Welcome to Part 2 of The Elite Extremophile’s Top 50 Prog Albums of 2021. In case you missed Part 1, it can be found here.
Continue reading “Top 50 Prog Albums of 2021, Part 2: 25-1”Top 50 Prog Albums of 2021, Part 2: 25-1
Tag: post metal
Odds & Ends: October 4, 2021
Band: Ars de Er | Album:Other Side | Genre: Progressive rock, Avant-prog | Bandcamp
Ars de Er’s last album leaned heavily into avant-prog and RIO, but Other Side is a little more grounded in “traditional” prog. There are especially strong echoes of Porcupine Tree’s heavier stuff, like Fear of a Blank Planet. This album still has plenty of influences from jazz and modern classical music, which makes the overall palette well-balanced and diverse.
Score: 74/100
Band: Bantamweight | Album: Sounds + Haptics | Genre: Experimental rock | Bandcamp
This is a loud, unsubtle record. The mixture of metal, rock, and electronic elements are utilized to pummel the listener. It’s an intense listen, so in this case the album’s short runtime (only 29 minutes) is a virtue. A runtime of more than 30 minutes would have run the risk of becoming too exhausting. Beyond the intensity, the compositions are creative and full of great textural contrasts. The vocals are powerful and impassioned, and the array of synth tones are able to conjure a wide ray of moods and emotions.
Score: 80/100
Continue reading “Odds & Ends: October 4, 2021”Album Review: Stone Healer – Conquistador
Band: Stone Healer | Album: Conquistador | Genre: Progressive metal | Year: 2021
From: Mansfield, USA
For fans of: Howling Sycamore, Baroness, Isis
Over the last few years, I’ve run across a number of bands which fuse the harsh aggression of black metal with more melodic influences and often-clean vocals. Acts like Howling Sycamore and Antisoph were my primary introduction to this style, and Stone Healer is a recent discovery who might be my favorite of the bunch, so far.
Not only do they meld the more extreme end of metal with something a bit more accessible, they often toss in post-metal, folk, and alt-rock touches. This results in a rich, varied record that also feels like one cohesive work.
Continue reading “Album Review: Stone Healer – Conquistador”Odds & Ends: May 4, 2021
Band: Cicada the Burrower | Album: Corpseflower | Genre: Black metal, Progressive metal | Bandcamp
Corpseflower is a record built around contrasts. One moment, the music is based around murky vocals and jazzy clean guitars, and the next it’s all harsh shrieks and icily distorted guitars. The instrumental work is deft, and the compositional choices are diverse and interesting. My only real complaint is that the two lengthy instrumental cuts feel too long. It’s not a fatal flaw by any means, but both could have been tightened up.
Score: 78/100
Band: Cosmic Void | Album: All Is Lost in Time | Genre: Black metal, Post-metal | Bandcamp
This 30-minute EP doesn’t stray too far outside the normal aesthetic bounds of somewhat-proggy post-black-metal, but it’s done quite well. The quiet moments are haunting with folky undertones, and the loud moments manage to be both icy and expansive. There are some rather inventive riffs and plenty of uncommon chords. I’m also impressed by the structuring of the four songs here. Though the tones and textures are typical of post-black-metal, the songs’ structures are more akin to classic prog acts with multiple distinct movements.
Score: 83/100
Continue reading “Odds & Ends: May 4, 2021”Album Review: Frummyrkrið – Dauðans Myrkri
Band: Frummyrkrið | Album: Dauðans Myrkri | Genre: Post-metal, Black metal, Progressive metal |
From: Akureyri, Iceland | Label: Independent
For fans of: Enslaved, Misþyrming
Edit: This band’s Bandcamp page has vanished, and there does not currently seem to be a legit way to acquire this album. There are also rumors that this band is actually Brazilian, but I have not found any confirmation on that. I will update this as more info comes out.
I’ve previously talked about countries punching above their weight in musical influence relative to their population. Arguably, no country does this better than Iceland. With a population smaller than most mid-sized cities, this island nation has an impressive crop of musical ambassadors representing post-rock (Sigur Rós), black metal (plenty of acts, but most notably Sólstafir and Misþyrming), and whatever the fuck Björk is (Björk).
Frummyrkrið (Icelandic for “Primordial Darkness”) is a new band composed of three siblings. Dauðans Myrkri (The Darkness of Death) is an impressive debut which skillfully weaves influences such as traditional prog, ambient music, and “Viking metal” into distinctive Icelandic black metal. (I could write a whole rant on my distaste for the term “Viking metal,” but it does conjure up a specific style of music which is applicable here.)
Continue reading “Album Review: Frummyrkrið – Dauðans Myrkri”Top 50 Prog Albums of 2020, Part 1: 50-26
Welcome to Part One of TheEliteExtremophile’s Top 50 Prog Albums of 2020, this site’s second-annual best-of list. It’s also my tenth year of writing year-end music roundups. The first eight were posted on my personal Facebook. Check out Part 2 here.
2020 was a banner year for progressive rock and progressive metal. There were so many fantastic albums released, and paring this list down to just 50 was often a painful process. Even more difficult was deciding on the exact order of these albums.
Like I said last year, I’m sure there are some excellent albums not included. This site is a one-man operation (in relation to reviewing, that is; my editors, Kelci and Dan, have been tremendously helpful), and I simply cannot listen to everything that gets released. I also have my personal biases against some rather popular trends in prog, which affected the composition of this list. But if you’ve got recommendations, do not hesitate to shoot them my way.
Continue reading “Top 50 Prog Albums of 2020, Part 1: 50-26”Odds & Ends – December 14, 2020
Band: Avandra | Album: Skylighting | Genre: Progressive metal, Progressive rock | Bandcamp
After this band’s stellar debut last year, Skylighting has come as something of a disappointment. This is still a metal album, but only barely. They went in harder on ballads and gentle pieces, and the distinctive vocals—one of the strengths of Descender—wear thin on this record. All in all, much of the album’s atmosphere comes off as mushy and indistinct. There is some very good music here, particularly in the album’s second half, but this turn toward gentleness is disappointing.
Score: 59/100
Band: Dysylumn | Album: Cosmogonie | Genre: Post-metal, Progressive metal | Bandcamp
This churning maelstrom of an album relentlessly pushes forward with its crashing walls of distortion, enticing melodies, and unpredictable structural turns. Dysylumn blend the best textural elements of atmospheric black metal with a more urgent undercurrent. This is a pretty long record, clocking in at nearly 80 minutes, but it feels like it needs that length. It doesn’t meander or lose focus, but Cosmogonie does require patience.
Score: 80/100
Continue reading “Odds & Ends – December 14, 2020”Odds & Ends – November 30, 2020
Band: Giraffes? Giraffes! | Album: Rite of Summer | Genre: Post-rock, Math rock | Bandcamp
Giraffes? Giraffes! is one of my favorite math rock bands, and this EP—consisting of just one 15-minute song—more than lives up to expectations. As is to be expected from this duo, the guitars are nimble, the drumming is deft, and the multi-parted composition keeps you guessing. The sounds range from blazing, finger-twisting licks to mellow psych-folk, and it all works beautifully.
Score: 88/100
Band: Firelink | Album: Firelink | Genre: Atmospheric black metal, Progressive metal | Bandcamp
I like Firelink’s self-titled sophomore album, but it doesn’t do too much to stand out from similar acts. The songs are well-constructed and well-played proggy black metal with atmospheric leanings, but nothing about it differentiates it from the rest of the rather saturated black metal field. Every now and then, I’m just in the mood for some good ol’ black metal shredding, and this is great for that. Just don’t go into this expecting anything all that distinctive.
Score: 68/100
Continue reading “Odds & Ends – November 30, 2020”Odds & Ends – August 17, 2020
Band: Abstracción | Album: Abstracción | Genre: Progressive rock, Psychedelic rock | Bandcamp
The debut EP from this Spanish septet draws heavily from the sound of Jethro Tull’s early material, and the liberal inclusion of sitar adds a late-‘60s psychedelic folk feel to the mix. Swirling Hammond organ and echoing electric guitar lines keep the atmosphere lush, while vocalist Catalina Requena’s willowy delivery occasionally bleeds into the instrumental elements. Each song is distinct, but the tonal continuity between the pieces keeps this recording cohesive and coherent.
Score: 81/100
Band: Ars de Er | Album: La Métamorphose | Genre: Progressive rock | Bandcamp
I’ve run across more Belarusian prog bands while writing for this site than I ever anticipated. The latest of these is the one-man act Ars de Er, which incorporates hefty doses of classical and jazz. Strange harmonizations predominate on La Métamorphose, drawing comparisons to the original big names of avant-prog and RIO. Heavy, metallic guitar lines underpin moments of furious soloing and chaotic rhythms. The atmosphere on this record is oppressive. The strange, diminished chords and haunting keyboard textures make for an anxious, claustrophobic feel.
Score: 80/100 Continue reading “Odds & Ends – August 17, 2020”
Album Review: Nord – The Only Way To Reach The Surface
Band: Nord | Album: The Only Way To Reach The Surface | Genre: Post-metal, Progressive rock, Post-hardcore | Year: 2020
From: Paris, France | Label: Klonosphere/Season of Mist
For fans of: The Dear Hunter, Sólstafir, Leprous, The Mars Volta, RX Bandits
When I first ran across Parisian quartet Nord’s second full-length album, The Only Way To Reach The Surface, I was initially leery, due to some of the genre tags on Bandcamp. “Djent” is something that always causes me a lot of apprehension, and “post-hardcore” indicates there’s a good chance I’ll hate the vocals. However, the djent influences are minor, and the way the post-hardcore manifests itself is mostly in the instrumental elements, much like The Mars Volta’s early work.
Structurally, this album follows a loose pattern for its first eight songs. Starting with its first track, “I. Love”, the album establishes a dreamy atmosphere. A soft synth pad drones under synthesized vocals, occasionally embellished with clean guitars. The transition to “II. Violent Shapes” is a sharp one, though, as that song explodes with black metal fury out of the gate. Blast beats and evil-sounding shredding smoothly mutate lighter post-punk tones, but the music shifts back and forth between those two poles, with ample math rock fills along the way. Continue reading “Album Review: Nord – The Only Way To Reach The Surface”
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