Album Review: Dreadnought – The Endless

Band: Dreadnought | Album:The Endless | Genre: Progressive metal, Post-metal | Year: 2022

From: Denver, USA | Label: Profound Lore

For fans of: Tool, Neurosis, Panopticon, Baroness

Denver’s Dreadnought are back with their fifth full-length album, The Endless. Their previous release, 2019’s Emergence, was a wonderful evolution in their sound. It demonstrated continuity with the sounds of their prior records while also being distinct within their discography.

In many ways, my assessment of The Endless is pretty similar. This album sees the band moving slightly away from their doom metal roots and incorporating a greater amount of post-metal influence. The band continues to demonstrate excellent compositional skill, and the interplay of the dual vocalists is wonderful. The songs here are slightly terser than usual, with none topping 10 minutes.

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Odds & Ends: August 1, 2022

Band: Bekor Qilish | Album:Throes of Death from the Dreamed Nihilism | Genre: Black metal, Progressive metal | Bandcamp

Bekor Qilish is a one-man project hailing from Italy. The songs are full of high-energy shredding, technical soloing, and some really great keyboard textures. The production is fantastic, as well. This release (the title of which is impressively cliche for the famously-verbose world of one-man black metal projects) clocks in at under 30 minutes, and that works in its favor. There is absolutely no fat to trim, even in the sprawling and atmospheric closing track.

Score: 85/100

Band: Birth | Album: Born | Genre: Progressive rock, Psychedelic rock | Bandcamp

I really liked Birth’s self-titled EP last year, and their debut LP contains rerecorded versions of those three songs. The album as a whole is a bit mixed, however. Songs like “Cosmic Tears” and “For Yesterday” are fun, engaging slices of retro-prog. They’re obviously going for the sounds of 1969, but it’s well-enough played and written that I don’t mind. But then others, like “Descending Us” and “Another Time” lack that spark, making the retro sound feel more like a crutch. Overall, there’s a lot to like here, but it’s not without its drawbacks.

Score: 70/100

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Odds & Ends: June 14, 2022

Band: Athak | Album:ATHAK XI – Dihmin Ïszhe | Genre: Zeuhl, Jazz-fusion | Bandcamp

This Hong Kong-based act plays a variety of music very heavily inspired Magma. This zeuhl is relatively dark, and its most evocative of Üdü Ẁüdü.It’s fine overall–well played, with some interesting motifs. However, Athak does nothing to differentiate themselves from Magma. A lot of this simply sounds like a rough draft of a Magma record.

Score: 68/100

Band: Epitaphe | Album: II | Genre: Black metal, Progressive metal, Post-metal | Bandcamp

The second full-length album from this French act consists of three massive epics bookended by a pair of brief, gentle pieces. The first two of the epics are enjoyable, if somewhat typical, prog-black metal. There are lots of twisting riffs and thundering guitars, and it is very good. There’s just not much that makes it stand out. The third epic, though, leans more into death-doom, which simply isn’t that common of a genre.

Score: 74/100

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Odds & Ends: February 7, 2022

Bands: Elder & Kadavar | Album:Eldovar: A Story of Darkness & Light | Genre: Progressive rock, Heavy psych | Bandcamp

Even though I wasn’t wild about Omens, I would consider myself an Elder fan, so I was intrigued when I saw the announcement for their new project. Kadavar, though, was a complete unknown to me. Had I not been told that this was a collaboration record, I likely wouldn’t have guessed it was anyone other than Elder, aside from the vocals on certain tracks. Eldovar has lots of spaced-out prog and psychedelic melodies, and it’s mostly pretty strong. There is almost no metal on this record, with the overall sound being rooted more firmly in classic prog.

Score: 79/100

Band: Giant Hedgehog | Album: Im Siel | Genre: Progressive rock | Bandcamp

This instrumental album tactfully blends progressive rock with folk and jazz flavors for an enjoyable experience. The 24-minute title track is especially strong, featuring jagged guitars and buttery-smooth saxophone in wonderful complement to one another. I would recommend this album to fans of Agusa or Änglagård.

Score: 78/100

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Top 50 Prog Albums of 2021, Part 2: 25-1

Welcome to Part 2 of The Elite Extremophile’s Top 50 Prog Albums of 2021. In case you missed Part 1, it can be found here.

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Odds & Ends: October 4, 2021

Band: Ars de Er | Album:Other Side | Genre: Progressive rock, Avant-prog | Bandcamp

Ars de Er’s last album leaned heavily into avant-prog and RIO, but Other Side is a little more grounded in “traditional” prog. There are especially strong echoes of Porcupine Tree’s heavier stuff, like Fear of a Blank Planet. This album still has plenty of influences from jazz and modern classical music, which makes the overall palette well-balanced and diverse.

Score: 74/100

Band: Bantamweight | Album: Sounds + Haptics | Genre: Experimental rock | Bandcamp

This is a loud, unsubtle record. The mixture of metal, rock, and electronic elements are utilized to pummel the listener. It’s an intense listen, so in this case the album’s short runtime (only 29 minutes) is a virtue. A runtime of more than 30 minutes would have run the risk of becoming too exhausting. Beyond the intensity, the compositions are creative and full of great textural contrasts. The vocals are powerful and impassioned, and the array of synth tones are able to conjure a wide ray of moods and emotions.

Score: 80/100

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Album Review: Stone Healer – Conquistador

Band: Stone Healer | Album: Conquistador | Genre: Progressive metal | Year: 2021

From: Mansfield, USA

For fans of: Howling Sycamore, Baroness, Isis

Bandcamp

Over the last few years, I’ve run across a number of bands which fuse the harsh aggression of black metal with more melodic influences and often-clean vocals. Acts like Howling Sycamore and Antisoph were my primary introduction to this style, and Stone Healer is a recent discovery who might be my favorite of the bunch, so far.

Not only do they meld the more extreme end of metal with something a bit more accessible, they often toss in post-metal, folk, and alt-rock touches. This results in a rich, varied record that also feels like one cohesive work.

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Odds & Ends: May 4, 2021

Band: Cicada the Burrower | Album: Corpseflower | Genre: Black metal, Progressive metal | Bandcamp

Corpseflower is a record built around contrasts. One moment, the music is based around murky vocals and jazzy clean guitars, and the next it’s all harsh shrieks and icily distorted guitars. The instrumental work is deft, and the compositional choices are diverse and interesting. My only real complaint is that the two lengthy instrumental cuts feel too long. It’s not a fatal flaw by any means, but both could have been tightened up.

Score: 78/100

Band: Cosmic Void | Album: All Is Lost in Time | Genre: Black metal, Post-metal | Bandcamp

This 30-minute EP doesn’t stray too far outside the normal aesthetic bounds of somewhat-proggy post-black-metal, but it’s done quite well. The quiet moments are haunting with folky undertones, and the loud moments manage to be both icy and expansive. There are some rather inventive riffs and plenty of uncommon chords. I’m also impressed by the structuring of the four songs here. Though the tones and textures are typical of post-black-metal, the songs’ structures are more akin to classic prog acts with multiple distinct movements.

Score: 83/100

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Album Review: Frummyrkrið – Dauðans Myrkri

Band: Frummyrkrið | Album: Dauðans Myrkri | Genre: Post-metal, Black metal, Progressive metal |

From: Akureyri, Iceland | Label: Independent

For fans of: Enslaved, Misþyrming

Bandcamp

Edit: This band’s Bandcamp page has vanished, and there does not currently seem to be a legit way to acquire this album. There are also rumors that this band is actually Brazilian, but I have not found any confirmation on that. I will update this as more info comes out.

I’ve previously talked about countries punching above their weight in musical influence relative to their population. Arguably, no country does this better than Iceland. With a population smaller than most mid-sized cities, this island nation has an impressive crop of musical ambassadors representing post-rock (Sigur Rós), black metal (plenty of acts, but most notably Sólstafir and Misþyrming), and whatever the fuck Björk is (Björk).

Frummyrkrið (Icelandic for “Primordial Darkness”) is a new band composed of three siblings. Dauðans Myrkri (The Darkness of Death) is an impressive debut which skillfully weaves influences such as traditional prog, ambient music, and “Viking metal” into distinctive Icelandic black metal. (I could write a whole rant on my distaste for the term “Viking metal,” but it does conjure up a specific style of music which is applicable here.)

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Top 50 Prog Albums of 2020, Part 1: 50-26

Welcome to Part One of TheEliteExtremophile’s Top 50 Prog Albums of 2020, this site’s second-annual best-of list. It’s also my tenth year of writing year-end music roundups. The first eight were posted on my personal Facebook. Check out Part 2 here.

2020 was a banner year for progressive rock and progressive metal. There were so many fantastic albums released, and paring this list down to just 50 was often a painful process. Even more difficult was deciding on the exact order of these albums.

Like I said last year, I’m sure there are some excellent albums not included. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.

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