette, and adventurous spirit. The Host artfully threads the needle in a way that many acts are unable to. This album strikes a balance of metallic bombast and smooth melodicism.

Score: 89/100

Band: Babel Trio | Album: The Martyr | Genre: Stoner metal, Progressive metal, Greek folk | Bandcamp

I’ve previously discussed this Cretan trio, and I found their blend of Greek folk melodies, progressive songwriting, and sunbaked fuzz truly refreshing. In lieu of guitar, the lead instrument in this band is a modified electric lute, which imbues the songs with a unique timbral quality. The Martyr took a bit longer for me to get into than their previous album, but it gradually grew on me over several listens. This distinctly Hellenic stoner metal kept drawing me back in with its uncommon melodies and well-structured compositions. Compositions range from charging to plodding, and that diversity of atmosphere serves this record well.

Score: 80/100

Continue reading “Odds & Ends – November 16, 2020”

Album Review: Guppy Fish – The Fall of Man

gfBand: Guppy Fish | Album: The Fall of Man | Genre: Progressive rock, Progressive metal | Year: 2020

From: Athens, Greece | Label: Independent

For fans of: Opeth, Riverside, Porcupine Tree

Bandcamp | Spotify

I’ve largely been unimpressed with Opeth’s pivot away from death metal. A lot of their recent output has felt flaccid and derivative in an oversaturated retro-prog scene. However, the full-length debut of Greek act Guppy Fish covers the territory I’d always hoped Mikael Åkerfeldt and his crew would. The Fall of Man isn’t exactly a metal album, though it often flirts with the territory. The music is both grand and gloomy. The shadows cast by the giants of the genre are readily evident, but this album stands on its own.

This album’s title track aptly sets the mood as its opener. An eerie, watery guitar arpeggio bursts forth from its quiet beginning into the looming verses. A jagged, irregular riff is deployed to great effect between verses. Two-layered vocal arrangements are utilized both here and throughout the rest of the album to add a layer of depth. Continue reading “Album Review: Guppy Fish – The Fall of Man”

Album Review: Custard Flux – Oxygen

cfBand: Custard Flux | Album: Oxygen | Genre: Progressive rock, Progressive folk, Psychedelic folk | Year: 2020

From: Detroit, USA | Label: Independent

For fans of: Comus, Van der Graaf Generator, Jan Dukes de Grey

Bandcamp 

Custard Flux is the brainchild of Detroit-based multi-instrumentalist and songwriter Gregory Curvey, and this is one of the more unique acts currently active in the progosphere. Custard Flux is a (almost) fully-acoustic band, with electric instrumentation being limited to a small number of guitar solos on this band’s first two albums. Acoustic guitar and harmonium have been the primary instruments this act’s sound has been built around.

Oxygen is Custard Flux’s third album in as many years, and it’s their best and most diverse yet. While the sound is still primarily acoustic, it’s been augmented with ample saxophone and violin. Electric guitar—in its rare appearances—feels more integral to the compositions, rather than being a solo laid on top of a fully-acoustic piece. The compositions are also the most daring and progressive they’ve recorded yet. Continue reading “Album Review: Custard Flux – Oxygen”

Album Review: Elder – Omens

elderBand: Elder | Album: Omens | Genre: Progressive rock, Stoner metal | Year: 2020

From: Boston, USA (Originally); Berlin, Germany (Currently) | Label: Armageddon (US), Stickman (EU)

For fans of: Mastodon, Tool, Pink Floyd

Buy: Bandcamp | Amazon | Apple Music

Over the last few years, Elder have established themselves as one of the most interesting acts in progressive rock. Their albums Lore and Reflections of a Floating World deftly blended prog and psychedelia with a stoner metal backbone, and their 2019 EP The Gold & Silver Sessions saw heavy incorporation of krautrock and jam band influences.

The recording of Omens, Elder’s fifth full-length release, marked several major changes for the band. The most obvious of which was that the band underwent their first-ever lineup change to introduce a new drummer and guitarist/keyboardist. The band also relocated from Boston to Berlin, and the press for this record leading up to its release emphasized this state of change. Sonically, the most obvious change over previous releases is the widespread incorporation of synthesizers. Overall, though, Omens doesn’t stray that far from Elder’s typical sound; all in all, they’ve just added a few baubles. Continue reading “Album Review: Elder – Omens”

Odds & Ends – March 9, 2020

a1331639050_10Band: Ak’chamel, The Giver Of Illness | Album: The Totemist | Genre: Krautrock, Psychedelic folk | Bandcamp

The Totemist is a swirl of ritualistic atmosphere and repetition. The murky aura augments the contrasts between the sharp notes of the acoustic instruments and the omnipresent, sinister drone. The compositions morph in naturalistic ways, and subtle touches of jazz are worked in amid the faux-shamanic folk, resulting in something quite creative.

Score: 75/100

a2807075973_10Band: Cthulhu Rise | Album: Last | Genre: Progressive rock, Jazz-fusion | Bandcamp

This instrumental Ukrainian band reminds me a lot of Liquid Tension Experiment. The roots of the act’s sound clearly derive from Dream Theater-style melodic prog metal, but jazz plays a large role here too. The individual musicians flaunt their chops on the three songs here, but the soloing always comes off as purposeful. Each track is full of surprising twists and turns, with few ideas sticking around for more than about a minute at a time. Somehow, it avoids feeling disjointed.

Score: 84/100 Continue reading “Odds & Ends – March 9, 2020”